The Twelve Abbots of Challant

The Twelve Abbots of Challant

Portrait of Ibleto di Challant (14th–15th century)
Author	Laura Mancinelli
Original title	I dodici abati di Challant
Translator	Sarah E. Christopher and Colleen Regalbuto
Language	Italian
Genre	Historical novel
Publisher	Einaudi (Italy) Troubador (UK)
Publication date	1981
Publication place	Italy
Published in English	2003
Media type	Print (paperback)
Pages	216 pp
ISBN	1-89-929354-X
OCLC	53243562

The Twelve Abbots of Challant (Italian: I dodici abati di Challant) is an historical novel by Laura Mancinelli published in 1981 and winner of the Mondello Prize in the same year.

Translation in English - Sarah E. Christopher, Colleen Regalbuto

The story is set around the end of the 13th century in a castle perched in the mountains of the Aosta Valley and lasts a year, from the death of the old marquis to the fire in the castle. The only external environment is the wood; the internal environments are the rooms of the castle.

Plot summary

A feudal lord inherits a castle with the condition of maintaining faith in an evil obligation of chastity. Twelve abbots take on the task of watching over the commitment, but they all disappear in a succession of mysterious deaths, victims of banal and emblematic incidents. Beautiful and unscrupulous Madonnas, castellans and priests, philosophers persecuted by the Inquisition, squires and monks, devils and sulphurous spells, testamentary readings and carnal temptations, audacious and holy tetragons and then again ... the beautiful Maravì sleepless in love, nostalgia, evening horseback riding, inventors and transplant surgeons in the odor of heresy and even a child and his cat Miro.

In the novel many characters are presented, some appearing only in one chapter (like the merchant, the inventor, the astrologer), others who return after some time for a brief appearance (like the troubadour and the philosopher). Each of them represents a social class of the Middle Ages.

Characters

Nobles

• Duke Franchino of Mantua;

Protagonist of the story together with the marquise. Blond, slim, with blue eyes. For these reasons he should have been (and perhaps even wanted to be) a minstrel, not to mention that he enjoyed composing songs with his viola. He had regretted signing the will, not only because he had to remain chaste, but also because he was incapable of administering a territory, with all its attendant hassles. But he had accepted because it seemed bad not to accept, because that is the way it is usually done; why, he did not know himself. Perpetually in love, even though he did not know how to love. Jealous of all the castle guests who courted Madonna Bianca di Challant, so much so that he threw out the troubadour.

• Marquise Bianca of Challant;

Very beautiful woman, loved by many, including the duke, the philosopher, the troubadour and Abbot Mistral. She used to go out on horseback in the evening before sunset. Sometimes he rode Hippomenes, a proud white horse with a slow and solemn trot; sometimes he rode Yvars, a black, agile, nervous and quick horse. With Ippomele she wore all white: white was her cloak, white her veil, white was the big hat placed on her veil; with Yvars, instead, she wore all black. But she was beautiful on both occasions.

Visitors to the castle

• Enrico of Morazzone;

An inventor arrives at the castle in a cart mounted on a sledge and pulled by two horses to sell his products. He leaves Abbot Nevoso a spring-loaded sleigh, where, unable to use it, he dies.

• the philosopher;

He arrived at the castle on a horse, wearing a cloak that covered him completely and also a pointed hat, which students usually wear, adorned with two very long and wavy feathers: one green-yellow cockerel and one very candid swan. Graduated from the Sorbonne in Paris, he was expelled from the city accused of heresy, because with his thought and the basis of Abelard, a philosopher who was also a heretic, he had, in a certain way, given the doctrine of Mohammed as being equally valid.

• the wise priestess;

She wore a long, feathered cape that went down from his head, which was fitted with a sort of hood, to his feet, enveloping his robust body in its breadth and hiding his tawny, frizzy hair.

• Madonna Maravì;

Came from the Angevin Court of Naples. She had curly auburn hair and fell in love with Messer Goffredo da Salerno. In order to seduce him, she decided to dress in a cherry-red satin dress, edged at the neckline and sleeves: the red of the dress accentuated the red of her hair and the whiteness of her neck and breasts, which generously appeared from the wide neckline. But Goffredo wanted nothing to do with her; he even avoided her. So Maravì fell ill: red, slightly swollen eyes, chapped lips and a shabby hairstyle were the symptoms of the love disease. When, blinded by rage, she had thrown a large chess piece out of the window at a man who appeared to her to be Goffredo, she had killed Abbot Foscolo.

• The Venetian merchant –
• The troubadour –
• The astrologer –

The twelve abbots

• Nevoso -
• Umidio -
• Celorio -
• Foscolo -
• Mistral -
• Leonzio -
• Santoro -
• Malbruno -
• Torchiato -
• Prudenzio -
• Ildebrando -
• Ipocondrio -

See also

• Aosta Valley
• Castello di Villa
• Challant (family)
• Angevin

Sources

• Mancinelli, Laura (2003). The Twelve Abbots of Challant and The Miracle of Saint Odilia. Troubador.