Jump to content

Andrew Berardini

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 81.208.36.86 (talk) at 15:42, 16 May 2008 (Recent Projects). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Andrew Berardini (b. 1982) is an American art critic and writer. He's published numerous articles and essays in international publications (on and offline) such as Fillip (Vancouver), Artforum (New York), X-TRA (Los Angeles), MOUSSE (Milan), La Stampa (Turin), Paper Monument (New York), Art Review (London), and Afterall (London/Los Angeles). A graduate with an MFA from the School of Critical Studies at California Institute of the Arts, Berardini has most recently lectured on Art History and Cultural Production at the Southern California Institute of Architecture (SCI-Arc). He previously held the position of Assistant Editor of Semiotext(e) Press and is listed on the editorial board for L'ART and contributing editor for InterReview.

Recent Projects

Berardini is listed as a translator on the 2008 American edition of Jean Baudrillard's In the Shadow of the Silent Majorities, a contributor to the catalog of the 2008 California Biennial, and as research editor for the non-fiction book David Wojnarowicz A Definitive History of Five of Six Years of the Lower East Side. In the Spring of 2008, he curated with Sarah Lehrer-Graiwer an exhibition at Mandarin Gallery in Los Angeles titled "You, Whose Beauty Was Famous in Rome..." which included work from the artists Richard Hawkins, Morgan Fisher, Eduardo Consuegra, William E. Jones, Hedi El Kholti, Brian Kennon, and Elad Lassry. The accompanying catalog was designed by Berardini.[1] In the late Spring of 2008, he joined Check-In Architecture[2] as an editor, living and working in Milan, Italy.

Publications

  1. ^ Mandarin Gallery, Los Angeles, USA, February 9 – March 22, 2008 http://www.mandaringallery.com/exhibition34.html
  2. ^ http://www.checkinarchitecture.com/ Check-In Architecture