Lucas Samaras

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Modernist (talk | contribs) at 17:07, 10 April 2020 (Reverted edits by 5.54.225.129 (talk) to last version by 2A01:4B00:EA03:E300:982A:EAFD:C772:B2F4). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Lucas Samaras
Self-portrait, Photo-Transformation, Polaroid SX-70 print, 1973, Getty Museum
Born (1936-09-14) September 14, 1936 (age 87)
Nationality (legal)American
EducationRutgers University
Known forPhotography, Sculpture, Printmaking

Lucas Samaras (born September 14, 1936) is a Greek-American artist.

Life and work

Samaras was born in Kastoria, Greece. He studied at Rutgers University on a scholarship, where he met Allan Kaprow and George Segal. He participated in Kaprow's "Happenings," and posed for Segal's plaster sculptures.[1] Claes Oldenburg, in whose Happenings he also participated, later referred to Samaras as one of the "New Jersey school," which also included Kaprow, Segal, George Brecht, Robert Whitman, Robert Watts, Geoffrey Hendricks and Roy Lichtenstein. Samaras previously worked in painting, sculpture, and performance art, before beginning work in photography. He subsequently constructed room environments that contained elements from his own personal history.[2] His "Auto-Interviews" were a series of text works that were "self-investigatory" interviews.[3] The primary subject of his photographic work is his own self-image, generally distorted and mutilated. He has worked with multi-media collages, and by manipulating the wet dyes in Polaroid photographic film to create what he calls "Photo-Transformations".

Samaras represented Greece at the 53rd International Art Exhibition, The Venice Biennale (June 7- November 22, 2009) with the multi-installation "PARAXENA" in the Greek Pavilion in the Giardini.[4]

Samaras has been the subject of several portraits by Chuck Close, in media including painting, daguerreotype, and tapestry.[5]

The Catalogue Raisonné of his works is being prepared by the Wildenstein Institute.

Notes

  1. ^ Stiles, p. 290.
  2. ^ Id.
  3. ^ See Stiles, p. 349, for "Another Autointerview," 1971.
  4. ^ "Archived copy". Archived from the original on 2009-05-31. Retrieved 2009-06-04.{{cite web}}: CS1 maint: archived copy as title (link)
  5. ^ "Archived copy" (PDF). Archived from the original (PDF) on 2011-09-27. Retrieved 2011-04-27.{{cite web}}: CS1 maint: archived copy as title (link) Stone, Nick. Chuck Close: Lucas (press release). Retrieved 4-27-2011.

References

  • Kristine Stiles and Peter Selz, editors. Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, 1996.
  • Jo Applin, '"Materialized Secrets": Samaras, Hesse and the Small Scale Box', Object, no. 4, 2002

Further reading

  • Goysdotter, Moa (2013). Impure Vision: American Staged Art Photography of the 1970s. Lund: Nordic Academic Press. ISBN 9789187351006.

External links