List of sculptures by Tony Smith

This is a list of artworks by Tony Smith that are available to the public.

United States

California

Marriage, 1961, Clos Pegase Winery, Calistoga
Fermi, 1973, South Coast Plaza Town Center, Costa Mesa
For J.C., 1969, Los Angeles Museum of Contemporary Art, Los Angeles
Smoke, 1967/2005, Los Angeles County Museum of Art, Los Angeles
Willy(maquette), 1969, Los Angeles Museum of Contemporary Art, Los Angeles
Die (full scale maquette), 1967, Orange County Museum of Art, Newport Beach
Throwback 2/3, 1976–77, San Francisco Museum of Modern Art, San Francisco
Spitball, 1961, San Francisco Museum of Modern Art, San Francisco
For D.G.^[1] 2/6, 1969, Cantor Arts Center, Stanford University, Stanford
For J.W.^[2] 2/6, 1969, Cantor Arts Center, Stanford University, Stanford

Connecticut

Olsen House, 1953, Guilford
Untitled, 1967, Yale University Art Gallery, New Haven
For D.G. 1/6, 1969, Yale University Art Gallery, New Haven
For P.N.^[3] 2/6, 1969, Yale University Art Gallery, New Haven

District of Columbia

Moondog, 1998–99, National Gallery of Art Sculpture Garden, Washington
The Snake is Out AP, 1962, National Gallery of Art - East, Washington
Wandering Rocks 4/5, 1967, National Gallery of Art - East, Washington
Die 2/3, 1962, National Gallery of Art, Washington
Throwback 3/3, 1978–79, Hirschhorn Sculpture Garden, Washington
She Who Must Be Obeyed (maquette), 1975, Luce Foundation Center, Smithsonian American Art Museum, Washington
She Who Must Be Obeyed, 1975, Frances Perkins Federal Building, Washington

Florida

Throwback, 1976–79, The Marguiles Collection at the WAREhOUSE, Miami

Georgia

The Keys to. Given! 1/3, 1965, High Museum of Art, Atlanta

Hawaii

The Fourth Sign, 1976–77, University of Hawaii campus, Honolulu

Iowa

Marriage, 1961, Pappajohn Sculpture Garden, Des Moines
WIlly, 1962, Pappajohn Sculpture Garden, Des Moines

Kentucky

Gracehoper 2/3, 1971, Kentucky Center for the Arts, Louisville

Louisiana

Lipizzaner, 1976–78, New Orleans Museum of Art, New Orleans
Lipizzaner (maquette), 1976–78, New Orleans Museum of Art, New Orleans

Maryland

Spitball 3/3, 1961, Baltimore Museum of Art, Baltimore
Smug, 1967/1973, Glenstone Museum, Potomac

Massachusetts

For Marjorie, 1961–77, MIT campus, Cambridge
Throwback (study), 1976–79, Harvard University Art Museum, Cambridge
Stinger, 1967–68, Arts on the Point, UMass, Boston
For V.T., 1969, Museum of Fine Arts, Boston

Michigan

Spitball 50/50, 1970, University of Michigan Art Museum, Ann Arbor
Gracehoper 1/3, 1971, Detroit Institute of the Arts, Detroit
Spitball, 1970, Detroit Institute of the Arts, Detroit
For J.W., 1969, Frederick Meijer Gardens and Sculpture Park, Grand Rapids

Minnesota

Amaryllis 2/3, 1965, Walker Sculpture Garden, Minneapolis

Missouri

Free Ride 2/3, St. Louis Art Museum, St. Louis
Night, 1962, Citygarden, St. Louis

Nebraska

Willy, 1/3, 1962, University of Nebraska-Lincoln campus

New Jersey

Moses, 1/3, 1969, Princeton University campus, Princeton
Moses (model), 1967–68, Princeton University Art Museum, Princeton
New Piece 2/3, 1966, Institute for Advanced Study, Princeton
For J.C.^[4], 1969, Newark Museum, Newark
For J.C. (maquette), 1969, Newark Museum, Newark
81 More (model), Kean College of New Jersey, Union
Tau,1962,Meadowland Park[the Lennie Pierro Memorial Arts Foundation, South Orange Village and the Estate of Tony Smith], South Orange, NJ ^[5]

New York

The Snake is Out^[6] 1/3, 1962, Empire State Plaza, Albany
Cigarette 1/3, 1961, Albright-Knox Art Gallery, Buffalo
Stamos Studio, 1959, East Marion
Die, 1962, The Museum of Modern Art, New York
Cigarette (maquette), 1973, The Museum of Modern Art, New York
Cigarette 2/3, 1961, The Museum of Modern Art, New York
Free Ride 3/3, The Museum of Modern Art, New York
Amaryllis AP, 1965, The Museum of Modern Art, New York
Tau 1/3, 1961–62, Hunter College, New York
For W.A. 1/6, 1969, Solomon R. Guggenheim Museum, New York
Die 1/3, 1962, The Whitney Museum of Art, New York
One-Two-Three 1/3, 1976, The Whitney Museum of Art, New York
Duck 1/3, 1962, Donald M. Kendall Sculpture Garden, Pepsico Co., Purchase
Playground, 1962–66, Memorial Art Gallery, University of Rochester, Rochester
Parsons Studio, 1960, Southold

