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{{AfC submission|||ts=20240329002401|u=Magnificent Magpie|ns=118}}
Yang Wan (?—1644; Chinese name: Yáng Wǎn [https://zh.m.wikipedia.org/wiki/%E6%A5%8A%E5%AE%9B 楊宛], [[courtesy name]]: Wǎnshū 宛叔), was one of the famous [[Gējì|''geji'']] of the [[Qinhuai, Nanjing|Qinhuai]] pleasure district in [[Nanjing]] during the waning years of the [[Ming dynasty]]. She was especially celebrated for her [[calligraphy]], painting, poetry, and song lyrics.<ref>{{Cite web |title=楊宛 |url=https://baike.baidu.hk/item/%E6%A5%8A%E5%AE%9B/3449278 |access-date=2024-02-25 |website=百度百科}}</ref>
Yang Wan (?—1644; Chinese name: Yáng Wǎn [https://zh.m.wikipedia.org/wiki/%E6%A5%8A%E5%AE%9B 楊宛], [[courtesy name]]: Wǎnshū 宛叔), was one of the famous [[Gējì|''geji'']] of the [[Qinhuai, Nanjing|Qinhuai]] pleasure district in [[Nanjing]] during the waning years of the [[Ming dynasty]]. She was especially celebrated for her [[calligraphy]], painting, poetry, and song lyrics.<ref>{{Cite web |title=楊宛 |url=https://baike.baidu.hk/item/%E6%A5%8A%E5%AE%9B/3449278 |access-date=2024-02-25 |website=百度百科}}</ref>
{{Infobox writer
{{Infobox writer
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Yang Wan developed a close bond with another geji, [[Wang Wei (courtesan)|Wang Wei]], who would become a highly regarded poet and travel writer. They called each other sworn sisters.<ref>{{Cite book |last=Lee |first=Lily Xiao Hong |title=Biographical Dictionary of Chinese Women: Tang Through Ming, 618–1644 |publisher=M.E. Sharpe |year=2014 |isbn=9780765643162 |publication-date=2014}}</ref> Wang Wei’s poems to Yang Wan<ref>{{Cite web |title=Details - Poet :: Ming Qing Women's Writings Digitization Project |url=https://digital.library.mcgill.ca/mingqing/search/details-poet.php?poetID=1000&showworks=&showanth=&showshihuaon=&showpoems=1&language=eng |access-date=2024-02-25 |website=digital.library.mcgill.ca}}</ref> indicate they had a romantic relationship.
Yang Wan developed a close bond with another geji, [[Wang Wei (courtesan)|Wang Wei]], who would become a highly regarded poet and travel writer. They called each other sworn sisters.<ref>{{Cite book |last=Lee |first=Lily Xiao Hong |title=Biographical Dictionary of Chinese Women: Tang Through Ming, 618–1644 |publisher=M.E. Sharpe |year=2014 |isbn=9780765643162 |publication-date=2014}}</ref> Wang Wei’s poems to Yang Wan<ref>{{Cite web |title=Details - Poet :: Ming Qing Women's Writings Digitization Project |url=https://digital.library.mcgill.ca/mingqing/search/details-poet.php?poetID=1000&showworks=&showanth=&showshihuaon=&showpoems=1&language=eng |access-date=2024-02-25 |website=digital.library.mcgill.ca}}</ref> indicate they had a romantic relationship.


