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Mellonee Burnim

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Mellonee V. Burnim
Born1950 (age 73–74)
Academic background
EducationNorth Texas State University

University of Wisconsin-Madison

Indiana University
Academic work
DisciplineEthnomusicology
Sub-disciplineAfrican American music
InstitutionsIndiana University

Mellonee Victoria Burnim (born 1950) is an American ethnomusicologist. A professor emerita at Indiana University who specializes in African American gospel music, she previously served as director of the university's Archives of African American Music and Culture.

Early life and education

Burnim grew up in rural Teague, Texas, in the 1950s and 60s.[1][2] She attended all-Black schools and churches, where she sang gospel music. By the age of 12, Burnim was the pianist for three different church choirs in her community.[1]

Burnim attended North Texas State University, majoring in music education with a concentration in piano. During her studies, she continued to play piano for a Black Baptist church choir on Sundays.[1] Burnim went on to complete a master's degree at the University of Wisconsin-Madison, with a thesis on songs in Mende folktales.[1]

Burnim was recruited to Indiana University to complete her PhD and to found the university's African Choral Ensemble in 1976.[3] She earned her doctorate in ethnomusicology in 1980,[1] with a dissertation titled The Black Gospel Music Tradition: Symbol of Ethnicity.[4]

Career

Following her graduation, Burnim continued at Indiana University, joining the faculty of the Department of Afro-American Studies (now the Department of African American and African Diaspora Studies).[3] She went on to chair the department.[3] She transferred to the Department of Folklore and Ethnomusicology in 1999. She served as director of the Archives of African American Music and Culture from 2014 to 2016. As of 2017, Burnim holds professor emerita status.[3]

Burnim is recognized as a pioneer and expert in the study of African American gospel music.[3][5][6] She was a "prolific"[7] researcher who published and lectured widely on the history and practice of Black religious music.[3][8][9]

Burnim co-edited two textbooks with her Indiana University colleague Portia K. Maultsby: African American Music: An Introduction (2006)[10] and Issues in African American Music: Power, Gender, Race, Representation (2016).[11] A collection of Burnim's papers and audiovisual materials can be found in the Indiana University archives.[12]

Selected works

Books

  • African American Music: An Introduction (co-edited with Portia K. Maultsby), 2006. ISBN 9781317934431
  • Issues in African American Music: Power, Gender, Race, Representation (co-edited with Portia K. Maultsby), 2016. ISBN 9781315472072

Journal articles

Book chapters

  • Burnim, Mellonee V.; Maultsby, Portia K. (1987). "From backwoods to city streets: The Afro-American musical journey". In Gay, Geneva; Baber, Willie L. (eds.). Expressively Black: The Cultural Basis of Ethnic Identity. Praeger. pp. 109–136. ISBN 0-275-92465-3. OCLC 925039627.
  • Burnim, Mellonee (2013). "The Oxford Handbook of Music and World Christianities" (Document). pp. 469–486. doi:10.1093/oxfordhb/9780199859993.001.0001. {{cite document}}: Cite document requires |publisher= (help); Unknown parameter |chapter= ignored (help); Unknown parameter |editor-first= ignored (help); Unknown parameter |editor-last= ignored (help); Unknown parameter |editor2-first= ignored (help); Unknown parameter |editor2-last= ignored (help); Unknown parameter |isbn= ignored (help)

References

  1. ^ a b c d e Campbell, Patricia Shehan (1995). "Mellonee Burnim on African American Music". Music Educators Journal. 82 (1): 41–48. doi:10.2307/3398885. ISSN 0027-4321. JSTOR 3398885. S2CID 143193014.
  2. ^ "Teague girl wins declamation event". The Mexia Daily News. 1963-05-01. p. 2. Retrieved 2020-06-10.
  3. ^ a b c d e f Maultsby, Portia; Orejuela, Fernando; Stone, Ruth. "Mellonee V. Burnim". Department of Folklore and Ethnomusicology. Archived from the original on 2020-06-05. Retrieved 2020-06-11.
  4. ^ "Recent Dissertations". Journal of American History. 68 (2): 501–509. 1981-09-01. doi:10.1093/jahist/68.2.501. ISSN 0021-8723.
  5. ^ Rabaka, Reiland (2016). Civil Rights Music: The Soundtracks of the Civil Rights Movement. Lanham: Lexington Books. p. 87. ISBN 978-1-4985-3178-8. OCLC 944086828.
  6. ^ Hinson, Glenn (2010). Fire in My Bones Transcendence and the Holy Spirit in African American Gospel. University of Pennsylvania Press. p. 341. ISBN 978-0-8122-0301-1. OCLC 956784829.
  7. ^ Burford, Mark (2019). Mahalia Jackson and the black gospel field. New York, NY: Oxford University Press. p. 15. ISBN 978-0-19-063490-2. OCLC 1022984433.
  8. ^ Dekoster, Luke (1997-02-17). "A glimpse at the world of gospel". Iowa State Daily. Archived from the original on 2020-06-17. Retrieved 2020-06-17. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; 2020-06-18 suggested (help)
  9. ^ "Hear and learn about spirituals". Detroit Free Press. 1991-11-07. p. 74. Retrieved 2020-06-18.
  10. ^ Kauffman, Nicole (2006-03-26). "Tuning the page". The Reporter-Times. p. 13. Retrieved 2020-06-06.
  11. ^ Maultsby, Portia K; Burnim, Mellonee V (2017). Issues in African American Music: Power, Gender, Race, Representation. ISBN 978-1-315-47208-9. OCLC 950084407.
  12. ^ "Mellonee V. Burnim Collection, 1861-1996, bulk 1976-1996". webapp1.dlib.indiana.edu. Retrieved 2020-06-11.
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