Melancholia (Lucas Cranach the Elder, Copenhagen)
| Melancholy | |
|---|---|
| Melancholia | |
.jpg) | |
| Artist | Lucas Cranach the Elder  |
| Year | 1532 |
| Medium | panel, oil paint |
| Subject | melancholia |
| Dimensions | 51 cm (20 in) × 97 cm (38 in) |
| Location | National Gallery of Denmark, Denmark |
| Accession No. | KMSsp722 |
Melancholia is a 1532 oil on panel painting by Lucas Cranach the Elder, now in the National Gallery of Denmark in Copenhagen.
The painting depicts three naked babies who, with the help of sticks, try to roll a large ball through the hoop. A winged woman, lost in thought, is slicing a cane, perhaps intending to make another hoop. She is the personification of melancholy, similar to the winged genius from the engraving of the same name by Dürer, executed 18 years before the painting of Cranach. According to the ideals of the Renaissance, the whole world was based on analogies. So, melancholy at that time was associated with Saturn, a dog, carpentry. Many details of the picture are a reference to these analogies: the jump of witches in a black cloud, and an army in which soldiers fall from their horses.
Bibliography
- Nicolas Barker: A poet in Paradise: Lord Lindsay and Christian art, 2000, p. 98.
- Charles Zika: The Wild Cavalcade in Lucas Cranach’s Melancholia Painting: Witchcraft and Sexual Disorder in 16th Century Germany, 1997, p. 65–70, p. 75, p.79, ill. fig. 13+14
- (in German) Günter Bandmann: Melancholie und Musik: Ikonographische Studien, 1960, pp. 73f, ill. fig. 28
- Raymond Klibansky: Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion and Art, 1964, p. 383
- (in Italian) Cranach: l’altro rinascimento, 2010, kat. 12, omt. p. 164 og 16, ill. p. 166—167
 | This article about a sixteenth-century painting is a stub. You can help Wikipedia by expanding it. |