The Big Snooze
| The Big Snooze | |
|---|---|
| Directed by | Bob Clampett (uncredited) |
| Produced by | Eddie Selzer |
| Animation by | Rod Scribner I. Ellis Manny Gould J.C. Melendez |
| Layouts by | Thomas McKimson |
| Backgrounds by | Philip DeGuard |
| Color process | Technicolor |
Production company | |
| Distributed by | Warner Bros. Pictures The Vitaphone Corporation |
Running time | 7:22 |
The Big Snooze is a 1946 Warner Bros. Looney Tunes cartoon directed by an uncredited Bob Clampett, his final theatrical cartoon for Warner[1] and completed it after he left the Warner cartoon studio. Its title was inspired by the 1939 book The Big Sleep, and its 1946 film adaptation, also a Warner release. This is the third Bugs Bunny cartoon where the title does not refer to "hare", "rabbit", or "bunny".The Big Snooze features Bugs Bunny and Elmer Fudd, voiced as usual by Mel Blanc and Arthur Q. Bryan.[1]
Plot
In this cartoon-within-a-cartoon, Bugs and Elmer are in the midst of their usual hunting-chasing scenario. After Bugs tricks Elmer into running through a hollow log and off a cliff three times (a comic triple of sorts originally used in Avery's All this and Rabbit Stew), Elmer becomes enraged and frustrated that the writers never let him catch the rabbit in any of the cartoons they both appear in. He tears up his Warner Bros. cartoon contract and walks off the set to devote his life to fishing, stunning Bugs, who piteously protests and effortlessly tries to ask him to reconsider. During a relaxing fishing trip all by himself, Elmer falls asleep.
Bugs observes Elmer's nap and takes sleeping pills in order to rock Elmer's "dreamboat" by "invading" his dream and continuing to drive Elmer crazy when Bugs uses the "Nightmare Paint". Symbolic of his dreamland plight, Elmer appears nearly nude, wearing only his derby hat and a strategically placed "loincloth" consisting of a laurel wreath. The two resume their chase through a surreal landscape.
Elmer's anger at a failed pursuit through the surreal landscape, down connected rabbit holes, is promptly used against him by Bugs saying "what's the matter doc, ya cold? Here, I'll fix dat”, before Elmer can protest, Bugs keeps his "promise" by pulling green material on screen from stage right. As the fabric wraps around Elmer's body,it becomes a form fitting bustier gown,reshapes Elmer into a "woman" with a complete feminine hourglass figure. As Elmer’s body is molded by the dress, his eyelashes grow thick and long. Bugs slams a ringlet-styled wig on Elmer’s head,administers a poke to the abdomen as the final touch, the jab forces Elmer to lean forward, purse his lips so Bugs can apply red lipstick. Bugs inspects his handiwork, then to really heat things up, lifts the backdrop to reveal a trio of literal wolves, lounging by the sign at Hollywood and Vine. Once the trio notice Elmer, one wolf hollers, right before another wolf begins flirting with Elmer. Bugs enjoys watching the male wolves hit on Elmer, making the hunter now the hunted in a new way. The attention of Elmer's male suitors causes him to act as a damsel in distress. Elmer grabs the hem of his gown pulling it up, revealing that his feet are now clad in open toed high heels, then begins fleeing from the wolves, who give chase.
In an attempt to "help", Bugs persuades Elmer to follow a mad dash towards stage right, as Bugs plays the old gag "run 'this way'!", putting Elmer through a bizarre series of steps which include running on his feet, flipping upside down to run on his hair (causing Elmer’s panties to be plainly visible and reveal how truly complete the makeover really was), hopping like a frog, as well as Russian folk dancing.
As Bugs and Elmer dive off a cliff, Bugs drinks some "Hare Tonic (Stops Falling Hare)" and screeches to a halt in mid-air, while the dream Elmer continues to careen toward earth, finally crash-landing into the real Elmer's snoozing body as he wakes up with a start, exclaming "Ooh, what a howwible nightmare!".
Elmer dashes back to the cartoon's original set, pieces his Warner contract back together, and agrees to finish what he started. The chase through the log begins anew. Bugs faces the audience in a closeup, closing with the catchphrase from the "Beulah" character on the radio show Fibber McGee and Molly,[2] "Ah love dat man!"
Censorship
- Network syndication versions (and some versions of the cartoon that aired on the Ted Turner-owned superstations TBS and TNT) edit the scene of Bugs Bunny using sleeping pills (from a bottle labeled, "Sleeping Pills: Take Deze and Doze") to get into Elmer's dream, making it seem as if Bugs fell asleep on his own.
- Cartoon Network had this cartoon edited the same way as syndication, TBS, and TNT used to air it, until the cartoon short aired on The Bob Clampett Show (which became known for airing cartoons by Bob Clampett that either would be shown edited or not shown at all), where the sleeping pill scene was left intact. As of 2011, this short is being shown uncut on Cartoon Network (although it doesn't have the opening sequence. plus, the "Dubbed Version © 1995 Turner Entertainment Co." end card isn't used).
Availability
The Big Snooze is available in a restored, uncensored version on the Looney Tunes Golden Collection: Volume 2 DVD set, and as part of the compilation What's Up, Doc? A Salute to Bugs Bunny on Volume 3.
See also
References
- ^ a b Template:Bcdb title bcdb.com May 9, 2011 Cite error: The named reference "bcdb" was defined multiple times with different content (see the help page).
- ^ Billy Ingram. "The Beulah Show". Retrieved 2006-09-15.