Carolingian Renaissance
The Carolingian Renaissance was a period of intellectual and cultural revival occurring in the late eighth and ninth centuries, with the peak of the activities occurring during the reigns of the Carolingian rulers Charlemagne and Louis the Pious. During this period there was an increase of literature, writing, the arts, architecture, jurisprudence, liturgical and scriptural studies. The period also saw the development of Medieval Latin and Carolingian minuscule, providing a common language and writing style that allowed for communication across most of Europe.
The use of the term renaissance to describe this period is disputed due to the majority of changes brought about by this period being confined almost entirely to the clergy, and due to the period lacking the wide ranging social movements of the later Italian Renaissance.[1] Instead of being a rebirth of new cultural movements, the period was typified more as an attempt to recreate the previous culture of the Roman Empire.[2]
Scholarly efforts
The lack of literate persons in eighth century western Europe caused problems for the Carolingian rulers by severely limiting the number of people capable of serving as court scribes. Of even greater concern to the very pious rulers was the fact that not all parish priests possessed the skill to read the Vulgate Bible. An additional problem was that the vulgar Latin of the later Western Roman Empire had begun to diverge into the regional dialects, the precursors to today's Romance languages, that were becoming mutually unintelligible and preventing scholars from one part of Europe being able to communicate with persons from another part of Europe.
To address these problems, Charlemagne ordered the creation of schools and also attracted many of the leading scholars of his day to his court. Among the learned men drawn to the court were Theodulf from Spain, the Frankish scholar Angilbert, and the Lombards Peter of Pisa and Paulinus of Aquileia.
Chief among the scholars drawn to Charlemagne was Alcuin of York, a Northumbrian monk who served as head of the Palace School at Aachen.[1] The later courts of Louis the Pious and Charles the Bald had similar groups of scholars.
One of the primary efforts was the creation of a standardized curriculum for use at the recently created schools. Alcuin led this effort and was responsible for the writing of textbooks, creation of word lists, and establishing the trivium and quadrivium as the basis for education.[3]
Other contributions from this period was the development of Carolingian minuscule, a "book-hand" first used at the monasteries of Corbie and Tours that introduced the use of lower case letters. A standardized version of Latin was also developed that allowed for the coining of new words while retaining the grammatical rules of Classical Latin. This Medieval Latin became the common language of scholarship and allowed administrators and travelers to make themselves understood across Europe.[4]
Carolingian art
Carolingian art spans the roughly 100-year period from about 800–900. Although brief, it was an influential period — northern Europe embraced classical Mediterranean Roman art forms for the first time, setting the stage for the rise of Romanesque art and eventually Gothic art in the West. Illuminated manuscripts, metalwork, small-scale sculpture, mosaics and frescos survive from the period.
Carolingian architecture
Carolingian architecture is the style of North European architecture promoted by Charlemagne. The period of architecture spans the late eighth and ninth centuries until the reign of Otto I in 936, and was a conscious attempt to create a Roman Renaissance, emulating Roman, Early Christian and Byzantine architecture, with its own innovation, resulting in having a unique character.
Carolingian music
In Western culture, there had been an unbroken tradition in musical practice and theory from the earliest written records of the Sumerians (c. 2500 BC) through the Babylonians and Persians down to ancient Greece and Rome. However, the Germanic migrations of the 400s AD brought about a break with this tradition. Most in western Europe for the next few centuries did not understand the Greek language, and thus the works of Boethius, who saw what was happening and translated ancient Greek treatises into Latin, became the foundation of learning during this period. With the advent of scholarly reforms by Charlemagne, who was particularly interested in music, began a period of intense activity in the monasteries of the writing and copying of treatises in music theory — the Musica enchiriadis is one of the earliest and most interesting of these. Charlemagne sought to unify the practice of church music by eliminating regional stylistic differences. There is evidence that the earliest Western musical notation, in the form of neumes in camp aperto (without staff-lines), was created at Metz around 800, as a result of Charlemagne's desire for Frankish church musicians to retain the performance nuances used by the Roman singers.[5] Western musical practice and theory of today can be traced in an unbroken line from this time to the present, thus it had its beginnings with Charlemagne.
Economic and legal reforms
Charlemagne was faced with a variety of currencies at the start of his reign. To correct problems these various currencies caused, he standardized a system based on a pound of silver (Livre tournois). Deniers were minted with a value of 240 deniers to a pound of silver. A second value, the solidus, was also created as an accounting device with a value of twelve deniers or one twentieth of a pound of silver. The solidus was not minted but was instead used to record values such as a "solidus of grain" which was equal to the amount of grain that twelve deniers could purchase.[6]
References
- Norman F. Cantor (1993). The Civilization of the Middle Ages: a completely revised and expanded edition of Medieval history, the life and death of a civilization. HarperCollins. ISBN 0-06-017033-6.
- Mortimer Chambers (1983). The Western Experience: To 1715 (3rd edition ed.). New York: Alfred A. Knopf. ISBN 0-394-33085-4.
{{cite book}}:|edition=has extra text (help); Unknown parameter|coauthors=ignored (|author=suggested) (help) - Martin Scott (1964). Medieval Europe. New York: Dorset Press. ISBN 0-88029-115-X.