Jump to content

Black Conflux

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Northofequator (talk | contribs) at 18:22, 5 October 2019 (Inserted the first International review and the reference to it.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Black Conflux
Directed byNicole Dorsey
Written byNicole Dorsey
Produced byMichael Solomon
Mark O'Neill
StarringElla Ballentine
Ryan McDonald
CinematographyMarie Davignon
Edited bySophie Leblond
Production
companies
Band With Pictures
Panoramic Pictures
Release date
  • September 6, 2019 (2019-09-06) (TIFF)
Running time
100 minutes
CountryCanada
LanguageEnglish

Black Conflux is a Canadian drama film, directed by Nicole Dorsey and released in 2019.[1] The film stars Ella Ballentine as Jackie, a teenage girl in Newfoundland and Labrador whose quest for independence leads her into the orbit of Dennis (Ryan McDonald), a mentally unstable and potentially violent man in his twenties.[2]

The cast also includes Luke Bilyk, Olivia Scriven, Sofia Banzhaf and Lawrence Barry.

The film premiered at the 2019 Toronto International Film Festival.[3]

Critical response

Norman Wilner of Now gave the film a four-N rating, writing that "while Black Conflux functions primarily as a character study (with excellent work from the leads, and strong support provided by Olivia Scriven and Sofia Banzhaf), it’s also about showing us the environment that shapes those characters – and the odds against their ever escaping it."[1] Nikki Baughan of Screen Daily also reviewed the film positively, stating that the film "doesn’t offer anything groundbreaking in terms of its narrative, but is nevertheless a striking calling card for its talented maker."[3]

Matt Bobkin of Exclaim! was more critical, asserting that "the film's strong beginning and middle showcases plenty of strengths: strong acting, natural dialogue and rich cinematography", but concluding that it was ultimately undermined by an anticlimactic ending.[2]

Stephan Dalton of the The Hollywood Reporter wrote the first International review and praised the film for its "strong visual aesthetic”, and "sufficient depth and polish to secure more festival bookings”. The review takes note of cinematographer, Marie Davignon's "gorgeous imagery”, actor Ella Ballentine's "luminous acting", and notes about director Nicole Dorsey’s work that “even if this deceptively artful debut feels a little muted and unpolished in places, it is plainly the work of a skilled filmmaker with ample future potential.” [4]

References