Wang Wei and Yang Wan became, respectively, the wife and concubine of the military official and scholar {{ill|Mao Yuanyi|zh|茅元儀}}. Mao Yuanyi had been an associate of [[Matteo Ricci]], and wrote the military treatise [[Wubei Zhi]], which included the [[Mao Kun map]]. Mao Yuanyi, who was also a poet, valued his wives’ artistic achievements and pursuits. Geji who got married were expected to quit their profession and observe the private lifestyles expected from respectable wives, but Yang Wan had an unusual arrangement with her husband to continue her professional pursuits. She had various lovers during their marriage, with her husband’s knowledge and tolerance. <ref>{{Cite book |last1=Widmer |first1=Ellen |title=Writing women in late imperial China |last2=Sun |first2=Kangyi |date=1997 |publisher=Stanford university press |isbn=978-0-8047-2872-0 |location=Stanford (Calif.) |pages=61}}</ref><ref>{{Cite book |title=Women writers of traditional China: an anthology of poetry and criticism |publisher=[[Stanford University Press]] |year=1999 |isbn=978-0-8047-3231-4 |editor-last=Chang |editor-first=Kang-i Sun |edition=Nachdr. |location=Stanford, Calif |pages=333}}</ref>
Wang Wei and Yang Wan became, respectively, the wife and concubine of the military official and scholar {{ill|Mao Yuanyi|zh|茅元儀}}. Mao Yuanyi had been an associate of [[Matteo Ricci]], and wrote the military treatise [[Wubei Zhi]], which included the [[Mao Kun map]]. Mao Yuanyi, who was also a poet, valued his wives’ artistic achievements and pursuits. Geji who got married were expected to quit their profession and observe the private lifestyles expected from respectable wives, but Yang Wan had an unusual arrangement with her husband to continue her professional pursuits. She had various lovers during their marriage, with her husband’s knowledge and tolerance.<ref>{{Cite book |last1=Widmer |first1=Ellen |title=Writing women in late imperial China |last2=Sun |first2=Kangyi |date=1997 |publisher=Stanford university press |isbn=978-0-8047-2872-0 |location=Stanford (Calif.) |pages=61}}</ref><ref>{{Cite book |title=Women writers of traditional China: an anthology of poetry and criticism |publisher=[[Stanford University Press]] |year=1999 |isbn=978-0-8047-3231-4 |editor-last=Chang |editor-first=Kang-i Sun |edition=Nachdr. |location=Stanford, Calif |pages=333}}</ref>


Mao Yuanyi suffered a political fall and exile, which led him to excessive drinking. He died in 1640. Wang Wei remarried, and Yang Wan continued her profession. Four years later, she was forcibly taken, along with several other geji including [[Chen Yuanyuan]], by an officer of the [[Embroidered Uniform Guard]], {{ill|Tian Hongyu|zh|田弘遇}}, father of the imperial concubine [[Tian Xiuying]]. Tian Hongyu intended for them to serve in the household of the [[Chongzhen Emperor]], but that plan didn’t come to fruition due to the emperor’s death during the peasant rebellion led by [[Li Zicheng]]. In the upheaval, Yang Wan tried to escape the capital disguised as a beggar, but she was murdered by bandits.<ref>{{Cite web |title=知乎专栏 - 随心写作,自由表达 - 知乎 |url=https://zhuanlan.zhihu.com/ |access-date=2024-02-25 |website=zhuanlan.zhihu.com}}</ref>
Mao Yuanyi suffered a political fall and exile, which led him to excessive drinking. He died in 1640. Wang Wei remarried, and Yang Wan continued her profession. Four years later, she was forcibly taken, along with several other geji including [[Chen Yuanyuan]], by an officer of the [[Embroidered Uniform Guard]], {{ill|Tian Hongyu|zh|田弘遇}}, father of the imperial concubine [[Tian Xiuying]]. Tian Hongyu intended for them to serve in the household of the [[Chongzhen Emperor]], but that plan didn’t come to fruition due to the emperor’s death during the peasant rebellion led by [[Li Zicheng]]. In the upheaval, Yang Wan tried to escape the capital disguised as a beggar, but she was murdered by bandits.<ref>{{Cite web |title=知乎专栏 - 随心写作,自由表达 - 知乎 |url=https://zhuanlan.zhihu.com/ |access-date=2024-02-25 |website=zhuanlan.zhihu.com}}</ref>
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*[https://baike.baidu.hk/item/%E6%A5%8A%E5%AE%9B/3449278 Yang Wan's entry in Baike (Chinese)]
*[https://baike.baidu.hk/item/%E6%A5%8A%E5%AE%9B/3449278 Yang Wan's entry in Baike (Chinese)]

{{DEFAULTSORT:Wan, Yang}}
[[Category:Year of birth missing]]
[[Category:1644 deaths]]

Revision as of 07:23, 27 April 2024

Yang Wan (?—1644; Chinese name: Yáng Wǎn 楊宛, courtesy name: Wǎnshū 宛叔), was one of the famous geji of the Qinhuai pleasure district in Nanjing during the waning years of the Ming dynasty. She was especially celebrated for her calligraphy, painting, poetry, and song lyrics.[1]

