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Robin Holder

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Robin Holder
Born
Chicago
NationalityAmerican
EducationLaGuardia High School Of Music and Arts
Alma materThe Art Students League of New York
Known formixed-media printmaking, paintings and public installations

Robin Holder (born 1952) is a contemporary American visual artist and activist[1] Holder is known for her mixed-media printmaking and paintings which focus on themes of spiritual and racial identity, class, social justice, and personal experience.[2] Robin Holder was commissioned to create several site-specific public art installations throughout the Northeastern United States, including New York City and New Jersey.[3] A number of her two-dimensional works can be found in several collections, including the Library of Congress, the Washington State Arts Commission, and the Schomburg Center for Research in Black Culture.[4][5]  Robin has been involved in arts education for over thirty years.[6]

Early life and education

Robin Holder, born in Chicago in 1952 and raised in New York City, is the daughter of an African American Episcopalian father and a Caucasian Russian American Jewish mother.[7] Her family and the communities she engaged with from an early age were focused on social issues and political activism, making her conscious of the apparent gendered, racial, religious and socio-economic disparities around her.[8] Robin attended high school in New York City, graduating in 1969 from the LaGuardia High School Of Music and Arts.[9]  Holder received a scholarship to The Art Students League of New York (1969–71) where she studied under Marshall Glasier, Vaclav Vytlacil, Morris Kantor, and Rudolf Baranik.[10] After studying at The Art Students League of New York, Holder moved to Mexico and spent time creating art.[11] She also worked for a year at the Amsterdams Grafisch Atelier studying lithography (1976-1977) and after became the assistant director for Robert Blackburn's Printmaking Workshop in New York City until 1986.[12][13]

Career

After leaving her position at Bob Blackburn's Printmaking Workshop, Holder went on to become a master teaching artist at The Studio in a School and a resident artist educator at The Children's Museum of Manhattan until 1989, when she received a grant from the Manhattan Graphics Center.[13] She was then sponsored by the New York State Council on the Arts in a residency program with El Museo Del Barrio.[12][13] From 2004 to 2006 Holder trained art teachers on how to utilize the Blueprint for Teaching and Learning in the Arts program.[13] Holder received the Individual Visual Artist Grant from the Brooklyn Arts Council in 1999, then in 2001, she was a selected artist for the Mid Atlantic Arts Foundation's Artist As Catalyst program in 2005 and a guest artist at the Temple Visual Arts Festival.[13] In addition, Holder was an invited artist at the Experimental Printmaking Institute and Lafayette College in 2011.[14][15]

Public works and installations

    • 2006 - Migrations, Flushing Avenue station (BMT Jamaica Line)[16]
    • 2002- Bayonne. 5 paintings for the Hudson Bergen Light Rail System, NJ.[10]
    • 2001- Transformations. series of 16 stained glass windows, Connecticut Juvenile Training School, Middletown, CT.[10]
    • 1997-1998- series of stained glass windows hallway installations: Dialogue, Exchange, Cooperative Education, and Rites of Passage. High School of Redirection, NY.[17][18][19]
    • 1996- Portraits and Patterns, Public Art for Public Schools, NY.[18]
    • 1992-1993 - Camino De Animales, Public School 5, Manhattan.[20]

Awards

    • Individual Artist Grant, Brooklyn Arts Council.[13]
    • Artist grant from the Manhattan Graphics Center.[10]
    • Clark Hulings Fund 2020 Executive Fellow.[21]
    • Fellowship with The Robert Blackburn Printmaking Workshop.[13]

Notable works

Access & Inequities: I Hear You. Do You See Me? (1999-2020)

Access and Inequities: I Hear You. Do You See Me? is a collection of 35 works, gathered from three interconnected series: Behind Each Window: A Voice, USA -United States of Anxiety, and The Falling Figures.[22] In this collection, which began in 1999 and was displayed in its entirety at the Kentler International Drawing Space in 2020, Holder explores the many concepts of "home" and how inequalities experienced by individuals impact the every day human existence.[23][24]

Warrior Women Wizards: Mystical Magical Mysteries (1985-2009)

The series Warrior Women Wizards: Mystical Magical Mysteries began in 1985.[25] The series consists of 14 fine art prints on paper that explore the connections and feelings of spirituality and femininity as seen through the eyes and soul of the artist.[26]

Process and techniques

Holder describes her process for making art in an interview with Educurious as such:

“The process of making art is really an adventure. I start with an idea or a feeling or a concept or a relationship with something in the world or something in my family or my surroundings and I explore it.”[27]

Robin works in series which tend to span decades in order to fully explore the different perspectives, eras, and patterns the subjects provide while exhausting her choices of materials and mediums for a specific piece.[28] Just like the layered and complex subject matter on which Holder bases her works, each piece in a series Robin creates is built through layers of printmaking techniques, collage, patterns, hand painted details, words, stencils, paper crafts, and drawings.[29]

