The Mists of Avalon
| File:Mists of avalon book cover.jpg | |
| Author | Marion Zimmer Bradley |
|---|---|
| Cover artist | Braldt Bralds |
| Language | English |
| Series | Avalon Series |
| Genre | Fantasy novel |
| Publisher | Alfred A. Knopf |
Publication date | January 1983 |
| Publication place | United States |
| Media type | Print (Hardcover and Paperback) and audio-CD |
| Pages | 876 pp |
| ISBN | ISBN 0-394-52406-3 Parameter error in {{ISBNT}}: invalid character |
| Preceded by | Priestess of Avalon |
| Followed by | None |
The Mists of Avalon is a 1979 novel by Marion Zimmer Bradley, in which she relates the Arthurian legends from the perspective of the female characters.
Plot introduction
The plot focuses on Morgaine (often called Morgan Le Fay in other works), who is portrayed by Bradley as a woman fighting for her matriarchal Celtic culture in a country where patriarchal Christianity threatens to destroy the druidic way of life. The book also describes the lives of Guinevere, Viviane, Morgause, and other women who are often marginalized in other Arthurian retellings. King Arthur and the Knights of the Round Table are supporting, rather than main, characters.
The Mists of Avalon is a stark contrast to other retellings of the Arthurian tales, which consistently paint Morgaine as an evil witch or sorceress. The typical battles, quests, and feuds of King Arthur's reign are described as supporting elements to the women's lives. The story is told in four large parts, Book One: Mistress of Magic, Book Two: The High Queen, Book Three: The King Stag, and Book Four: The Prisoner in the Oak.
The novel was a best-seller upon its publication in 1983 and has remained popular to this day. Bradley later expanded the book into a series (see "allusions").
Plot summary
Template:Spoiler Mists of Avalon is a generations-spanning retelling of the Arthurian legend. Its protagonist is Morgaine, who witnesses the rise of Uther Pendragon to the throne of Camelot. As a child, she is taken to Avalon by High Priestess Viviane to become a priestess of the Mother Goddess and witnesses the rising tension between the old pagan and the new Christian religions.
After Uther dies, his son Arthur claims the throne. Arthur's half-sister Morgaine and Viviane give him the magic sword Excalibur, and with the combined force of Avalon and Camelot, Arthur drives the invasion of the Saxons away. But when his wife Gwenhwyfar fails to produce a child, she is convinced that it is a punishment of God: firstly for the presence of pagan elements, and secondly, for her forbidden love to Arthur's finest knight Lancelot. She increasingly becomes a religious fanatic, and relationships between Avalon and Camelot (i.e. Morgaine and herself) become hostile.
When the knights of the Round Table of Camelot leave to search for the Holy Grail, a young man seeks to usurp the throne: Mordred, bastard son of Arthur and Morgaine, conceived when the two were the center of a pagan ritual not knowing who the other was. Mordred seeks to re-instate the power of Avalon at all costs. In a climactic battle, Arthur's and Mordred's armies square off, and in the end, it is Morgaine alone who lives to tell the tale of Camelot.
Bradley about her book
About the time I began work on the Morgan le Fay story that later became MISTS, a religious search of many years culminated in my accepting ordination in one of the Gnostic Catholic churches as a priest. Since the appearance of the novel, many women have consulted me about this, feeling that the awareness of the Goddess has expanded their own religious consciousness, and ask me if it can be reconciled with Christianity. I do feel very strongly, not only that it can, but that it must... So when women today insist on speaking of Goddess rather than God, they are simply rejecting the old man with the white beard, who commanded the Hebrews to commit genocide on the Philistines and required his worshippers daily to thank God that He had not made them women... And, I suppose, a little, the purpose of the book was to express my dismay at the way in which religion lets itself become the slave of politics and the state. (Malory's problem ... that God may not be on the side of the right, but that organized religion always professes itself to be on the side of the bigger guns.) ... I think the neo-pagan movement offers a very viable alternative for people, especially for women, who have been turned off by the abuses of Judeo-Christian organized religions.[1]
Characters
- Morgaine — Narrator, protagonist. Her character is capable of second sight (a gift of her Goddess) and transfiguration. Portrayed as a tragic character, Morgaine is torn between her loyalty to Avalon and her unfulfilled love to Lancelot. She is a complex character and often considers herself the victim of fate, and decides she has no choice in the decisions she makes in life. She has other lovers in the book, notably Arthur, Kevin, and Accolon. She is doomed to witness the demise of the old ways of Avalon, but in the end, makes peace with Christianity and sees that she never fought the religion itself, but rather the narrowminded views of the priests who claim all other gods, including her pagan Mother Goddess, are demons, and that their Christ is the only one true God. She eventually realizes, once she is able to see beyond the closeminded priests and to see the true nature of the religion that is Christianity, that her task has been completed, and some memory of the ancient beliefs of Britain will live on. In the end, she sees that the Goddess that she worshipped did not die with the coming of Christianity. The Goddess just took another form in the image of the Virgin Mary.
