Jump to content

Abu Lahab (musical project)

Add links
From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Iridescent (talk | contribs) at 16:55, 4 November 2016 (→History: Typo fixing, typo(s) fixed: February of 2012 → February 2012 using AWB). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Abu Lahab
OriginMorocco
GenresExperimental rock
Years active2000–present

Abu Lahab is an experimental music project based in Morocco. It takes its name from Abū Lahab, meaning "Father of Flame", who is recognized in Islamic tradition as one of the most prominent leaders in the Quraysh tribe of Banu Hashim and paternal uncle to the prophet Muhammad. Active since 2000, the project bridges dark ambient, industrial and drone music to create nightmarish soundscapes.[1] Because of the nihilistic and anti-Islamic themes present in his oeuvre, the composer behind Abu Lahab has chosen to remain unidentified. His two full-length albums, Humid Limbs of the Torn Beadsman (2012) and Supplications of the Last Gyrosophist (2013), were met with enthusiasm by parts of the musical community.[2][3]

History

Between his beginnings in 2000 and first official releases in 2010, the composer of Abu Lahab's music worked under various pseudonyms. Starting in 2007, he began issuing a number of demo releases under the name Abu Lahab, including The Black Shrine, Altered Cult, When the Face of the Lord Is Split Asunder, Conversi ad Dominum and He Who Is Illuminated with the Brightest Light Will Cast the Longest Shadow. He continued to expand his sound with the mini-albums As Chastened Angels Descend Into the Thoracic Tombs and Moths From the Silver Reich, which showcased his sound collage compositional style and unique use of sampling.[4]

The extended play We Beheld the Last Contraction of the Seraph marked his first official release in February 2012. Focusing on harsh dissonance, the music attempted to mix the seemingly incongruous elements of black metal, dark ambient, drone, industrial and noise music into a cohesive whole. Abu Lahab's full-length debut album Humid Limbs of the Torn Beadsman followed in August 2012 and was seen by some as his masterpiece.[2] The music was less aggressive than his previous release, but nonetheless continued to marry musique concrete and industrial music with his already cacophonous sound. On July 12, 2013, he released his second album Supplications of the Last Gyrosophist. The music was less aggressive and more experimental in contrast to his previous work, beginning a trajectory towards a more percussive and beat driven sound.[5] Another EP, titled Of Heliotaxis and Cosmic Knifing, followed in October of that year and contained samples of Nico's 1970 Desertshore album.[6]

Discography

References

  1. ^ Decker, Joshua (August 15, 2012). "Abu Lahab". Grindthieves. Retrieved January 10, 2016.
  2. ^ a b Nunziata, Francesco (August 6, 2013). "Abu Lahab: Humid Limbs of the Torn Beadsman" (in Italian). Onda Rock. Retrieved January 10, 2016.
  3. ^ DeReviùer (September 24, 2013). "Dio è morto, viva Dio: Abu Lahab" (in Italian). DeReviùer. Retrieved January 10, 2016.
  4. ^ Castillo, Andy (September 9, 2015). "Abu Lahab - "Moths From The Silver Reich"". Technology Evangelist. Retrieved January 10, 2016.
  5. ^ Nunziata, Francesco (August 7, 2013). "Abu Lahab: Supplications of the Last Gyrosophist" (in Italian). Onda Rock. Retrieved January 10, 2016.
  6. ^ DeReviùer (November 10, 2013). "Il cielo stellato sopra di me, ma nemmeno quello: Of Heliotaxis and Cosmic Knifing (2013) di Abu Lahab" (in Italian). DeReviùer. Retrieved January 10, 2016.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Abu_Lahab_(musical_project)&oldid=747830926"