André Jolles

Johannes Andreas Jolles, known as André Jolles (August 7, 1874 in Den Helder, Netherlands - February 22, 1946 in Leipzig, Germany) was a Dutch-German art historian, literary critic and linguist. He is best known for his main work Simple Forms.

Life

Jolles was born on August 7, 1874, in Den Helder. His father, Hendrik Jolle Jolles, died on February 25, 1888, in Naples. Jolles grew up as an only child with his mother Jacoba Cornelia Singles (1847-1901) in Amsterdam.

In the 1890s, he worked on various magazines such as Van Nu en Straks in 1983, De Kroniek in 1895, and was editor for art and science at De Telegraaf from 1897 to 1898. He studied Egyptian and Semitic languages in Paris and Amsterdam from 1893 to 1894 and again in 1899 at the University of Leiden.

In Groningen in 1896 Jolles met Johan Huizinga, who was to become a long-time friend. On a trip to Italy with Huizinga in 1899, he met his future wife Mathilde Tilli Mönckeberg (1879–1958). They married in September 1900. Their first son, Hendrik, was born in June 1901 but died a year later. After that, they had five children: Jeltje, Jacoba, Jan Andries, Matthijs and Ruth.

Jolles, who became wealthy after the death of his mother in 1901, began studying at the University of Freiburg im Breisgau, where he received his doctorate on August 3, 1905, with a thesis on Vitruvian aesthetics with Otto Puchstein. He gave his habilitation lecture on the narrative and the descriptive element in the fine arts in antiquity and the Middle Ages in Freiburg (January 1907), and his habilitation thesis, The Egyptian-Mycenaean Ceremonial Vessels appeared in 1908. Additionally, he wrote with Carl Mönckeberg the pieces Vielliebchen and Alkestis, which were staged in Hamburg.

His family moved to Berlin in 1908, where he taught from 1909 as a private lecturer on ancient art history at Friedrich-Wilhelm University.

After the beginning of World War I, he registered as a 40-year-old and became a Dutch volunteer. After several rejections, an artillery regiment accepted him. Jolles was naturalised and initially took part in the First World War as a soldier and finally as a lieutenant in the Landwehr. In 1916, as an officer in the occupying forces, he accepted a professorship in classical archaeology and art history at the University of Ghent. In 1920, in Ghent, he was sentenced in absentia to 15 years of forced labour.

In Ghent, he already lived with Margarethe Grittli Boecklen (1895-1967). After his divorce from Mathilde, the two married in August 1918, shortly after the birth of their first child Barbara. In the next few years, Jolle, Jacob Cornelis, and Eva-Gertrud followed.

André Jolles became a professor in Flemish and Dutch language and literature at the Leipzig University, and also the professor of comparative history of literature from 1923.

In 1930, he published his main work Simple Forms, in which he set out a typology of oral narrative forms (myth, legend, fairy tale, memorable, case, riddle, saying, joke). As stated in the preface, the book originated from Jolles' lectures, which Dr Elisabeth Kutzer and Dr. Otto Görner wrote down and edited. Jolles' further considerations about the art forms were not substantial enough to be published.

On May 1, 1933, he joined the Nazi Party, estranging several friends and his children from his first marriage: Jeltje was married to a Jewish engineer, and Jan Andries was forced to go into exile as a communist. In 1937, Jolles joined the SD - the intelligence agency of the Nazi Party and the SS. He retired in 1941, and from 1942 worked on a study on behalf of the SD on Freemasonry. On his 70th birthday, he received the Goethe Medal for Art and Science from Hitler in 1944.

On a questionnaire he filled out in May 1945 about his Nazi past, it is noted in handwriting: is still a Nazi - too old (71 years) to be arrested. André Jolles committed suicide on February 22, 1946.

Publications (selection)

• Vitruvian aesthetics. Diss. Freiburg i. Br., 1906 ( full text ).
• The Egyptian-Mycenaean ceremonial vessels. Habilitation thesis (Freiburg i. Br.). In: Yearbook of the Imperial German Archaeological Institute. Volume 23, 1908, pp. 209–250.
• From Schiller to the community stage. Leipzig 1919.
• Bezieling en Vorm. Essays about letterkunde. Tjeenk Willink, Haarlem 1923. (Dutch)
• Simple shapes. Legend, legend, myth, riddle, saying, case, memorabilia, fairy tale, joke. Halle (Saale) 1930 (Research Institute for Modern Philology Leipzig: New German Department; 2) Online; Reprint Darmstadt 1958.
• Freemasonry. Essence and customs. First book: The emergence of Freemasonry. Nordland-Verlag, Berlin. (not published) - Sources and representations on the Masonic question; 5.

Literature

• Hermann Bausinger: Jolles, André. In: Encyclopedia of Fairy Tales Vol. 7, 1993, pp. 623–625.
• Hellmut Rosenfeld: Jolles, André. In: New German Biography (NDB). Volume 10, Duncker & Humblot, Berlin 1974, ISBN 3-428-00191-5 , p. 586 f. (Digitzed).
• Walter Thys (ed.): André Jolles (1874-1946), "Educated Vagant". Amsterdam / Leipzig 2000, ISBN 3-934565-11-5. (Partly German, partly Dutch.)
• Mathilde Wolff-Mönckeberg: Letters they didn't get. Letters from a mother to her distant children between 1940 and 1946. Hoffmann et al. Campe, Hamburg 1980, ISBN 3-455-08605-5. (First published as the English translation: On the Other Side. To My Children: From Germany 1940-1945. Owen, London 1979, ISBN 0-7206-0528-8 .)
• Literature by and about Johannes Andreas Jolles in the catalog of the German National Library
• Johannes Andreas Jolles in the professor catalog of the University of Leipzig.
• Brigitte Emmrich: Jolles, André (a.k.a. Johannes Andreas, pseudonym: Karl Andres). In: Institute for Saxon History and Folklore (Ed.): Saxon Biography.