References

  1. ^ Farrington, Lisa E. (2017). African-American art : a visual and cultural history. New York. ISBN 978-0-19-999539-4. OCLC 919252820.{{cite book}}: CS1 maint: location missing publisher (link)
  2. ^ Farrington, Lisa E. (2011). Creating their own image : the history of African-American women artists. Oxford. ISBN 978-0-19-976760-1. OCLC 712600445.{{cite book}}: CS1 maint: location missing publisher (link)
  3. ^ "Robin Holder: On Labor and Youth". The William Rolland Gallery Of Fine Art. February 11, 2021. Retrieved June 9, 2021.
  4. ^ "Robin Holder". The Nation. 2020-06-04. Retrieved 2021-06-09.
  5. ^ Farrington, Lisa (2009). An American consciousness : Robin Holder's mid-career retrospective. Robin Holder, Michele Cohen, Dorit Yaron, David C. Driskell Center. College Park, Md.: David C. Driskell Center. pp. 9–17. ISBN 978-0-9819093-2-5. OCLC 471931202.
  6. ^ Yaron, Dorit (2009). An American consciousness : Robin Holder's mid-career retrospective. Lisa E. Farrington, Michele Cohen, Robin Holder, David C. Driskell Center. College Park, Md.: David C. Driskell Center. pp. 26–39. ISBN 978-0-9819093-2-5. OCLC 471931202.
  7. ^ Farrington, Lisa. "Robin Holder". virtual.driskellcenter.umd.edu. Retrieved 2021-06-09.
  8. ^ The Art Settlers of New York Presents: The Magic of Artist Robin Holder, retrieved 2021-06-09
  9. ^ "Alumni and Friends of Laguardia Alumni Update" (PDF). News from Alumni and Friends of LaGuardia High School. Spring 2011. p. 13. Retrieved 2021-06-09.
  10. ^ a b c d "Robin Holder Exhibit / David C. Driskell Center at the University of Maryland". virtual.driskellcenter.umd.edu. Retrieved 2021-06-09.
  11. ^ Mitchell, Veronica (1985). "Robin Holder's Mystical, Magical Mysteries". Black American Literature Forum. 19 (1): 14–15. doi:10.2307/2904464. JSTOR 2904464.
  12. ^ a b Gumbo Ya Ya : Anthology of Contemporary African-American Women Artists. Leslie King-Hammond. New York: Midmarch Arts Press. 1995. p. 107. ISBN 1-877675-07-5. OCLC 32157945.{{cite book}}: CS1 maint: others (link)
  13. ^ a b c d e f g Holder, Robin (2009). An American consciousness : Robin Holder's mid-career retrospective. Lisa E. Farrington, Michele Cohen, Dorit Yaron, David C. Driskell Center. College Park, Md.: David C. Driskell Center. pp. 105–107. ISBN 978-0-9819093-2-5. OCLC 471931202.
  14. ^ "Front Matter". Art Journal. 70 (4): 16. 2011. ISSN 0004-3249. JSTOR 23279527.
  15. ^ "Artist Residency Program · Experimental Printmaking Institute · Lafayette College". epi.lafayette.edu. Retrieved 2021-06-09.
  16. ^ "Artwork: "Migrations" (Robin Holder)". www.nycsubway.org. Retrieved 2021-06-09.
  17. ^ "Rites of Passage by Robin Holder seen at High School Redirection, Brooklyn". www.wescover.com. Retrieved 2021-06-09.
  18. ^ a b Cohen, Michele (2009). An American consciousness : Robin Holder's mid-career retrospective. Robin Holder, Lisa E. Farrington, Dorit Yaron, David C. Driskell Center. College Park, Md.: David C. Driskell Center. pp. 18–25. ISBN 978-0-9819093-2-5. OCLC 471931202.
  19. ^ "Projects Detail Viewer - Percent for Art". www1.nyc.gov. Retrieved 2021-06-09.
  20. ^ "Robin Holder". NYCSCA Official Website. Retrieved 2021-06-09.
  21. ^ "Robin Holder". Clark Hulings Fund For Visual Artists. Retrieved 2021-06-09.
  22. ^ Taha, Halima (2019-12-18). "For and About the People: Robin Holder". BLACK ART IN AMERICA™. Retrieved 2021-06-30.
  23. ^ "Kentler International Drawing Space : exhibition : robin holder, Access & Inequities: I Hear You. Do You See Me? [2020_Holder]". kentlergallery.org. Retrieved 2021-06-30.
  24. ^ “ROBIN HOLDER Access & Inequities: I Hear You. Do You See Me?” Vimeo, Kentler Int. Drawing Space, 29 Jan. 2020, vimeo.com/388017283.
  25. ^ McCarthy, AnnaLivia (2018-03-01). "Five Women Artists: robin holder – Special Collections & Museums". Retrieved 2021-06-30.
  26. ^ "Robin Holder Exhibit / David C. Driskell Center at the University of Maryland". virtual.driskellcenter.umd.edu. Retrieved 2021-06-30.
  27. ^ “Preview: Robin Holder on Life and Art.” Youtube, Educurious, 18 Sept. 2012, www.youtube.com/watch?v=YcSMbn88I_0&t=35s.
  28. ^ Yaron, Dorit. "In Her Own Words: A Conversation with Artist Robin Holder and Curator Dorit Yaron". virtual.driskellcenter.umd.edu. Retrieved 2021-06-30.
  29. ^ Yaron, Dorit. "In Her Own Words: A Conversation with Artist Robin Holder and Curator Dorit Yaron". virtual.driskellcenter.umd.edu. Retrieved 2021-06-30.
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