- Uther Pendragon is the nephew and War Duke of the dead High King Ambrosius and an ambitious warlord who falls in love with Igraine. After being betrayed by his ally Gorlois (out of jealousy rather than out of political reasons), he killed him and became the new king of Camelot. He fathered King Arthur and died when Arthur was a teenager.
- Igraine is the wife of Gorlois and later Uther, the younger sister of Viviane, and the mother of Morgaine. She was brought up in Avalon and given as a wife to Gorlois at the age of fifteen. She is destined by Viviane and Taliesin to betray her husband, seduce Uther and produce the saviour of the Isle (her son King Arthur). At first, she rebels, stating she is not a breeding mare, but ultimately falls in love with Uther and helps him defeat his enemies. However, the guilt about Gorlois torments her to the end.
- Gorlois is Igraine's husband and Morgaine's father. Because Igraine was so young when they married, their relationship has been strained, but Gorlois did his best to make her feel comfortable, giving her gifts and letting her keep her daughter Morgaine. Igraine does not see how he loved her until it's too late. When Gorlois suspects that Igraine has an affair with Uther, he turns on her, accuses her of being a whore and a witch, and even breaks his oath to Uther. In the end, Uther kills him for treachery.
- King Arthur is the son of Igraine and Uther. He is portrayed as a strong king, who marries Gwenhwyfar by arranged marriage. His compassion for his suffering wife — who is tormented by her childlessness and her love to Lancelot — ultimately becomes his downfall. A twist is that he is actually aware of Gwenhwyfar's and Lancelot's affair, and how unhappy both are to constantly betray him. But Arthur stays outside because he loves both his wife and his best friend too much to make them unhappy. It is suggested that, while he does love Gwenhwyfar, his deepest love is saved for Morgaine.
- Gwenhwyfar is Arthur's beautiful, but unhappy wife. She is brought up by a cold, unloving father, which left her with a deep inferiority complex and intense agoraphobia. Failing to produce an heir and unable be with the love of her life, Lancelot, she falls into a deep depression and — hoping for salvation — becomes an increasingly fanatic Christian. Gwenhwyfar and Morgaine are depicted as two polar characters.
- Lancelot is Arthur's First Knight, Viviane's son and Morgaine's cousin and first love. He is an extremely gifted warrior and admired for his very handsome appearance, but has a life-long fear of his mother Viviane. Gwenhwyfar and he are utterly infatuated, but they neither have the courage (or ruthlessness) to elope. He is also in love with Arthur, and perhaps loves Gwenwhyfar even more because she is so close to him.
- Mordred, a.k.a. Gwydion, is the illegitimate son of Morgaine and King Arthur. He is an unscrupulous, cunning intrigant, but in contrast to mainstream versions his motives are understandable. He sees his father Arthur as corrupt and decadent, and is convinced that he has to remove him to save Camelot. It is strongly hinted that his childhood under the cold, cunning Morgause makes him think the way he does.
- Morgause is Morgaine's aunt, the younger sister of Viviane and Igraine. She is depicted as a vain, cunning character and in contrast to her sisters, she acts purely for her own gains. She feels no regret in her regular adultery and plans to use both Morgaine and Mordred as vehicles for her power.
- Patricius is Camelot's most powerful Christian priest, modern St. Patrick, who drove the "snakes" (druids) from Ireland. He is portrayed in an extremely negative light, as a ruthless, misogynist religious fundamentalist.
- Elaine is Gwenhyfar's cousin who eventually becomes Lancelot's wife. Morgaine offers Elaine Lancelot on the condition that she is given Elaine's first daughter to rear in Avalon.
