Charlotte Salomon (opera)
Charlotte Salomon is an opera by Marc-André Dalbavie. The libretto is by Barbara Honigmann (portions translated into French by Johannes Honigmann) who based much of it on Charlotte Salomon's autobiographical and posthumous work Leben? Oder Theater?[1] The opera was first performed at the Salzburg Festival on July 28, 2014.[2]
Composition
The nature of Leben? Oder Theater? is of an artist fashioning her own life into an artistic creation. Dalbavie said that the "intrinsically musical and even cinematic qualities of 'Leben? Oder Theater?'" combined with an attraction to real-life drama inspired him to compose an opera based on Charlotte Salomon.[1] Since Salomon was aiming for a form of communication that combined various arts, Dalbalvie felt that her story needed music. He was quoted as saying "She recreated her life through a work of art."[1] Just as Dalbavie's opera Gesualdo (based on the life of Carlo Gesualdo) incorporates portions of his subject's compositions, so too does Dalbavie incorporate existing music into his opera, such as the "Habañera" from Bizet's Carmen and "Wir winden dir den Jungfernkranz" from Weber's Der Freischütz.[1]
The opera includes a character representing the author Charlotte Salomon (speaking role), and also her fictive creation, named Charlotte Kann (mezzo-soprano). While the opera (including the role of Charlotte Kann) is sung in French, the character named Charlotte Salomon comments on the action in German. By the end of the opera, the languages are reversed, representing the integration of the artist her subject.[1]
Dalbavie's orchestrations derives from his analysis of the human voice's acoustic frequencies, a technique used in spectral music as well as alluding to a singing teacher's character in the opera.[1] Dalbavie described the scoring of the opera—for 65 orchestral musicians (the size of the Salzburg Mozarteum Orchestra)—as one designed not as much for dramatic impact as for "maximum tonal richness."[2]
Premiere
Charlotte Salomon is in two acts and an epilogue. It was first performed at the Salzburg Festival on July 28, 2014, where it was directed by Luc Bondy. The production involved twenty projections of Salomon's artwork.[2]
Roles
| Role | Voice type | Premiere Cast, July 28, 2014 Conductor: Marc-André Dalbavie |
|---|---|---|
| Charlotte Salomon | speaking role | Johanna Wokalek |
| Charlotte Kann | Mezzo-soprano | Marianne Crebassa |
| Frau Knarre, her grandmother | Mezzo-soprano | Cornelia Kallisch |
| Franziska Kann, her mother / A woman | Mezzo-soprano | Géraldine Chauvet |
| Paulinka Bimbam, a singer, her stepmother | Mezzo-soprano | Anaik Morel |
| Amadeus Daberlohn, a singing teacher | Tenor | Frédéric Antoun |
| Herr Knarre / Fourth Nazi | Bass-Baritone | Vincent LeTexier |
| Doktor Kann, a doctor, her father / First emigrant | Baritone | Jean Sébastien Bou |
| Professor Klingklang / An art student / Second Nazi / Policeman | Baritone | Michal Partyka |
| Art teacher / The Minister of Propaganda / First Nazi / A man / Second emigrant | Tenor | Éric Huchet |
| An art student from Tirol | Mezzo-soprano | Annika Schlicht |
| Third Nazi | Baritone | Wolfgang Resch |