Jump to content

John Hoyland

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Citation bot (talk | contribs) at 17:12, 10 December 2020 (Alter: isbn. Add: work. Removed parameters. Some additions/deletions were actually parameter name changes. Upgrade ISBN10 to ISBN13. | You can use this bot yourself. Report bugs here. | Suggested by Abductive | Category:Abstract painters | via #UCB_Category 96/442). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

For other people with the same name, see John Hoyland (disambiguation).
John Hoyland
Lebanon, 2007, acrylic on cotton duck, 60 x 55 inches
Born(1934-10-12)12 October 1934[1]
Sheffield, United Kingdom[1]
Died31 July 2011(2011-07-31) (aged 76)
NationalityBritish
EducationSheffield School of Art[1]
Royal Academy Schools[1]
Known forPainting
AwardsAppointed Professor of Painting at the Royal Academy Schools (1999)[2]

John Hoyland RA (12 October 1934 – 31 July 2011)[3] was a London-based British artist. He was one of the country's leading abstract painters.[4]

Early life

John Hoyland was born on 12 October 1934, in Sheffield, Yorkshire, to a working-class family, and educated at Sheffield School of Art and Crafts within the junior art department (1946–51) before progressing to Sheffield College of Art (1951–56),[5] and the Royal Academy Schools, London (1956–60), where Sir Charles Wheeler, the then President of the Royal Academy, famously ordered that Hoyland's paintings – all abstracts – be removed from the walls of the Diploma Galleries.[2] It was only the intervention of Peter Greenham (Acting Keeper of the Schools) that saved the day, when he reminded Wheeler that Hoyland had painted admired landscapes and figurative paintings– evidence that he could "paint properly".[6]

In 1953 Hoyland went abroad for the first time, hitch-hiking with a friend to southern France. After the bleakness of Sheffield it was a revelation:[6] "To me it was like landing in Tahiti. There was still rationing here. Down there were all these brown girls, swimming and diving, and all these grapes."[7] Hoyland visited again in 1957 with David Smith when he was at the Royal Academy, and succumbed to what he referred to as "the Gauguin syndrome", a lifelong romance with travel and the south.[7]

Career

The 1960s were a crucial decade for Hoyland; it was in these years that he found his voice as an artist.[8] It was also the time when he made his first trip to America, to New York in 1964, travelling on a Peter Stuyvesant Foundation bursary. There he met Robert Motherwell, with whom he was to become great friends, also Mark Rothko and Barnett Newman, and visited their studios.[9] Hoyland's first solo exhibition was held at the Marlborough New London Gallery in 1964 and his first solo museum show at the Whitechapel Art Gallery in 1967, curated by Bryan Robertson.[2] In the 1960s, Hoyland's work was characterised by simple shapes, high-key colour and a flat picture surface. In the 1970s his paintings became more textured.[4] He exhibited at the Waddington Galleries, London throughout the 1970s and 1980s. During the 1960s and 1970s, he showed his paintings in New York City with the Robert Elkon Gallery and the André Emmerich Gallery. His paintings are closely aligned with Post-Painterly Abstraction, Color Field painting and Lyrical Abstraction.[10] Hoyland disliked the 'abstract' painter label, describing himself simply as 'a painter'.[11] When asked why he disliked the term 'abstraction', he answered: 'It's just too abstract a word. It smacks always of geometry to me, of rational thought. There's no geometry, there's no rectangles in nature, no real straight lines. There's only the circle, the one really powerful form in nature I keep getting drawn back to.'[12]

Retrospectives of his paintings have been held at the Serpentine Gallery (1979), the Royal Academy (1999) and Tate St Ives (2006).[2][4][13] In 1982 he won the John Moores Painting Prize[14] and in 1998 the Royal Academy's Wollaston Award.[15]

His works are held in many public and private collections including the Tate[16] and Damien Hirst's Murderme Collection.[17] In September 2010, Hoyland and five other British artists including Howard Hodgkin, John Walker, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art from the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art.[18][19]

Hoyland was elected to the Royal Academy in 1991 and was appointed Professor of Painting at the Royal Academy Schools in 1999.[2] The National Portrait Gallery holds portraits of the artist in its collection.[20]

Death

Hoyland died 31 July 2011 aged 76, of complications following heart surgery undertaken in 2008. He was survived by his wife Beverley Heath Hoyland and his son Jeremy, from his first marriage to Airi Karakainen.[5]

Books

  • Hoyland, John (1988). Hans Hofmann, late paintings. Tate Gallery. ISBN 978-0-946590-88-9.

References

  1. ^ a b c d Lambirth, Andrew (2009). "John Hoyland: Star Thrower. Biography". Beaux Arts. Retrieved 7 April 2010.
  2. ^ a b c d e "John Hoyland RA". Royal Academy of Arts. 2010. Retrieved 2 May 2010.
  3. ^ Mel Gooding Obituary: John Hoyland, The Guardian, 1 August 2011
  4. ^ a b c tate.org.uk Archived 2012-01-11 at the Wayback Machine
  5. ^ a b [1] The Guardian, John Hoyland obituary, Mel Gooding 2011
  6. ^ a b [2]
  7. ^ a b Lambirth, Andrew (2009). John Hoyland: Scatter the Devils. United Kingdom: Unicorn Press. p. 51. ISBN 978-1-906509-07-1.
  8. ^ Lambirth 2009, p. 24.
  9. ^ Lambirth 2009, p. 26.
  10. ^ "Colorscope: Abstract Painting 1960-1979". Santa Barbara Museum of Art. 2010. Archived from the original on 24 September 2015. Retrieved 2 June 2010.
  11. ^ "John Hoyland". The Telegraph. 1 August 2011.
  12. ^ Lambirth 2009, p. 104.
  13. ^ Gooding, Mel (2006-05-06). "Sensation, revelation!". The Guardian. Retrieved 15 December 2010.
  14. ^ John Moores Prize
  15. ^ Gooding, Mel (2006). John Hoyland. United Kingdom: Thames & Hudson. p. 198. ISBN 0-500-09330-X.
  16. ^ Tate Collection - John Hoyland
  17. ^ [3]
  18. ^ Channeling American Abstraction, Karen Wilkin, Wall Street Journal Retrieved October 7, 2010
  19. ^ NY Times, exhibition review Retrieved December 15, 2010
  20. ^ npg.org.uk

Further reading

Retrieved from "https://en.wikipedia.org/w/index.php?title=John_Hoyland&oldid=993443289"