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Carmen Comes Home

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Carmen Comes Home
Hideko Takamine as Carmen
Directed byKeisuke Kinoshita
Written byKeisuke Kinoshita
Produced byKiyoshi Takamura
StarringHideko Takamine
Chishū Ryū
CinematographyHiroyuki Kusuda
Edited byYoshi Sugihara
Music byChûji Kinoshita
Toshirō Mayuzumi
Production
company
Distributed byShochiku
Release date
  • March 21, 1951 (1951-03-21)[1]
Running time
86 minutes
CountryJapan
LanguageJapanese

Carmen Comes Home (カルメン故郷に帰る, Karumen kokyō ni kaeru) is a 1951 Japanese comedy film directed by Keisuke Kinoshita. It was Japan's first feature length colour film.[2]

Plot

Due to the renovation of the Tokyo based venue where she works at, Okin, stage name Lily Carmen, and her lovesick friend Maya pay her small rural hometown in Nagano a visit. Carmen's father, who never approved of her leaving the family, is highly critical of her return, but most villagers are curious for the big city star, including the school principal, who feels honoured for the presence of such an acclaimed artist. As it turns out, Carmen's "art" is a popular strip dance act, which she is about to perform in a show put up by local magnate Maruju. While some of the conservative inhabitants see morality at stake, others excuse Carmen's eccentric behaviour with the fact that "Okin is funny in the head since she was kicked by a cow as a child". After performing their show, Okin and the again lovesick Maya, who fell for young teacher Ogawa in the meantime, return to the big city. Maruju renounces his share of the show's profits, and Okin's father hands over the money to the principal who promises to use it to give everyone an artistic education.

Production and Legacy

Filmed using Fujicolor, it was Japan's first domestic color film. However, as a precaution and due to printing costs, a black-and-white version was also filmed, thus requiring actors and actresses re-performing scenes. Due to the amount of time involved in producing a print, most theatres screened the black-and-white version.[3][4]

A digital restoration was carried out by IMAGICA with support from the Japan Foundation using an internegative color copy made by Shochiku from 1975.[5] The restored film premiered at the 2012 Venice Film Festival.[6]

Carmen Comes Home was followed by a sequel, Carmen's Pure Love (1952), shot entirely in black-and-white, which film historian Alexander Jacoby called an "uneasy, somewhat misanthropic satire" in contrast to the "tender humour" of its predecessor.[2] Donald Richie was of a different opinion: while he called Carmen Comes Home one "of the better comedies", he saw its successor as "the greatest [satire] made in Japan".[4]

Cast

From left, Hideko Takamine, Toshiko Kobayashi and Yūko Mochizuki
From left, Hideko Takamine, Toshiko Kobayashi and Yūko Mochizuki

References

  1. ^ "Entry for Carmen Comes Home at the Japanese Movie Database" (in Japanese). Retrieved 30 December 2020.
  2. ^ a b Jacoby, Alexander (2008). Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day. Berkeley: Stone Bridge Press. ISBN 978-1-933330-53-2.
  3. ^ "Entry for Carmen Comes Home at sensesofcinema.com". Retrieved 29 December 2020.
  4. ^ a b Anderson, Joseph L.; Richie, Donald (1982). The Japanese Film – Art and Industry (Expanded edition). Princeton: Princeton University Press. ISBN 0-691-05351-0.
  5. ^ "Overview of restorations carried out by Imagica". Retrieved 29 December 2020.
  6. ^ "Select history of classic works screened at film festivals at shochiku.co.jp". Retrieved 29 December 2020.
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