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The Pandoras

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The Pandoras
OriginChino, California, USA
GenresPost-punk, rock, alternative rock, garage punk, Paisley underground
Years active1983–1990
LabelsBomp!, Rhino, Elektra, Restless
Past membersPaula Pierce
Kim Shattuck
Melanie Vammen
Sheri Kaplan
Lissa Beltri
Karen Blankfeld
Gwynne Kelly
Bambi Conway
Julie Patchouli
Deborah Mendoza
Kelly Dillard
Casey Gomez
Rita Di Albert
Susan Hyatt

The Pandoras were an all-female rock and roll band from Los Angeles, California from 1983–1990, who found a following in the Hollywood "Paisley Underground" scene and later adapted a more contemporary Sunset Boulevard, hard rock look and sound. Leader Paula Pierce's career ended when, on August 10, she suffered an aneurysm and died at the age of 31.

Formation

File:Pan Its about time.jpg
The Pandoras It's About Time

The Pandoras began in the hard 1960s revival garage rock style and later adapted a more contemporary Sunset Boulevard, hard rock sound a la Poison and Mötley Crüe. They were originally associated with the Paisley Underground era in Hollywood's alternative rock scene, along with bands such as The Crawdaddys Redd Kross, The Three O'Clock, The Dream Syndicate, The Morlocks, and The Rain Parade. These bands shared an aesthetic heavily influenced by 1960s garage rock and psychedelia, and most (but not all) of the members tended to come from the west side and beach cities area of Los Angeles County and Orange County. Pierce, a resident of Chino, California, was a notable exception. Pierce had been a member of the Hollywood music scene and playing in bands since 1976.

The Pandoras were formed when singer-guitarist Pierce, a member of Action Now at the time, met singer-guitarist/bass player Deborah Mendoza (aka Mende/ Menday), at Chaffey College in Upland in 1982. Mendoza, an art major, answered an ad that Pierce, a graphic art major, had posted on the bulletin board in the cafeteria. The ad read, "Wanted, another female musician to jam with! Influenced by sixties garage punk." They got together and clicked, and started bringing their guitars to school jamming between classes.

Early Career

Pierce brought in musician Gwynne Kelly (real name Gwynne Kahn) on keyboards (the granddaughter of Tin Pan Alley songwriter Gus Kahn), and Mendoza brought in drummer Casey Gomez; thus forming, the original Pandoras. The source of the name, The Pandoras, remains shrouded in controversy, though names such as The Keyholes, Hole, and The Goodwylls were considered.

After recording their first EP It's About Time, Mendoza left the group, and was replaced by bassist Bambi Conway. Conway appeared on The Pandoras' debut album, It's About Time, on Greg Shaw's Bomp! Records.[1]

The Pandoras went through many personnel changes, over the years, including Pierce's controversial ouster of Kelly, Conway, and Gomez in 1984. The resulting dispute over the Pandoras name was discussed on a KROQ-FM radio show hosted by Rodney Bingenheimer and in the local music zines such as BAM, Music Connection, and the LA Weekly (and its "L.A.DeeDa" gossip column). Kelly formed a rival, yet, very short lived Pandoras of her own, nicknamed the Gwynnedoras. Gwynne's Pandoras consisted of Kelly, Gomez, Lisa Rae Black (of Hardly Dangerous and Bellylove), and Conway. The band's "Worm Boy" was released on an Enigma Records compilation, "Enigma Variations" and recorded an EP for Enigma that was never released. Kelly moved on to another project after losing her battle with Pierce over the band's name.

Pierce's Pandoras, included Melanie Vammen on keyboards, Julie Patchouli on bass, and Karen Blankfeld on drums. They went to enjoy modest success with the release of Hot Generation on Bomp! Records. They toured the east coast with the Fuzztones to promote the single.

Patchouli was removed from the band due to unpredictable behavior. A temporary fill-in played two shows with the band before Kim Shattuck joined the band in July 1985.

Rhino Era

The Pandoras were signed to Rhino Records and began recording the basic tracks for the Stop Pretending album during the winter of 1985 with producer Bill Inglot. In 1986, Stop Pretending was released.

Los Angeles became a hotbed of major label signings of bands that had grown out of the so-called "Paisley Underground". The pop sensibilities of Pierce and being labeled "one of the bands that matter" by the LA Weekly helped the band get signed by Elektra Records. The band continued to play live and record new songs for their major label debut and were a top live club draw outside of Los Angeles, touring with Nina Hagen, and gigging with the such acts as Iggy Pop, The Fuzztones, The Beat Farmers, Johnny Thunders, and The Cramps. The Pandoras played the first ever LA Weekly Music Awards and showcased a slightly harder sound and were interviewed on the roof of the Variety Arts Center for a top French TV Show.

