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Khuyol Haoba and Yaithing Konu

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Meetei Mayek
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The story of Khuyol Haoba and Yaithing Konu
Meitei and Latin transliterations of "Khuyol Haoba" and "Yaithing Konu"
Folk tale
NameThe story of Khuyol Haoba and Yaithing Konu
Also known asTemplate:Lang-mni
Aarne–Thompson groupingno
MythologyMeitei mythology (Manipuri mythology)
Country Ancient Kangleipak (historical)
 India (present)
RegionMoirang, Manipur
Origin DateDuring the reign of King Iwang Puriklai Sana Lakhwa (185-236)
RelatedMeitei folklore (Manipuri folklore),
Meitei literature (Manipuri literature)
Part of a series on
Meitei mythology
A tableau depicting Meitei divine mythical beings, like Hiyang Hiren and Pakhangba.
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The ancient legend of Khuyol Haoba and Yaithing Konu (Template:Lang-mni) is one of the epic cycles of incarnations of Meitei mythology and folklore, that is originated from Moirang kingdom[a] of Ancient Kangleipak (early Manipur). It concerns the fateful love of Khuyol Haoba (Template:Lang-omp),[b] an orphan man, for the beautiful Yaithing Konu.[1][2][3][4] Khuyol Haoba was the son of late Khundouremba (Template:Lang-omp), a court official of Moirang. Yaithing Konu was the daughter of Luwang Huiningsumba (Template:Lang-omp), an influential nobleman of Moirang.[5][6][7]

History

Khuyol Haoba and Yaithing Konu were historical figures who lived during the reign of Moilang King Sana Lakhwa (185-236) in Moirang kingdom, as stated in the text named the Kanglei Lamthon Puya. The story was later crafted into a legendary account by adding mythological elements such as the divine intervention of God Thangching who wished Yaithing Konu to seek help from Khuyol Haoba, thereby making the two fell in love with each other.[8]

Plot

Childhood of Khuyol Haoba

Orphan young Khuyol Haoba was brought up by his elder sister. His late father Khundouremba used to hold the court office to look after the royal religious rites and rituals, to take care of a rare sacred bamboo species called Tesa, to remove the creepers of the Tayan (also spelled as "Tayal") species and to burnish the divine metal mask. After the demise of Khundouremba, God Thangching (Thangjing) made the king, the friends and the relatives of Khundouremba to be heedless of the two children, Khuyol Haoba and his elder sister. Hence, the two children live in a poor way of life.[9][10]

Escaping from the oracular conspiracy

As time passed, Khuyol Haoba grew up into a handsome lad. However, he used to hide among the phumdis of the Loktak lake to save himself from the human sacrifice as demanded by the presiding deity of Moirang in accordance to an oracle.[11] In reality, the prophecy of the oracle was a barbaric brutal conspiracy devised by a nobleman named Thangarakpa (Template:Lang-omp), who was jealous of the late Khundouremba, and so, he wanted to eliminate the latter's young son Khuyol Haoba. Thangarakpa took the opportunity in the occurrence of drought and famine in Moirang, and bribed a fake god-man to declare that only the offering of an orphan man could please God Thangching (Thangjing) to diminish the sufferings of the people.[12][13][14]

Meeting with Lady Yaithing Konu

During one of his hiding occasions, Khuyol Haoba met Lady Yaithing Konu. All the unmarried ladies of Moirang came together at the Loktak lake for fishing as a part of the celebration of a festive occasion. On that particular day, no men were allowed to enter the waters of the Loktak. En passant, Lady Yaithing Konu's wooden frame of fishing net get broken. As it could be fixed only by men and as no man was available around, Konu was upset. In the meantime, Khuyol Haoba, who was hiding around the lake, came to her help for fixing the net's frame. The two fell in love at the first sight. As time passed on, fortunately, the king of Moirang got to know about Khuyol Haoba's identity and reinstated him to his late father's official position. The two lovers had enjoyed their life of love for some time. They submitted themselves to each other though not married to each other.[15][16]

Firestorm as the action and wedding as the reaction

Once Huiningsumba (Yaithing Konu's father), went out for a hunt in the woods, as per the royal orders. Unable to find any prey, he burned the bushes of the forest to drive out the hiding animals. Within a few moments, the forest fire turned into a big firestorm and spread fastly to the neighbouring kingdom of the Khumans, burning the resident and the barn of a fierce Khuman warrior named Kaoba Hingamba. Witnessing the incident, Kaoba Hingamba's fury knew no bounds. He captured Huiningsumba and his men and demanded the captive's daughter as the ransom. Reluctant but having no other way, Huiningsumba agreed. Thus, Yaithing Konu and Kaoba Hingamba got married. During the wedding, Yaithing Konu was already conceived with Khuyol Haoba's child, for three months. She was distressed.[17][18]