Ohio

For P.C. 2/6, 1969, The Cleveland Museum of Art, Cleveland
Source 1/3, 1967, The Cleveland Museum of Art, Cleveland
Last, 1979, Frank J. Lausche State Office Building, Cleveland
Spitball 2/3, 1961, Case Western Reserve University, Cleveland
Moses, 3/3, 1969, Toledo Art Museum, Toledo

Pennsylvania

Night, 1962, Haverford College, Haverford
We Lost 1/3, 1962, University of Pennsylvania, Philadelphia
Light Up, 1971, Hillman Library, University of Pittsburgh, Pittsburgh

Texas

Willy, 2/3, 1978, Dallas Museum of Art courtyard, Dallas
For Dolores/Flowers for the Dead/Flores para los muertos, 1973–75, Dallas Museum of Art, Dallas
One-Two-Three 2/3, 1976, Nasher Sculpture Center, Dallas
The Snake is Out 3/3, 1962, Nasher Sculpture Center, Dallas
Ten Elements 2/3, 1975–79, Raymond Nasher Estate, Dallas
The Elevens Are Up^[7] 1/3, 1963, Loretto Park, The Menil Collection, Houston
Wall 1/3, 1964, Loretto Park, The Menil Collection, Houston
New Piece 1/3, 1966, Loretto Park, The Menil Collection, Houston
The Snake is Out 2/3, 1962, Menil Collection, University of Texas, Houston
Asteriskos/Little Star, 1968, Marion Koogler McNay Art Museum, San Antonio
Amaryllis, 1965, "Landmarks" public art project, University of Texas, Austin

Vermont

Smog, 1969–70, McCardell Bicentennial Hall, Middlebury College, Middlebury

Virginia

Untitled, 1966, Virginia Museum of Fine Arts, Richmond

Washington

Stinger/One Gate 1/3, 1967-1968(wood), 1999(steel), Olympic Sculpture Park, Seattle
Wandering Rocks AP, 1967, Olympic Sculpture Park, Seattle
Moses, 2/3, 1969, Seattle Center (Space Needle), Seattle

Wisconsin

Wandering Rocks 2/5, 1967, Lynden Sculpture Garden, Milwaukee

International

Canada

Black Box, 1962, National Gallery of Canada, Ottawa

Japan

Amaryllis 3/3, 1965, Shizuoka Prefectural Museum of Art, Shizuoka

Netherlands

Wandering Rocks 5/5, 1967, Kröller-Müller Museum, Otterlo

Norway

Marriage 1/3, 1961, Oslo

AP = artist's proof

Other Work

Throne, 1956
Cross, 1960–62
Light Box 9 cast, 1961
Beardwig, 1962
Tower of Winds, 1962
Memphis, 1962–63
Mistake 9 cast, 1963
Generation, 1965
Arm, 1968 (destroyed)
Seed, 1968
Trap 9 cast, 1968
Trunk, 1968 (destroyed)
For D.C.^[8], 1969
For M.S.^[9], 1969
81 More, 1970, (destroyed)

^ David Gregory, writer and mutual friend of Tennessee Williams per Amy Canonico, Museum Assistant, Modern & Contemporary Art, Yale University Art Gallery
^ John Wisnosky, University of Hawaii Prof of Art, later chairman of the Art Departmment per Heidi Holst, Curator of Arts Education at Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI
^ Prithwish Neogy, chairman of the University of Hawaii Art Department, worked with MS to site "The Fourth Sign"
^ Jean Charlot, the French Cubist painter per Mary-Kate O'Hare, Ph.d., Assoc. Curator of American Art at the Newark Museum
^ http://www.pierrofoundation.org/index.html
^ see Storr pg. 28, taken from John McNulty's Third Ave Medicine, a term that bartenders use describing a small vein that begins to protrude on a man's left temple when they have had too much to drink
^ see Storr pg. 28-29, taken from John McNulty's Third Ave Medicine, a term that bartenders use describing the two cords that stand out on the back of an alcoholic's neck
^ Dominique Charlot, John Charlot's wife, Jean's daughter in law...nicknamed Broomstick
^ Mamoru Sato, University of Hawaii, Prof of Art and Sculpture. Hired as a consultant to supervise fabrication and installation of "The Fourth Sign"

[1] David Gregory, writer and mutual friend of Tennessee Williams per Amy Canonico, Museum Assistant, Modern & Contemporary Art, Yale University Art Gallery

[2] John Wisnosky, University of Hawaii Prof of Art, later chairman of the Art Departmment per Heidi Holst, Curator of Arts Education at Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI

[3] Prithwish Neogy, chairman of the University of Hawaii Art Department, worked with MS to site "The Fourth Sign"

[4] Jean Charlot, the French Cubist painter per Mary-Kate O'Hare, Ph.d., Assoc. Curator of American Art at the Newark Museum

[5] ttp://www.pierrofoundation.org/index.html

[6] see Storr pg. 28, taken from John McNulty's Third Ave Medicine, a term that bartenders use describing a small vein that begins to protrude on a man's left temple when they have had too much to drink

[7] see Storr pg. 28-29, taken from John McNulty's Third Ave Medicine, a term that bartenders use describing the two cords that stand out on the back of an alcoholic's neck

[8] Dominique Charlot, John Charlot's wife, Jean's daughter in law...nicknamed Broomstick

[9] Mamoru Sato, University of Hawaii, Prof of Art and Sculpture. Hired as a consultant to supervise fabrication and installation of "The Fourth Sign"

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