Elektra Era

After "Stop Pretending", Elektra A&R man Steve Pross signed the band to Elektra Records. The band made numerous attempts to record the album, to be titled "Come Inside." During this period, Blankfeld was forced from the band due to taking on personal management, and was replaced with Kelly Dillard.

Before the release of the LP, which had reached test-pressing stage, Pross was fired by Elektra. As a result, the label to dropped both bands he had signed — Jetboy and The Pandoras. Many of the recordings they made eventually surfaced on the Psychedelic Sluts bootleg CD). The band continued to play live while looking for another record deal.

Restless Era

Dillard was shortly replaced by Sheri Kaplan. When another label made an offer, Elektra would not release the master recordings. Pierce decided to turn to an even more hard-edged sound and added guitarist Rita D'Albert to the line up. They recorded new songs and put out an EP on Restless Records called Rock Hard. The band also made a video for "Run Down Love Battery", which received airplay on MTV's Headbangers Ball, expanding their audience to include metal fans.

A tour of the US and Canada followed. D'Albert decided to leave the band to take more of an active part in another band that had just been signed to RCA records, Human Drama. Rather than cancel the tour, the band went out as a four-piece. A show in Dallas, Texas at Z Rock was recorded for a "Coast to Coast Concert Series" broadcast. They also made an appearance on the first episode of The Arsenio Hall Show where they performed "Run Down Love Battery" causing Arsenio to quip, "We've all had one of those." A friend of drummer Kaplan's was brought in, Susan Hyatt, for some shows, but it was Lissa Beltri who became the newest member after auditions.

Rather than record a new studio album with the new line-up, Pierce opted to let Restless Records release the Z Rock concert. Live Nymphomania was released and, even though Pierce was not happy with the recording, the band toured in support of it.

Disbandment and Pierce's Death

Outside of Los Angeles, the Pandoras' fan base continued to grow in the hard rock world, though attendance was down at individual shows.New promo photos were taken, and pre-planning was starting for a new album on Restless.

However, in early 1990, keyboardist Vammen was let go. In an interview, Pierce said, "Melanie does not want to play guitar and there is not any place for keyboards in our music now."

An Australian tour was canceled and, when an European tour was cancelled, Shattuck left the band in 1990. [1] Chris Roy, bass player for the Hollywood metal band TAZ, filled in at a live show. Kaplan quits the band to join Hardly Dangerous, shortly after Shattuck's departure. This leaves The Pandoras in limbo and without a label. Vammen and Shattuck later formed The Muffs.

In 1991, Pierce slowly worked on new material with Beltri. They hired a new drummer and were auditioning bass players. On August 9, a bass player auditioned who both Pierce and Beltri liked. She was to be brought back in for a rehearsal on August 11. However, on August 10, after dinner and an exercise session, Pierce suffered a fatal aneurysm in the shower. She had complained of painful headaches for two weeks before her death, but did not seek medical care.

Pierce's funeral

As news of her death spread, the Hollywood community that Pierce had been a part of mourned. DJ Rodney Bingenheimer, who had been one of the earliest fans of the band, dedicated an entire show to Pierce. The Pandoras' tour manager, Dave Eddy, put on a tribute show at the Coconut Teaser. The night helped to raise almost $3,000 to help offset funeral expenses.

The show saw performances by Cherie Currie of The Runaways and her twin sister Marie in their first public performance together in 20 years, with the final line up of the Pandoras backing them, Precious Metal, who had broken up but who reunited for the show; Robert Hecker of Redd Kross and Abby Travis, Dramarama with Clem Burke of Blondie and Sylvain Sylvain from the New York Dolls, The Muffs (Shattuck's and Vammen's band), African Violet (D'Albert band), Hardly Dangerous (Kaplan was their drummer) and White Flag.

The crowd included Jeff and Steve McDonald from Redd Kross and Charlotte Caffey and Kathy Valentine from The Go-Go's. The artists who played that night and the people in the audience prompted Bingenheimer to exclaim, "Look at the people here! What do you have to die to see who really loves you?"

Discography

Albums

Live albums

Singles and EPs

  • I'm Here I'm Gone (1984 - EP - Moxie Records)
  • Hot Generation/You Don't Satisfy (1984 - Single - Voxx Records)
  • In And Out of My Life (In a Day)/The Hump (1986 - Single - Rhino Records)
  • I Didn't Cry/Thunder Alley (1999 - Dionysus)

Compilation appearances

Videos/DVD

  • Slipping Through the Cracks (An Uprising of Young Pacifics) (video); IceWorld Video

Bootlegs

  • Space Amazon (1997 - Arf Arf)
  • Psychedelic Sluts (1997 - Erekta)

References

  1. ^ a b Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 449