Jump to content

Resurrection (Twista album)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by SacredDragonX (talk | contribs) at 03:12, 8 August 2019 (Reverted 1 edit by 2606:A000:1505:82FA:FD3A:FB23:3E54:8B01 (talk) to last revision by DeprecatedFixerBot (TW)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Resurrection
Studio album by
ReleasedOctober 18, 1994
Recorded1992-1994
Genre
Length40:50
LabelAtlantic
ProducerDJ-I.C. Dre
Twista chronology
Runnin' Off at da Mouth
(1992)
Resurrection
(1994)
Adrenaline Rush
(1997)
Professional ratings
Review scores
SourceRating
ADDreviews[1]
The Source[2]

Resurrection is the second studio album by Chicago rapper Twista, who had released his first album under the name Tung Twista. Along with the name and label change, the rapper slowed his flow slightly and deepened his voice; he also took to darker, rougher production, provided by his then-DJ, DJ-I.C. Dre. Though the album was released only in Chicago[3]--possibly due to marketing conflicts with fellow Chicago rapper Common's own successful and similarly titled sophomore effort Resurrection, released exactly 2 weeks prior—it served as a template for Twista's seminal Adrenaline Rush, released three years later. This album is somewhat famous for the song "Suicide", which takes shot at group Naughty by Nature (It was a response for the group, after they stated that Twista's fast rap style was all show and a gimmick).

Track listing

No.TitleLength
1."Da Resurrection" (Intro)--
2."Suicide" (Remix)--
3."Animosity Kills"--
4."Street Paranoia"--
5."Re-act with a Mic" (featuring Dres)--
6."Scat Like Dat"--
7."Return"--
8."Dirt on the Down Low"--
9."Shadow Boxin'"--
10."All About the Papes"--
11."One Shot, One Kill" (featuring B-Hype & Speedknot Mobstaz)--
12."Suicide" (Original Version)--

References

  1. ^ ADDreviews review
  2. ^ Mohammed, Clarence M. (June 1995). "Record Report: Tung Twista – Da Resurrection". The Source. p. 73–74.
  3. ^ [1]