- Viviane is — for the most time — the High Priestess of Avalon. She is mis-understood because her family has no contact and that she would have to do anything to keep Camelot and Avalon and the priestess of Avalon alive in everyone's heart.
- Taliesin (Merlin of Britain) is the old Archdruid and harpist of Avalon. He is revered by Christian and pagan alike as a wise, kind old man. His mental health constantly deteriorates during the story.
- Kevin (Merlin of Britain) succeeds Taliesin after his death. He is a horribly disfigured hunchback, having been burnt by a fire when he was a child, but can sing like an angel. He becomes Morgaine's lover and later her worst enemy. Foreseeing the demise of pagan ways, he betrays Avalon. In an ultimate attempt to unite Christianity and Avalon, so Avalon will survive, he brings the Holy Grail to Camelot. To punish him for this atrocity, Morgaine sets up Nimue to seduce and then betray him and wants to torture him to death as a traitor. But before the torture begins, Morgaine changes her mind and has him executed swifly out of mercy, and at the same time, a bolt of lightning incinerates the Holy Oak of Avalon. Morgaine understands that Avalon is doomed.
- Raven is a priestess of Avalon who has taken an oath of silence. She sacrifices herself to help Morgaine save the Holy Grail from Patricius.
- Accolon is a knight loyal to Avalon. He becomes Morgaine's lover, and she wants him to kill King Arthur and so restore the power of Avalon. However, Arthur slays him in direct combat, and when Morgaine's role becomes evident, she is disgraced.
- Nimue is the beautiful daughter of Elaine and Lancelot. She is kept in constant seclusion at Avalon, and Morgaine sees her as the ultimate weapon against Camelot. Nimue seduces Kevin in order to abduct him, but falls in love with him herself and kills herself when she betrays him.
- Niniane is a priestess who reluctantly becomes Lady of the Lake after Viviane is slain and Morgaine declines to take her place. She becomes Mordred's lover, but when he announces his plans to betray Arthur, she turns on him and he kills her in a fit of rage.
Major themes
Literary significance and criticism
The Mists of Avalon is lauded as one of the most original and emotional retellings of the familiar Arthurian legend. Bradley received much praise for convincing portrayal of the main protagonists, her respectful handling of the pagan ways of Avalon and for telling a story in which there is neither black and white or good and evil, but several truths. Isaac Asimov called it "the best retelling of the Arthurian Saga I have ever read", and Jean Auel noted "I loved this book so much I went out and bought it for a friend, and have told many people about it."[2] The Encyclopedia of Science Fiction calls the book "a convincing revision of the Arthurian cycle," and said that the victory of Christianity over the "sane but dying paganism" of Avalon "ensures eons of repression for women and the vital principles they espouse." It won the 1984 Locus Award for Best Fantasy Novel and spent four months on the New York Times best seller list in hardcover. The trade paperback edition of Mists of Avalon has ranked among the top five trade paperbacks on the monthly Locus bestseller lists for almost four years.[3]
However, the book has been oft-criticised for being nothing more than thinly-veiled feminist propaganda, as the stereotypically strong female lead of Morgaine is placed next to weak women like Gwenhwyfar and tortured male leads in the characters of a hapless, confused King Arthur and a Lancelot living in denial of his bisexual attraction to Arthur. Additionally, conservative Christian fantasy fans have blasted the book for having anti-Christian sentiments, although the author herself was a Christian: they criticise that the book for portraying Christianity as oppressive and anti-woman, and also includes sexual themes like incest, rape and ménage à trois, which are unacceptable in their point of view.[4]
In Germany, Mists of Avalon has been included in the "Bild Bestseller Bibliothek" of the BILD, Germany's highest-selling newspaper; it is a list of what BILD calls the 25 finest pieces of popular fiction of all time, alongside other classics like Shining or The Silence of the Lambs.[5]
Adaptations
The Mists of Avalon was adapted for television into a TNT miniseries in 2001, directed by Uli Edel.
Extended Avalon series
Bradley, along with Diana L. Paxson, later expanded the book into a series, including Ancestors of Avalon, The Forest House, Lady of Avalon, and Priestess of Avalon.
Release details
- 1984 (Original, 1983), USA, Ballatine Publishing Group ISBN 0-345-35049-9 , Pub date 1984, Reissue Edition