Jump to content

Willie Cole

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Chubbles (talk | contribs) at 00:02, 3 May 2020 (correct nationality). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Willie Cole
Born
Willie Cole

January 3, 1955
New Jersey, United States
NationalityAmerican
EducationBachelor of Fine Arts from the School of Visual Arts, New York
Known forSculpture, Painting, Visual Arts
Awards2006 David C. Driskell Prize
Websitehttp://www.williecole.com/

Willie Cole (born 1955 in Newark, New Jersey) is a contemporary American sculptor, printer, and conceptual and visual artist. His work uses contexts of postmodern eclecticism, and combines references and appropriation from African and African-American imagery. He also has used Dada’s readymades and Surrealism’s transformed objects, as well as icons of American pop culture or African and Asian masks.

Works

Cole is best known for assembling and transforming ordinary domestic and used objects such as irons, ironing boards, high-heeled shoes, hair dryers, bicycle parts, wooden matches, lawn jockeys, and other discarded appliances and hardware, into imaginative and powerful works of art and installations.

In 1989, Cole garnered attention in the art world with works using the steam iron as a motif. Cole imprinted iron scorch marks on a variety of media, showing not only their wide-ranging decorative potential but also to reference his Cole’s African-American heritage.[1] He used the marks to suggest the transport and branding of slaves, the domestic role of black women, and ties to Ghanaian cloth design and Yoruba gods.[2]

Through the repetitive use of single objects in multiples, Cole’s assembled sculptures acquire a transcending and renewed metaphorical meaning, or become a critique of our consumer culture. Cole’s work is generally discussed in the context of postmodern eclecticism, combining references and appropriation ranging from African and African-American imagery, to Dada’s readymades and Surrealism’s transformed objects, and icons of American pop culture or African and Asian masks, into highly original and witty assemblages.[3] Some of Cole’s interactive installations also draw on simple game board structures that include the element of chance while physically engaging the viewer.[4]

His "Anne Klein With a Baby in Transit," from 2009, uses discarded high-heeled shoes to depict a mother and child. The well-worn black shoes combine to recall traditional African sculptures. It was a gift from the Brenden Mann Foundation to the Minneapolis Institute of Arts.[5]

Shows

Solo Shows

  • 2012, Highpoint Editions, Minneapolis, Five Beauties Rising: New Prints by Willie Cole

Group Shows

  • 2017, Highpoint Editions, Minneapolis, Operation Chromebody
  • 2017, Alexander and Bonin, New York, Walker Street Summer
  • 2015, MCA Chicago, Chicago, Surrealism: The Conjured Life
  • 2012, Tamarind Institute, Albuquerque, Afro: Black Identity in America and Brazil[6]

Life

Willie Cole grew up in Newark, New Jersey. He attended the Boston University School of Fine Arts, received his Bachelor of Fine Arts degree from the School of Visual Arts in New York in 1976, and continued his studies at the Art Students League of New York from 1976 to 1979.

Willie Cole is the recipient of many awards, including the 2006 David C. Driskell Prize, the first national award to honor and celebrate contributions to the field of African-American art and art history, established by the High Museum of Art in Atlanta, Georgia.[7] Cole is represented by Alexander and Bonin Gallery[8] in New York; and by Guido Maus, beta pictoris gallery / Maus Contemporary[9] in Birmingham, AL.

Museum collections

Willie Cole’s work is found in numerous private and public collections and museums around the world, including:

References

  1. ^ Article on Willie Cole’s 2007 exhibit at the Frye Museum of Art
  2. ^ "Cole, Willie". Oxford Art Online.
  3. ^ Worcester Art Museum Catalogue of Cole’s 2005-2006 exhibit
  4. ^ Anxious Objects: Willie Cole's Favorite Brands By Smith, Patterson, Leslie King-Hammond, Lowery Stokes Sims. Published 2006. Montclair Art Museum Publn.
  5. ^ "Anne Klein With a Baby in Transit".
  6. ^ https://www.artsy.net/artist/willie-cole
  7. ^ Willie Cole's David C. Driskell Prize
  8. ^ "Alexander and Bonin". Alexander and Bonin. Retrieved 2017-09-21.
  9. ^ "maus contemporary - Willie Cole". www.mauscontemporary.com. Retrieved 2017-09-21.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Willie_Cole&oldid=954542564"