Jump to content

Pierre Rehov

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Stingray86 (talk | contribs) at 19:46, 2 September 2007 (removing vandalism). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Pierre Rehov (1952-) is the pseudonym of a French Jewish film maker, most known for his movies which are almost exclusively based on the Arab-Israeli conflict.

Rehov was born to a Jewish family in Algeria, where he experienced terrorism at a young age. In 1961 his family moved to France with as many as 250,000 other French fleeing Algeria, which was to become independent the next year. He made later a film on the Jewish refugees ( Silent Exodus ) describing the fate of the million Jews expelled from Arab countries after 1948, but deliberately forgot to describe his own community from Algeria, considering that the Algerian war was a political problem involving France more than the Jewish community.

Rehov states he was not a pro-Israeli activist until 2000, when he saw the death of Muhammad al-Durrah on television, and doubted its authenticity. Since then, he has been working mostly in the Palestinian territories, rebuking anti-Israeli propaganda.

He, among others, requested an investigation into the murder of al-Durrah, in which he claimed that it was Palestinian gunfire that killed the child. This investigation was also featured in the film Decryptage by Philippe Bensoussan.

Rehov claims that every reporter must be (or appear to be) pro-Palestinian to work on the territories safely and this, among other things, creates systematic anti-Israeli bias, especially on French media outlets. He advocates a two-state solution, for Palestinians and Israelis to live side by side, but does not believe that peace will be possible for many generations. He finds that many Palestinian actions inside and out of their community are a setback to a peaceful solution.

Rehov's latest film, 2006's "Suicide Killers," was poorly received by the New York Times, which criticized the film as a haphazard work, lacking actual analysis of its titular subject. [1].

Since July 2005, Rehov has appeared on many TV networks including CNN, FOX and MNSBC.[2]

Films

Rehov has subsequently created 7 films about the Israeli-Palestinian conflict and its treatment in the media:

  • The Road to Jenin - Rehov's most known film by far; a response to Jenin, Jenin[3], a controversial documentary produced by Mohammed Bakri, in order to portray what Bakri calls "the Palestinian truth" about the "Battle of Jenin".
  • The Trojan Horse - this film alleges that Yasser Arafat's true intentions were not a two-state solution, but a Palestinian state on the territory of all of Israel.
  • Holy Land - Christians in Peril - a film which exposes the flight of Christians from PA-controlled lands.
  • Silent Exodus - a film that talks about the Jewish exodus from Arab lands.
  • Hostages of Hatred - how the Palestinian "right of return", supported by the UN, has left Palestinians in camps for half a century and originated the present unsolvable situation in the Middle East.
  • From The River to the Sea was voted Best Film at The Liberty Film Festival 2006
  • The War of Images
  • Suicide Killers - 2006 documentary film exploring the psychopathology of suicide bombers.

See also

OPINIONS

"If you're tired of the New York Times-NPR Slant on Israel and the Palestinians, here's good news: documentary filmmaker Pierre Rehov has been challenging prevailing myths since 2001. With seven films already to his credit and another on the way, this serious, never boring, and above all else courageous documentarian is starting to make some serious waves" (Michael Margolies - New York Press)

"Everyone is asking the same questions: How should we respond to terrorism ? Should we be afraid of it? What does it mean for our future? Pierre Rehov, a French filmmaker, by no means purports to answer all of these questions. He’s headed in the right direction, though – Suicide Killers, his latest documentary, approaches the problem of Islamic extremism in a way that is very different from the typical Western approach."(Amanda Schuster - European Weekly)

"I am so used to seeing lame and superficial propaganda that blames Americans and Israelis for the acts of terrorists, that this totally caught me off guard. It is very refreshing to see someone who actually takes terrorists at their own words and who examines the pathologies within a culture that spawn the thirst for mass death and suicide."(Jamie Glazov - FrontPage Magazine)

"Rehov continues to make documentaries about the shocking reality he uncovers in the Middle East because no one else does" (Joseph Farah - World Net Daily)

"Provocative films about the combat between Palestinian militants and Israeli army" (Greg Myre - The New York Times)

"The most shocking moments of Rehov's films involve blatant Palestinian efforts to manipulate the media" (Hanna Brown - Jerusalem Post)

"The information that Rehov does provide is based on interviewees who use bona fide images and documents to substantiate their claim" (Tamar Stenhal - Camera)

"There is only one filmaker who has presented the truth in the matter of the Palestinian-Israeli conflict, and his nom de guerre is Pierre Rehov" (Phyllis Chesler - Author of "The new antisemitism")

"In his documentaries, Pierre Rehov demonstrates how our version of the middle east conflict has been corrupted by the Arab use of reporters as propagandists" (Jack Engelheard - Author of "Indecent Proposal")

"Seeing Pierre Rehov's documentary film 'The Silent Exodus' about the expulsion and flight of a million Sephardi Jews helped me gain a better understanding of the tragedy of a community that was integral and fundamental to Arab society." (Magdi Allam - Il Corriere Della Serra)

Retrieved from "https://en.wikipedia.org/w/index.php?title=Pierre_Rehov&oldid=155268512"