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Max Leibowitz

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Portrait of Max Leibowitz, violinist, and son (Isidore?) from 1922 publisher score

Max Leibowitz (Template:Lang-yi) (born c.1884 in Iași, Romania, died 1942, Bronx, New York City) was an American klezmer violinist, composer and bandleader in New York City primarily in the 1910s and 1920s.

Biography

Early life

Leibowitz was born in Iași, Romania in June 1883 or 1884.[1] Little is known about his family background, whether he was from a klezmer family, or what his musical training was. In September 1905 he emigrated to the United States along with his wife Sarah.[2][3][4] He had 3 children: Isadore (born c.1908), Molly (c.1911) and Albert (born 1920).[2]

Music career

It isn't clear what Leibowitz did for the first decade he was in the United States, although in the 1910 census he did list his occupation as musician.[5] It was in June 1916, possibly because World War I made local musicians more valuable to record companies, that he was first recruited to record a test pressing for the Victor Recording Company.[6] He then followed it with a disc released on Columbia Records of himself playing violin accompanied by cimbalom, a highly traditional pairing in Eastern Europe, but one which was only rarely recorded in American Jewish music.[6][7][8] Those recordings were made with the cimbalom player "Silver", who may be Jacob Silber (1882-1952), who otherwise played percussion in Leibowitz's and other klezmer orchestras, as well as the xylophone in later years.[9]

Max Leibowitz klezmer orchestra circa 1921

He was a contemporary of other Romanian-born klezmer bandleaders and recording artists in the New York City area that included Abe Schwartz, Joseph Moskowitz, Abe Katzman, and Milu Lemisch (in Philadelphia).[10] He is listed as composer of some Yiddish songs recorded in the early twentieth century, such as Der yold is mich mekone ("The fool envies me.")[11] and Es iz shoin farfallen.[12] Irene Heskes, compiler of Yiddish popular music listings, lists Leibowitz as part of a large cohort of "Jewish bandsmen" such as Naftule Brandwein, Dave Tarras, Harry Kandel and others who "fashioned unique qualities for the Jewish dance tunes in America" during that era.[13] There was often tough competition between these bandleaders; in 1923 Leibowitz sued Naftule Brandwein for allegedly plagiarizing a klezmer tune he had already copyrighted.[14] The case ended up being dismissed because Leibowitz had still been a Romanian citizen when he had copyrighted the work, which gave him less protection than an American citizen would have had.[15][16] After that lawsuit, the two men must have reconciled, because they continued to work together. In 1926 Leibowitz and his son Isidore opened a short-lived Romanian restaurant in Newark, New Jersey, and soon recruited Brandwein as a regular guest.[17]

Leibowitz died in the Bronx in 1942 at age 57.[18] He was buried in the Baron Hirsch Cemetery in Staten Island.[19]

Selected recordings

  • Yiddischer tanz/Yiddisch chusidel (1916)[20]
  • Tanzt, Tanzt, Yiddelach/Beim Rebeh's Sideh (1917)[21]
  • Orientalishe Melodien (1919)[22]
  • Der Galitzianer Chosid/Yiddisher Bulgar (1920)[23]
  • Russian Sher Quadril/Mazel Tov (1920)[24]

References

  1. ^ "Max Leibowitz. Migration • New York, County Naturalization Records, 1791-1980". FamilySearch. Retrieved 15 June 2021.
  2. ^ a b "Max Leibowitz, United States Census, 1920". FamilySearch. Retrieved 10 July 2020.
  3. ^ "Max Leibowitz, Declaration of Intention". Ancestry Library. Retrieved 2020-07-10.
  4. ^ U.S. Government Printing Office (1920). "Polish Oberek No.1". Catalog of Copyright Entries: Musical Compositions. Part 3, Volume 15, Issue 1: 917.
  5. ^ "Max Lebowitz Census • United States Census, 1910". FamilySearch. Retrieved 15 June 2021.
  6. ^ a b Spottswood, Richard K. (1990). Ethnic music on records : a discography of ethnic recordings produced in the United States, 1893 to 1942. Urbana: University of Illinois Press. pp. 1423–4. ISBN 9780252017216.
  7. ^ Feldman, Walter Zev (2016). Klezmer : music, history and memory. New York City: Oxford University Press. p. 103. ISBN 9780190244514.
  8. ^ Gifford, Paul M. (2001). The hammered dulcimer : a history. Lanham, Md.: Scarecrow Press. p. 132. ISBN 9780810839434.
  9. ^ Wollock, Jeffrey (2007). "Historic Records as Historical Records: Hersh Gross and His Boiberiker Kapelye (1927-1932)". ARSC Journal. 38 (1): 60.
  10. ^ Feldman, Walter Zev (2016). Klezmer : music, history and memory. New York: Oxford University Press. p. 279. ISBN 9780190244514.
  11. ^ "Der yold is mich mekone". Library of Congress.
  12. ^ "Es iz shoin farfallen and Simches Torah chusid'l". Library of Congress.
  13. ^ Heskes, Irene (1992). Yiddish American popular songs, 1895 to 1950 : a catalog based on the Lawrence Marwick roster of copyright entries. Washington DC: Library of Congress. pp. xxxiv–xxxv. ISBN 0844407453.
  14. ^ "MUSIC MEN". Variety. 1923-08-09.
  15. ^ "LEIBOWITZ V. COLUMBIA GRAMOPHONE COMPANY ET AL". Decisions of the United States Courts Involving Copyright. Bulletin / Copyright Office ;no. 17- (1918/1924). Library of Congress, Copyright Office: 236–7. 1928. hdl:2027/ien.35559002084576.
  16. ^ "COMMON LAW IS PROTECTION SAYS JUDGE". New York Clipper. 1923-10-12.
  17. ^ "Advertisement". Forverts. 1926-11-12.
  18. ^ "Max Liebowitz New York, New York City Municipal Deaths, 1795-1949". FamilySearch. Retrieved 10 July 2020.
  19. ^ "Max Liebowitz in the New York, New York, U.S., Index to Death Certificates, 1862-1948". Ancestry Library. Retrieved 14 June 2021.
  20. ^ "אידישער טאַנץ". search.library.wisc.edu.
  21. ^ "Tanzt, Tanzt, Yiddelach/Beim Rebeh's Sideh". rsa.fau.edu.
  22. ^ "Orientalishe Melodien". rsa.fau.edu.
  23. ^ "Yiddisher Bulgar/Der Galitzianer Chosid". rsa.fau.edu.
  24. ^ "Russian Sher Quadril/Mazel Tov". rsa.fau.edu.
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