Yang Wan
Native name
楊宛
BornDOB unknown
Died1644
Pen nameYang Wanshu 楊宛叔
OccupationGējì
LanguageChinese
SpouseMao Yuanyi

Life

Yang Wan’s family background and birth year are unknown. It was likely she began training as a geji (a registered female entertainer), from a very young age. Girls trained to be geji had been orphaned or sold by their families, who either couldn’t afford to raise them or wanted to give them the chance at upward mobility the profession enabled through the possibility of marriage or concubinage to the performer’s clients.[2]

The geji of the pleasure district along the Qinhuai River were especially celebrated for their sophistication, refinement, and literary and artistic accomplishments.[2]

Yang Wan developed a close bond with another geji, Wang Wei, who would become a highly regarded poet and travel writer. They called each other sworn sisters.[3] Wang Wei’s poems to Yang Wan[4] indicate they had a romantic relationship.

Wang Wei and Yang Wan became, respectively, the wife and concubine of the military official and scholar Mao Yuanyi [zh]. Mao Yuanyi had been an associate of Matteo Ricci, and wrote the military treatise Wubei Zhi, which included the Mao Kun map. Mao Yuanyi, who was also a poet, valued his wives’ artistic achievements and pursuits. Geji who got married were expected to quit their profession and observe the private lifestyles expected from respectable wives, but Yang Wan had an unusual arrangement with her husband to continue her professional pursuits. She had various lovers during their marriage, with her husband’s knowledge and tolerance.[5][6]

Mao Yuanyi suffered a political fall and exile, which led him to excessive drinking. He died in 1640. Wang Wei remarried, and Yang Wan continued her profession. Four years later, she was forcibly taken, along with several other geji including Chen Yuanyuan, by an officer of the Embroidered Uniform Guard, Tian Hongyu [zh], father of the imperial concubine Tian Xiuying. Tian Hongyu intended for them to serve in the household of the Chongzhen Emperor, but that plan didn’t come to fruition due to the emperor’s death during the peasant rebellion led by Li Zicheng. In the upheaval, Yang Wan tried to escape the capital disguised as a beggar, but she was murdered by bandits.[7]

Poetry

Despite her fame during her lifetime, in the early Qing Dynasty a backlash against women’s cultivation of artistic skills and the decadence associated with the geji profession[2] caused Yang Wan and her work to be disparaged.[8] Very few of her poems have survived.[9]

[10]

See also

Chen Yuanyuan

Chinese poetry

Eight Beauties of Qinhuai

Liu Rushi

Wang Wei (courtesan)

References

  1. ^ "楊宛". 百度百科. Retrieved 2024-02-25.
  2. ^ a b c Widmer, Ellen; Sun, Kangyi (1997). Writing women in late imperial China. Stanford (Calif.): Stanford university press. pp. 16–45. ISBN 978-0-8047-2872-0.
  3. ^ Lee, Lily Xiao Hong (2014). Biographical Dictionary of Chinese Women: Tang Through Ming, 618–1644. M.E. Sharpe. ISBN 9780765643162.
  4. ^ "Details - Poet :: Ming Qing Women's Writings Digitization Project". digital.library.mcgill.ca. Retrieved 2024-02-25.
  5. ^ Widmer, Ellen; Sun, Kangyi (1997). Writing women in late imperial China. Stanford (Calif.): Stanford university press. p. 61. ISBN 978-0-8047-2872-0.
  6. ^ Chang, Kang-i Sun, ed. (1999). Women writers of traditional China: an anthology of poetry and criticism (Nachdr. ed.). Stanford, Calif: Stanford University Press. p. 333. ISBN 978-0-8047-3231-4.
  7. ^ "知乎专栏 - 随心写作,自由表达 - 知乎". zhuanlan.zhihu.com. Retrieved 2024-02-25.
  8. ^ Chang, Kang-i Sun, ed. (1999). Women writers of traditional China: an anthology of poetry and criticism (Nachdr. ed.). Stanford, Calif: Stanford Univ. Press. p. 333. ISBN 978-0-8047-3231-4.
  9. ^ "Details - Poet :: Ming Qing Women's Writings Digitization Project". digital.library.mcgill.ca. Retrieved 2024-03-30.
  10. ^ "Threads". www.threads.net. Retrieved 2024-03-29.

External Links