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Kim Adams

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This is an old revision of this page, as edited by Simeon (talk | contribs) at 12:06, 28 October 2020 (Changing short description from "Canadian sculptor" to "Canadian sculptor" (Shortdesc helper)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Kim Adams (born 17 December 1951) is a Canadian sculptor whose assemblages have provided both iconography and media since the 1980s.[1][2] His visual style is influenced by industrial design, architecture and automotive design.[3] His work incorporates the model railroading technique of kitbashing,[4] and bright stock colours and prefabricated elements are important ingredients in his large-scale sculptures. His small surreal landscapes are reminiscent of Hieronymus Bosch.[citation needed]

The Mendel Art Gallery acquired Kim Adams' sculpture Love Birds in 2013. The work expands ideas first developed by Adams in the 1980s with small-scale models about the relationship between two objects and the space they inhabit.[5]

References

  1. ^ Marg Langton (23 July 1992). "Earth Machines". The Hamilton Spectator. Archived from the original on 8 November 2012. Retrieved 15 September 2011.
  2. ^ Sloan, Johanne (2010). The New Figuration: From Pop to Postmodernism, The Visual Arts in Canada: The Twentieth Century. Canada: Oxford. p. 275. Retrieved 2020-08-29.
  3. ^ Colin Dabkowski (8 October 2010). "Kim Adams' 'Optic Nerve' lights up Babeville". The Buffalo News. Retrieved 15 September 2011.
  4. ^ Murray Whyte (10 November 2010). "National Gallery a welcome addition to Queen West". Toronto Star. Retrieved 15 September 2011.
  5. ^ "Mendel Art Gallery Announces Major Gift to its Collection From BMO Financial Group". Mendel Art Gallery. Retrieved 28 March 2015.

External links