In his famous painting, Goya portrays the Marchioness de Villafranca as an artist with brush and maulstick in her hand. She has interrupted her work at the easel and leaning back in her armchair, she is scrutinising her model, her husband—invisible to the viewer—who is posing for his portrait. He must have been seated facing sideways with his profile to the artist, unable to turn the attention to his wife until the picture was done. Goya honoured his aristocratic "colleague" with the inscription of her name on the palette; he himself signed his work with his signature on the arm of the chair. The marchioness, who is fashionably dressed in the Empire style, was certainly more than just a dabbler in art. She was an honorary member of the Madrid Academy, which also honoured her with an award.
Ancestors
Ancestors of María Tomasa Palafox
16. Francisco de Palafox, 4th Marquis of Ariza
8. Juan António de Palafox, 5th Marquis of Ariza
17. Francisca de Zúñiga
4. Joaquin Ximenes de Palafox, 6th Marquis of Ariza
18. Cecilio Francisco Centurión, 4th Marquis of Estepa
9. Francisca de Paula Centurión, 4th Marchioness of Almuña
19. Luisa Antonia Mesía Carrillo, 7th Marchioness of La Guardia
2. Felipe Antonio de Palafox y Croÿ de Havré, Marquis of Ariza
20. Ferdinand François Joseph Croÿ, 3rd Duke of Havré