Jump to content

Karen McCoy

Add links
From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by KyleGrimm (talk | contribs) at 14:03, 28 January 2021 (Minor wording issues). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Karen McCoy is an American visual artist whose work focuses on sculpture, environmental art, walking art, and land art. She resides in Kansas City, Missouri, where she is a professor emeritus in sculpture and social practice at the Kansas City Art Institute.[1] She also taught sculpture and design at Williams College (1987-1994), Colby College (1987), and the University of Minnesota-Morris (1982-1985).[2]

Work

McCoy's sculptural works are created out of a combination of artistic practice and environmental activism,[3] with focus on the ecological, geographical, cultural, and societal histories of the site at which the work is created. Works such as Giardino Galleggiante per Venezia (Floating Garden for Venice, expected 2021), Tree in Tree (2004, with Matt Dehaemers and members of the Osage Nation, Forest Park, St. Louis, MO),[4] Island Gridded for Growth (2000, Jackson, WY),[5] and Considering Mother's Mantle (1992, Syracuse, NY)[6] are created by way of subtle physical alterations to the environment (i.e. - the planting of vegetation). In other projects, such as Seemingly Unconnected Events (2011, Wentworth-Coolidge Mansion State Historic Site, Portsmouth, NH, The Land Institute, Salina, KS and others)[3] and the land art project The Taiwan Tangle: Space for Contemplating Carrying Capacity (2009, Guandu International Sculpture Festival, Guandu Nature Park, Taipei, Taiwan),[7] McCoy uses reclaimed materials to create large-scale sculptures that address issues of global climate change, sustainability, and resource depletion.

She has created drawings made as a result of walking since 1987 (Mnemotopias[8] or memory of place drawings) and several sculpture projects[9][10][11] that involve listening and walking, most recently the Sound and Sight Walk in Central Park, on invitation of the Walk Exchange/NY and in Kansas City for the Open Spaces exhibition, 2017.[12] She is a member of the Walking Artists Network and her open source cut-and-fold paper Listening Trumpet may be found in the book Ways to Wander published by their research group, Footwork.[13]

Karen McCoy frequently collaborates with composer Robert Carl, an ongoing body of work that includes her ear horns[14] and listening post sculptures.[15] Made from materials native to the site, the ear horns are used to amplify ambient sounds of their environment,[16] often presented along with Carl's field recordings and ecoacoustic compositions. In 2010, Carl and McCoy collaborated on Talking Trees, a site-based interactive sculpture for the Spencer Museum of Art at the University of Kansas.[17]

McCoy's work has been anthologized in numerous texts, including Beardsley, John (1998). Earthworks and Beyond (3rd ed.).,[18] Sayre, Henry (2010). World of Art (6th ed.).,[19] Cooper, Paul (2003). Gardens Without Boundaries.,[6] and Potteiger, Matthew; Purinton, Jamie (1998). Landscape Narratives.,[20] Artists Inhabit the Museum: A Decade of Commissions and Artist-In-Residence Projects at the Spencer Museum of Art, 2005-2015, among others. Her work is in the Oppenheimer Collection at the Nerman Museum of Contemporary Art.

References

  1. ^ "Sculpture - Kansas City Art Institute". Kcai.edu. 2015-09-15. Retrieved 2016-10-17.
  2. ^ "Karen McCoy : CV" (PDF). Karen-mccoy.com. Retrieved 2016-10-17.
  3. ^ a b "Plastic straws, onion bags and bubble wrap sound environmental messages in sculpture show at Epsten Gallery". Kansascity.com. Retrieved 2016-10-17.
  4. ^ McCoy, Karen. "Artist Feature - Karen McCoy" Archived 2014-12-24 at the Wayback Machine, Lake - Journal of Arts and Environment, University of British Columbia Okanagan, Fall 2008.
  5. ^ "Sculpture - Environmental". Karen McCoy. Retrieved 2016-10-17.
  6. ^ a b Cooper, Paul (2003). Gardens Without Boundaries, Mitchell Beazley, London. ISBN 1840007389.
  7. ^ "Sculpture - Environmental". Karen McCoy. Retrieved 2016-10-17.
  8. ^ "Drawings -Mnemotopias". Karen McCoy. Retrieved 2016-10-17.
  9. ^ "Sculpture - Environmental". Karen McCoy. Retrieved 2016-10-17.
  10. ^ "Sculpture - Environmental - archive". Karen McCoy. Retrieved 2016-10-17.
  11. ^ "Sculpture - Environmental". Karen McCoy. Retrieved 2016-10-17.
  12. ^ by implau (2015-02-15). "Sound and Sight Walk with Karen McCoy". Walk Exchange. Retrieved 2016-10-17.
  13. ^ "footwork | a research group attached to the walking artists network". Footworkwalk.wordpress.com. Retrieved 2016-10-17.
  14. ^ "Karen McCoy: Listening Trumpet". Footwork.wordpress.com. Retrieved 2016-10-17.
  15. ^ "ART;On the Edge: Where Nature Comes Together With Culture". The New York Times. 7 January 1996.
  16. ^ "Sculpture Key West". Sculpture Key West. Retrieved 2016-10-17.
  17. ^ "Site Specifics". Spencerart.ku.edu. Retrieved 2016-10-17.
  18. ^ Beardsley, John (1998). Earthworks and Beyond, Abbeville Press, New York. ISBN 0789208814
  19. ^ Sayre, Henry (2010). World of Art, Pearson, New York. ISBN 0205887570
  20. ^ Potteiger, Matthew and Jamie Purinton (1998). "Landscape Narratives", Wiley, New York. ISBN 0471124869
Retrieved from "https://en.wikipedia.org/w/index.php?title=Karen_McCoy&oldid=1003333280"