Assonance

Template:Manner of articulation Assonance is refrain of vowel sounds to create internal rhyming within phrases or sentences, and together with alliteration and consonance serves as one of the building blocks of verse. For example, in the phrase "Do you like blue?", the /uː/ ("o"/"ou"/"ue" sound) is repeated within the sentence and is assonant.

Assonance is found more often in verse than in prose. It is used in (mainly modern) English-language poetry, and is particularly important in Old French, Spanish and Celtic languages.

The eponymous student of Willy Russell's Educating Rita described it as "getting the rhyme wrong".

Examples

	Or hear old Triton blow his wreathed horn.	— William Wordsworth, "The world is too much with us"
	Or hear old Triton blow his wreathed horn.
	Hear the mellow wedding bells	— Edgar Allan Poe, "The Bells"
	And murmuring of innumerable bees	— Alfred Lord Tennyson, The Princess VII.203
	The crumbling thunder of seas	— Robert Louis Stevenson
	That solitude which suits abstruser musings	— Samuel Taylor Coleridge
	The scurrying furred small friars squeal in the dowse	— Dylan Thomas
	Hear the lark and harken to the barking of the dog-fox gone to ground	— Pink Floyd
	Dead in the middle of little Italy, little did we know that we riddled two middle men who didn't do diddily."	— Big Pun
	It's hot and it's monotonous.	— Stephen Sondheim, Sunday in the Park with George, It's Hot Up Here
	tundi tur unda	— Catullus 11
	on a proud round cloud in white high night	— e.e. cummings, if a Cheer Rules Elephant Angel Child Should Sit
	I never seen so many Dominican women with cinnamon tans	— Will Smith, Miami
	I bomb atomically—Socrates' philosophies and hypotheses can't define how I be droppin' these mockeries.	— Inspectah Deck, from the Wu-Tang Clan's "Triumph."
	Up in the arroyo a rare owl’s nest I did spy, so I loaded up my shotgun and watched owl feathers fly	— Jon Wayne, Texas Assonance

Assonance can also be used in forming proverbs, often a form of short poetry. In the Oromo language of Ethiopia, note the use of a single vowel throughout the following proverb, an extreme form of assonance:

• kan mana baala, aʔlaa gaala (“A leaf at home, but a camel elsewhere"; somebody who has a big reputation among those who do not know him well.)

In more modern verse, stressed assonance is frequently used as a rhythmic device in modern rap. An example is Public Enemy's 'Don't Believe The Hype': "Their pens and pads I snatch 'cause I've had it / I'm not an addict, fiending for static / I see their tape recorder and I grab it / No, you can't have it back, silly rabbit".

See also

• Alliteration
• Literary consonance

Sources

• Assonance, American Rhetoric: Rhetorical Figures in Sound
• Assonance, Modern & Contemporary American Poetry, University of Pennsylvania
• Definition of Assonance, Elements of Poetry, VirtuaLit