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Harry Mintz

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Harry Mintz (1907–2002) was a Polish-American painter.[1][2][3] Mintz was born in Ostrowiec[disambiguation needed], Poland in 1907. He graduated from the Academy of Fine Arts in Warsaw in 1927 with a Master of Fine Arts degree and after a fellowship in Brazil, he immigrated to the United States, where he spent the majority of his professional years painting in the Chicago and Los Angeles areas. He was a visiting professor at Washington University in St. Louis in 1954–55 and professor of painting at the School of the Art Institute of Chicago (SAIC) from 1956–69 before he retiring from teaching to dedicate his time exclusively to painting. Mintz also taught at many Chicago area arts institutions, including the Evanston Art Center and the North Shore Art League.

Mintz was a registered Illinois artist for the Works Progress Administration Federal Art Project during the 1930s. His artwork, realistic in the beginning, grew more and more abstract as his career progressed, reflecting the uncertainties of life between the two world wars. His Self-Portrait, painted in 1931, shows the artist in his early twenties, wearing a shirt and tie under his artist smock, and posed against a background of books as if to emphasize the artist as both a worker and an educated, thinking man.

Mintz was active in Chicago’s Jewish community. Having lost his father, mother, sisters, and other relatives in the Holocaust, he sought out surviving members of his extended family during the postwar years, advertising in European newspapers and perusing thousands of telephone book pages. In 1987, he gathered the surviving members of the Mintz family for a reunion in Chicago. He died in Chicago in 2002. Mintz taught at the Art Institute of Chicago and Washington University in St. Louis.

References

  1. ^ Friedman, Bernard (2019). "Harry Mintz". chicagomodern.org. Modernism in the New City, Chicago, 1920-1950.
  2. ^ Yochim, Louis Dunn. Harvest of Freedom: A Survey of Jewish Artists in America. Chicago: American References, 1989
  3. ^ ———. Role and Impact: The Chicago Society of Artists, pp. 170, 260. Chicago: Chicago Society of Artists, 1979