Continuation of the love affairs

Yaithing Konu's marriage to Kaoba Hingamba did not end her connection with Khuyol Haoba. Khuyol Haoba used to visit Yaithing Konu, impersonating himself as a man from the hills, working for Kaoba Hingamba. They continued their romantic affairs even at the house of Kaoba Hingamba. Very soon, the relationship was noticed by Kaoba Hingamba, who kicked Yaithing Konu out of his house. The husband's dismissal of his wife turned into a fortune to the latter. Thus, Yaithing Konu and Khuyol Haoba got united and lived happily ever after.[19][20]

In contemporary art and culture

Yaithing Konu
It is a Meitei language novel by Hijam Anganghal (1892-1943).[21][22][23]
Yaithing Konu (1948–49)
Rupmahal Theatre's drama titled Yaithing Konu (1949), directed by Meitram Bira (1916–78), was an adaptation of Hijam Anganghal's eponymous work.[24][25][26][27]
Haoba Konu (1986)
It is a Meitei language work written by Heisnam Mangoljao.[28]
Haoba Konu (2014)
It is a folk drama, written and directed by B. Jugolchandra Sharma, produced by the "Manipur Dramatic Union" (MDU) and sponsored by the Ministry of Culture (India), New Delhi.[29]

See also

Notes

  1. ^ Moirang was an independent kingdom in early times, though later became a province of a unified kingdom, called Manipur Kingdom.
  2. ^ The word "Khuyol" is also spelled as "Khuyon", "Khoyol" and "Khoyon". The word "Haoba" is also spelled as "Hauba".

Further reading

  • Siṃha, Elaṃbama Dīnamaṇi; Akademi, Sahitya (1997). Hijam Anganghal Singh. Original from:the University of California. India: Sahitya Akademi. pp. 32, 33, 34. ISBN 978-81-260-0390-7. {{cite book}}: |work= ignored (help)
  • Kokngang Singh, P.; et al. (Internet Archive) (2008). "Yaithing Konu". Apunba Saklon (in Manipuri). Manipur University Library, Imphal. India: Kongbantabam Bidyalaxmi Devi; Digital Library of India. pp. 28–46.

