Olive Cotton
Olive Cotton (1911-2003) was a pioneering Australian modernist female photographer of the 1930s and 40s working in Sydney. As a female photographer in Australia of that era, she was overlooked and her work at the Dupain studio was considered "art" rather than commercial. Cotton only became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work came out in 1995. Olive Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made portraits of him.[1] They were briefly married in 1937.
==Early life== this girl was in a flower house with magic mushrooms, ejaculation time sorry i have to go Olive Edith Cotton was born in 1911, the eldest child in an artistic, intellectual family. Her parents, Leo and Florence provided a musical background along with political and social awareness.[2] Her mother was a painter and pianist while Leo was a geologist and academic who took photographs on Sir Ernest Shackleton’s expedition to the Antarctic in 1907 and knew fellow geologist and explorer, Sir Douglas Mawson[3]. The Cotton family and their five children lived in the then bushland suburb of Hornsby in Sydney's north. An uncle, Frank Cotton was a professor of physiology[4] and her grandfather, also Frank Cotton, was a Member of Parliament in the first Labor Caucus.[1]
Given a Kodak No.0 Box Brownie camera at the age of 11, Cotton and her father made the laundry into a darkroom "with the enlarger plugged into the ironing light".[2] Here Cotton processed film and printed her first black and white images. While on holidays with her family at Newport Beach in 1924, Cotton met Max Dupain and they became friends, sharing a passion for photography. The photograph "She-oaks" (1928) was taken at Bungan Beach headland in this period.
Cotton attended the Methodist Ladies' College, Burwood in Sydney from 1921 to 1929,[5], gained a scholarship and went on to complete a B.A. at the University of Sydney in 1933, majoring in English and Mathematics.
Photography
Cotton joined the Sydney Camera Circle and the Photographic Society of New South Wales gaining instruction and encouragement from important photographers such as Harold Cazneaux.
She exhibited her first photograph, "Dusk", at the New South Wales Photographic Society’s Interstate Exhibition of 1932. Exhibiting frequently, her photography was personal and observing qualities of light in the surroundings. After university she pursued photography by joining her childhhood friend Dupain at his new studio, 24 Bond Street, Sydney. Her contemporaries included Damien Parer, Geoff Powell and Olga Sharpe who frequented the studio.
In Australia of the 1930s clients expected a man would be the photographer. A photographer in her own right, Cotton mockingly referred to herself as "the assistant".[1] However whenever possible Cotton photographed visiting celebrities or interesting objects in the studio, even capturing Dupain working in her piece, "Fashion shot, Cronulla Sandhills, circa 1937" and made portraits of him.[1]
The Commonwealth Bank's staff magazine Bank Notes featured Cotton’s more non-commercial photographs as illustrations.
Signature photographs
"Tea Cup Ballet" (1935) was photographed in the studio. In it Cotton used a technique of backlighting to cast bold shadows towards the viewer to express a dance theme between the shapes of the tea cups, their saucers and their shadows. It was exhibited locally at the time and in the London Salon of Photography in 1935.[2] It has since become Cotton’s signature image and was acknowledged on a stamp commemorating 150 years of photography in Australia in 1991. "Tea Cup Ballet" features on the cover of the book Olive Cotton: Photographer published by the National Library of Australia in 1995.[2]
"Shasta Daisies" (1937) and "The Budapest String Quartet" (circa 1937) were included in the Victorian Salon of Photography exhibition of 1937.
1940s
Cotton moved to Mittagong where she briefly taught mathematics at Frensham School, although she returned to Sydney to manage Max Dupain’s studio while he was on war service during the years from 1942 to '45. In the year she returned to Sydney, she produced her first industrial and architectural photographic work[5] and broadened her subject matter.[1] She received numerous commissions in 1945, including photographs of winter and spring flowers for Helen Blaxland’s book Flowerpieces which also included some images by Dupain.[1]
Cotton settled in Koorawatha, and in 1964 opened a small photographic studio in nearby Cowra taking mainly portraits and wedding photographs.
Influences
Cotton acknowledged the influence of Margaret Michaelis, and her friend Olga Sharp. Partly because of the male-oriented nature of the workforce and also due to the fact that she was working in the shadow of Max Dupain, Cotton did not get many commercial opportunities.
Personal life
Cotton married Max Dupain in 1937 but the marriage was short. Separated two years later, the pair only divorced in 1944.[5]
In 1944 Cotton married farmer Ross McInerney before his departure overseas on war service. The family then moved to Koorawatha. She had a daughter Sally, born 1946, and two years later a son, Peter. From 1959 to 1963 she taught mathematics at Cowra High School.[5] The next year she opened her photographic studio and remained living in Koorawatha until her death in 2003.
Exhibitions
Among others, her work was shown in the following exhibitions
- 1938 Commemorative Salon of Photography exhibition held by the Photographic Society of NSW as part of the Australian 150th anniversary celebrations.
- 1938 Group show with the Contemporary Camera Groupe at David Jones Gallery, Sydney.
- 1981 Australian Women Photographers 1890-1950 touring exhibition, curated by Jenni Mather, Christine Gillespie and Barbara Hall.
- 1985 Olive Cotton Photographs 1924-1984 retrospective held at the Australian Centre for Photography, Sydney, touring numerous regional galleries in NSW, Victoria and Queensland throughout 1986.
Collections
- National Gallery of Australia, Canberra
- Art Gallery of New South Wales, Sydney
- National Gallery of Victoria, Melbourne
- Waverley City Council Collection, Melbourne
- Horsham Regional Art Gallery, Victoria
References
- ^ a b c d e f Olive Cotton: Photographer, Helen Ennis, National Library of Australia, 1995.
- ^ a b c d Max Dupain and Associates
- ^ People in Mawson's Life
- ^ Sydney Morning Herald obituary for brother, Frank Cotton and wife Marie, by Tony Stephens, July 31 2008
- ^ a b c d Cotton biography and resumé
- Other sources:
- Olive Cotton: Photographer, introduction by Helen Ennis, National Library of Australia, 1995
- Olive Cotton: Photographs, exhibition catalogue, Australian Girls Own Gallery, Kingston ACT, 1992