Jump to content

Utopia Avenue

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by JeroenHoek (talk | contribs) at 07:03, 4 August 2020 (Synopsis: Add Jim Morrison and Ron McKernan.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Utopia Avenue
First edition cover (UK)
AuthorDavid Mitchell
LanguageEnglish
GenreHistorical fiction
PublisherSceptre
Publication date
14 July 2020
Publication placeUnited Kingdom
Media typePrint (hardcover), e-book, audiobook
Pages576
ISBN978-1-4447-9942-2 (hardcover)

Utopia Avenue is a 2020 novel by David Mitchell. It is his eighth published novel, and his first since Slade House (2015). It was published by Sceptre on July 14, 2020.[1] The novel tells the story of the fictional 1960s British rock band Utopia Avenue.[2]

Synopsis

The novel follows the fictional rock band Utopia Avenue, formed in Soho, London in 1967. They were assembled by their Canadian manager Levon Frankland as a "psychedelic-folk-rock" supergroup. Each chapter name is the title of a song and focuses on one of the members of the band. It features cameos from David Bowie, Jerry Garcia, Leonard Cohen, Syd Barrett, Jackson Browne, John Lennon, Allen Ginsberg, Francis Bacon, Joni Mitchell, Steve Winwood, Keith Moon, Sandy Denny and Marc Bolan. As well as Jimi Hendrix, Janis Joplin, Ron "Pigpen" McKernan, Jim Morrison, and Brian Jones; the latter five, coincidentally, all members of the illustrious 27 Club.

Main characters

Utopia Avenue
  • Elf Holloway, keyboardist and lead singer. Previously in a folk group with her ex Bruce.
  • Jasper de Zoet, lead guitarist. Originally from the Netherlands. Descendant of Jacob de Zoet. Suffers from schizophrenia.
  • Dean Moss, bassist from Gravesend.
  • Peter "Griff" Griffin, jazz drummer from Yorkshire.

Allusions/references to other works

Utopia Avenue contains references to characters from other works by Mitchell, following precedents set in his earlier novels. As Mitchell's oeuvre grows, the connections between his works become more numerous, ranging from the explicit that link the novel to what might be called his overarching über-book[3], to subtle recurrences of characters, places, and events. Some of the more apparent connections are:

  • Jasper de Zoet listens to a recording of The Cloud Atlas Quartet composed by Robert Frobisher, a character and work described in Cloud Atlas.
  • Jasper is a descendant of Jacob de Zoet, the protagonist from The Thousand Autumns of Jacob de Zoet.
  • The band's first single "Darkroom" is played on the radio by Bat Segundo, a DJ who appears in Ghostwritten.
  • The band play at the pub in Gravesend owned by the Sykes family who appear in The Bone Clocks.
  • Elf Holloway has a relationship with Louisa Rey, who appears in Cloud Atlas.
  • At a party in London the band meet Crispin Hershey, the author from The Bone Clocks, as a child.
  • Jasper is delivered from a poltergeist, who turns out to be the malign spirit of the abbot Enomoto from The Thousand Autumns of Jacob de Zoet, by Horologists Esther Little (The Bone Clocks) and Marinus. The character of Marinus (in various reincarnations) and the group known as Horologists are present in several of of Mitchell's novels.

Reception

At the review aggregator website Book Marks, which assigns individual ratings to book reviews from mainstream literary critics, the novel received a cumulative "Positive" rating based on 25 reviews: 10 "Rave" reviews, 9 "Positive" reviews, 4 "Mixed" reviews, and 2 "Pan" reviews.[4]

Writing for The Guardian, Sarah Perry praised Mitchell's "consciously easeful and frictionless" prose.[5]

In its starred review, Kirkus Reviews praised Utopia Avenue for its detail and realism, calling it Mitchell's most "realistic" novel since Black Swan Green (2006)."[6]

Publishers Weekly gave the novel a rave review, calling it "Mitchell at his best."[7]

Writing for The New Yorker, Jonathan Dee felt the novel's "authenticity" was diminished by Mitchell's musical descriptions and undermined by unrealistic dialogue from the cameo characters.[8]

References