References

  1. ^ Oinam, Bhagat; Sadokpam, Dhiren A. (11 May 2018). Northeast India: A Reader. Taylor & Francis. p. 236. ISBN 978-0-429-95320-0. Apart from several other works based on the theme of love, mention may be made of the literature coming from the Moirang region of Manipur. A civilization situated on the magnificent Loktak Lake, the culture of the Moirang clan has been noted. Numerous manuscripts of the Moirang region dwell on the theme of love. One of the most popular stories refers to the seven pairs of lovers who are regarded as incarnations of the same souls in different generations or ages. The seven cycles are Akongjamba (hero) and Phouoibi (heroine); Henjunaha (hero) and Leima Lairuklembi (heroine); Khuyol Haoba (hero) and Yaithing Konu (heroine); Kadeng Thangjahanba (hero) and Tonu Laijinglembi (heroine); Ura Naha ...
  2. ^ Singh, N. Tombi; et al. (Original from:the University of California) (1976). Khamba and Thoibi: The Unscaled Height of Love. India: Chitrebirentombichand Khorjeirup. pp. 302, 303. The legend of the immortal love between Khoyol Haoba and Yaithing Konu , believed to have taken place several generations ago , was still fresh to Khamba's generation . It inspired young lovers to unscaled heights of love .
  3. ^ Lisam, Khomdan Singh (2011). Encyclopaedia Of Manipur (3 Vol.). India. pp. 588, 678. ISBN 978-81-7835-864-2.{{cite book}}: CS1 maint: location missing publisher (link)
  4. ^ Birmangal, M.; et al. (Internet Archive) (1970). Yaithingkonu (in Manipuri). Manipur University Library, Imphal. Binodini Devi; Digital Library of India.
  5. ^ Bormani, Sarangthem; et al. (Internet Archive) (2003). Moirang Shaion (in Manipuri). Manipur University Library, Imphal. India: Sarangthem Bormani, Chinga Makha Chanam Pukhri Mapal; Digital Library of India. p. 145.
  6. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 65. ISBN 978-81-260-0086-9.
  7. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 66. ISBN 978-81-260-0086-9.
  8. ^ "Event and Achievement Part 1 Moirang and Ebuthou Thangjing Part 10". e-pao.net. Retrieved 15 October 2022. SANA LAKHWA (185-236) During Sana Lakhwa's regime the 3rd romantic love story of 'Haoba-Konu' as stated in Kanglei Lamthon Puya took place with the key role in the story divinely steered by Lord Thangching. In the episode, Lord Eputhou Thangching wished Konu to call upon Khuyol Haoba from his hiding shelter in the Loktak Lake and ask him to repair her fishing net (Een in local language). Accordingly, Khuyol Haoba came out and repaired her fishing net. It was a divine incident for both Khuyol Haoba and Konu to fall in love each other thereby Haoba-Konu story or Seishaklon was continued to be narrated in verse form in Moirang Kangleirol.
  9. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 65. ISBN 978-81-260-0086-9.
  10. ^ Mangoljao Singh, Heisnam; et al. (Internet Archive) (1986). Haoba Konu (in Manipuri). Manipur University Library, Imphal. India: Heisnam Ongbi Sorojini Devi, Shega Lamphel, Khwairakpam Leikai; Digital Library of India. pp. 14–24.
  11. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 65. ISBN 978-81-260-0086-9.
  12. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 66. ISBN 978-81-260-0086-9.
  13. ^ Nimai, R. K. (10 July 2019). NE Scholar : Emerging The Lost Civilization of The Manipur Valley. NE Brothers Pvt Limited. p. 50. Khuyol Haoba, the hero of the epic was forced to lead the life of a fugitive to save the Khuyol tribe. Haoba grew up in amidst of phumdis and hides his youthful days in the Loktak Lake to stay away from the merciless King.
  14. ^ Mangoljao Singh, Heisnam; et al. (Internet Archive) (1986). Haoba Konu (in Manipuri). Manipur University Library, Imphal. India: Heisnam Ongbi Sorojini Devi, Shega Lamphel, Khwairakpam Leikai; Digital Library of India. pp. 24–34.
  15. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 66. ISBN 978-81-260-0086-9.
  16. ^ Mangoljao Singh, Heisnam; et al. (Internet Archive) (1986). Haoba Konu (in Manipuri). Manipur University Library, Imphal. India: Heisnam Ongbi Sorojini Devi, Shega Lamphel, Khwairakpam Leikai; Digital Library of India. pp. 34–44.
  17. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 66. ISBN 978-81-260-0086-9.
  18. ^ Mangoljao Singh, Heisnam; et al. (Internet Archive) (1986). Haoba Konu (in Manipuri). Manipur University Library, Imphal. India: Heisnam Ongbi Sorojini Devi, Shega Lamphel, Khwairakpam Leikai; Digital Library of India. pp. 46–60.
  19. ^ Singh, Ch Manihar (1996). A History of Manipuri Literature. Original from:the University of Michigan. India: Sahitya Akademi. p. 66. ISBN 978-81-260-0086-9.
  20. ^ Mangoljao Singh, Heisnam; et al. (Internet Archive) (1986). Haoba Konu (in Manipuri). Manipur University Library, Imphal. India: Heisnam Ongbi Sorojini Devi, Shega Lamphel, Khwairakpam Leikai; Digital Library of India. pp. 60–132.
  21. ^ Singh, Hijam Anganghal (2006). Jahera (Manipuri) (in English and Manipuri). India: Sahitya Akademi. p. 4. ISBN 978-81-260-1546-7. {{cite book}}: |work= ignored (help)
  22. ^ Siṃha, Elaṃbama Dīnamaṇi; Akademi, Sahitya (1997). Hijam Anganghal Singh. Original from:the University of Michigan. India: Sahitya Akademi. pp. 32, 33, 34. ISBN 978-81-260-0390-7. {{cite book}}: |work= ignored (help)
  23. ^ Datta, Amaresh (1988). Encyclopaedia of Indian Literature: Devraj to Jyoti. India: Sahitya Akademi. p. 1573. ISBN 978-81-260-1194-0.
  24. ^ Sangeet Natak. Original from:the University of Michigan. India: Sangeet Natak Akademi. 2004. p. 54. The most notable achievements of Rupmahal are its renderings of Manipuri folk legends in the form of plays . The first genuine folk play , Yaithing Konu , an agonising tragedy by H. Anganghal Singh , was produced by Rupmahal some time in 1948.{{cite book}}: CS1 maint: others (link)
  25. ^ Devi, Dr Yumlembam Gopi. Glimpses of Manipuri Culture. India. p. 276. ISBN 978-0-359-72919-7. Rupmahal Theatre's Yaithing Konu (1949)dramatized by Meitram Bira et al from Angahal's work-stole stellar honours.
  26. ^ George, K. M. (1992). Modern Indian Literature, an Anthology: Plays and prose. India: Sahitya Akademi. p. 416. ISBN 978-81-7201-783-5.
  27. ^ Session, North East India History Association (2000). Proceedings of North East India History Association. India: The Association. p. 378.
  28. ^ Mangoljao Singh, Heisnam; et al. (Internet Archive) (1986). Haoba Konu (in Manipuri). Manipur University Library, Imphal. India: Heisnam Ongbi Sorojini Devi, Shega Lamphel, Khwairakpam Leikai; Digital Library of India.
  29. ^ Gurumayum, William (15 November 2014). "Haoba Konu staged - Imphal Times". www.imphaltimes.com. Retrieved 15 October 2022.
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