Jump to content

Berthold Bartosch

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Moneytrees (talk | contribs) at 20:15, 2 May 2020 (close paraphrasing of: https://www.google.com/books/edition/Animation_A_World_History/9qzMCgAAQBAJ?hl=en&gbpv=1&bsq=%20When%20he%20finished%20his%20studies,%20he%20started%20creating%20educational%20animated%20films%20%22for%20masses%22.%20Some%20of%20his%20earlier%20works%20were%20strictly%20educational%20(such%20as%20geographical%20films);%20others,%20such%20as%20Communism%20and%20Humanity). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Berthold Bartosch
Born(1893-12-29)29 December 1893
Polubný, now part of Kořenov, Bohemia, Austria-Hungary (now Czech Republic)
Died13 November 1968(1968-11-13) (aged 74)
Paris, France
OccupationFilm-maker
Notable workL'Idée (The Idea)

Berthold Bartosch (29 December 1893 – 13 November 1968) was a film-maker, born in Polaun, in the Bohemia region of Austria-Hungary (now part of the Czech Republic).[1]


Work with Lotte Reiniger

He moved to Berlin in 1920 and collaborated with Lotte Reiniger on her paper silhouette animations:

Bartosch created what some consider the first multiplane camera in order to achieve some of the effects for these films.

Work in Paris

In 1930 Bartosch moved to Paris and created the 30 minute film entitled 'L'Idée' (The Idea) to which he is most remembered for. The film is described as the first serious, poetic, tragic work in animation. The film's characters and backdrops were composed of several layers of different types of paper from semi-transparent to thick cardboard. Special effects like halos, smoke and fog were made with lather spread on glass plates and lit from behind. Bartosch based the film on a wordless novel of woodcuts by Frans Masereel, The Idea (1920).

L'idee, when released in 1933, featured a score by composer Arthur Honegger, including an ondes Martenot, which is believed to be the very first use of an electronic musical instrument in film history. The following year, Franz Waxman's score for Liliom (1934) used a theremin.

From 1933 to 1938, Bartosch worked on an anti-war film, St. Francis or Nightmare and Dreams, a 25-minute piece being financed by Thorold Dickinson. When the Nazis invaded Paris, he deposited the film at the Cinémathèque Française. The film was destroyed during the Nazi occupation, and only a few still images exist.

In 1948, he spent a year working for UNESCO in Paris mentoring George Dunning, a Canadian-born animator known for his involvement with the Beatles's animated feature, Yellow Submarine (1968).

References

  1. ^ IMDB entry


Stub icon

This article relating to an animator is a stub. You can help Wikipedia by expanding it.

Retrieved from "https://en.wikipedia.org/w/index.php?title=Berthold_Bartosch&oldid=954511162"