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Calumny of Apelles (Botticelli)

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The Calumny of Apelles
ArtistSandro Botticelli
Year1494
TypeTempera on panel
LocationUffizi, Florence

The Calumny of Apelles is a tempera painting by Italian Renaissance painter Sandro Botticelli. Based on the description of a painting by Apelles, the work was completed in approximately 1494. It is on display in the Uffizi in Florence. sex

Theme

Detail, Calumny of Apelles

In The Calumny of Apelles, Botticelli drew on the description of a painting by Apelles, a Greek painter of the Classical period. Though Apelles' works have not survived, Lucian recorded details of one in his On Calumny:

On the right of it sits a man with very large ears, almost like those of Midas, extending his hand to Slander while she is still at some distance from him. Near him, on one side, stand two women—Ignorance, I think, and Suspicion. On the other side, Slander is coming up, a woman beautiful beyond measure, but full of passion and excitement, evincing as she does fury and wrath by carrying in her left hand a blazing torch and with the other dragging by the hair a young man who stretches out his hands to heaven and calls the gods to witness his innocence. She is conducted by a pale ugly man who has piercing eye and looks as if he had wasted away in long illness; he may be supposed to be envy. Besides, there are two women in attendance on Slander, egging her on, tiring [dressing] her and tricking her out. According to the interpretation of them given me by the guide of the picture, one was Treachery and the other Deceit. They were followed by a woman dressed in deep mourning, with black clothes all in tatters—Repentance, I think her name was. At all events, she was turning back with tears in her eyes and casting a stealthy sexglance, full of shame, at Truth, who was approaching.[1]

Botticelli reproduced this quite closely, down to the donkey ears of the seated man, into which the women that flank him speak. A richly gowned Slander (or Calumny), with her hair being dressed by her attendants, is being led by her slender, robed companion. The man she is dragging, nearly nude and with his ankles crossed as if to be crucified, raises his hands in prayer. The woman behind him turns her head to regard the stately pale nude pointing to the heavens.

Without description of the setting, Botticelli has presented a throne room elaborately decorated with sculptures and reliefs of Classical heroes and battle scenes.

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An apocryphal story is connected to the painting. Rudolph Altrocchi, in 1921, relates that Apelles had himself been slandered, accused by a rival of helping Theodotus of Aetolia to foster revolt in Tyre.[2] (Altrocchi assures readers that the story cannot be true, as Apelles had been long dead before the revolt of which he is accused.) Ptolemy was on the verge of executing Apelles for the deed, so the story goes, when a friend revealed the truth and the slanderer himself was sold into slavery. Nevertheless, Apelles expressed his resentment for Ptolemy and the peril in which he found himself in his painting.

The story of Apelles' painting became popular in Renaissance Italy, and Botticelli was not the first Italian Renaissance artist to paint it.[3] This work, completed in 1494,[4] was the last secular painting he would produce.[5] It may have been undertaken as a commission of the Florentian banker who oversaw the Papal Mint.[6] It is often assumed that Botticelli had a specific slandered individual in mind, perhaps even himself,[6] as an anonymous person had accused him of sodomy.[7]

Notes

  1. ^ Altrocchi (1921), pp. 454, 456-457; quoting translation by A.M.Harmon.
  2. ^ Altrocchi (1921), p. 455.
  3. ^ Altrocchi (1921), p. 470.
  4. ^ Altrocchi (1921), p. 454.
  5. ^ Deimling (2000), p. 72.
  6. ^ a b Capretti (2002), 27.
  7. ^ Malaguzzi (2004), p. 106.

References

  • Altrocchi, Rudolph (1921). "The Calumny of Appelles". In Modern Language Association of America (ed.). Publications of the Modern Language Association of America. Vol. 36. The Association. Retrieved 30 June 2010.
  • Capretti, Elena (1 January 2002). Botticelli. Giunti Editore Firenze Italy. ISBN 9788809214330. Retrieved 30 June 2010.
  • Deimling, Barbara (1 May 2000). Sandro Botticelli, 1444/45-1510. Taschen. ISBN 9783822859926. Retrieved 30 June 2010.
  • Malaguzzi, Silvia (2004). Botticelli. Giunti Editore Firenze Italy. ISBN 9788809036772. Retrieved 30 June 2010.

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