Mister Designer
 | This article consists almost entirely of a plot summary. (September 2019) |
| Mister Designer | |
|---|---|
 Russian release poster | |
| Russian | Gospodin oformitel |
| Directed by | Oleg Teptsov |
| Written by | Yuri Arabov |
| Story by | Alexander Grin |
| Produced by | Oleg Teptsov |
| Starring |
|
| Cinematography | Anatoly Lapshov |
| Edited by | Irina Gorokhovskaya |
| Music by | Sergey Kuryokhin |
Production company | |
Release date |
|
Running time | 103 minutes |
| Country | Soviet Union |
| Language | Russian |
Mister Designer (Russian: Господин оформитель, romanized: Gospodin oformitel) is a 1987 Soviet horror film produced and directed by Oleg Teptsov, and based on the short story The Gray Automobile by Alexander Grin.[1][2]
Plot
Set in St. Petersburg in 1908-1914, famous artist-designer, Platon Andreevich wants to prolong the life of a man by sculpting and drawing, trying to overcome death and improve the world around him with the help of his talent. For many years he does not give rest to the idea of a contest with the Almighty. He, the author of magnificent wax mannequins, wants to create something perfect and eternal, not amenable to the passage of time.
In 1908, the artist receives an order from a jeweler to decorate the shop window. In search of a model for making a mannequin for a showcase, the artist finds Anna, a young girl, fatally ill with consumption, and sculpts his best mannequin from her, putting his whole soul into work. Some time passes and the year 1914 is about to arrive. The well-known artist has fallen into oblivion, things are not going so well as in the old days. Due to creative crisis, the artist begins to abuse morphine, he is threatened with complete ruin.
In extreme need, Platon Andreevich accepts the offer of a certain rich businessman by the name of Grillo to decorate the interior of his house. Acquaintance with Maria, wife of the master, leads the artist into confusion. He is convinced that a few years ago it was from her, when she bore the name Anna Beletskaya, he molded his best wax mannequin. But Maria tells him that she has never seen an artist before, and knows nothing about Anna. After all attempts to retrieve the truth, she only tells the designer to forget about Anna.
Platon Andreevich proposes to the girl, but receives a refusal: Maria tells him that he is too poor. Thanks to an incredible chance, the designer wins a huge fortune from Maria's husband and makes his offer again, and again receives a refusal. She wouldn't stay with the madman who keeps calling her by another woman's name. The designer seeks to prove Maria is Anna, but he only finds the proof to the opposite. He finds Anna's tomb in a graveyard. In his workshop, he finds Anna's mummy that he believed was a mannequin. He starts to believe tha Maria is his sculpture that became alive.
Gradually losing grasp of reality, Platon goes to Grillo's house only to find Grillo dead. His widow reconsidered Platon's proposal and is ready to marry him now. However, Platon accuses her of being a "doll" that took the place of a real person, and assault her with burning log. One of Maria's friends shoots him and then runs him over with his car.
Cast
- Viktor Avilov (debut in the movie) - Platon Andreevich
- Anna Demyanenko - Anna / Maria
- Mikhail Kozakov - Grillo (in the story of A. Greene - Grigno)
- Ivan I. Krasko - servant
- Vadim Lobanov - jeweler
- Valentina Malakhieva - the old woman
- Konstantin Lukashov - cemetery watchman
- Svetlana Panfilova - nun
- Yuri Aroyan - second cemetery watchman
- Vladimir Minyailo - officer
- Azamat Bagirov - card player
- Yuri Bashkov - croupier
Reception
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Awards
The film won the Nika Award for Best Costume Design by Larisa Konnikova.[3]