Bareikis studied at the Vilnius Academy of Fine Arts between 1987 and 1992. His previous attempt at finishing art school in Vilnius was interrupted when he was drafted by the Soviet Army and sent to Afghanistan, where he saw gunfighting, injured soldiers of war, and caskets, before inflicting delirium on himself through sleep deprivation and the inhalation of graphite powder.
In 2000 he exhibited at the Berlin Contemporary Art Center and at the Eleni Koroneou Gallery in Athens. In 2004 he showcased his artwork at the Miller Durazo Gallery in Los Angeles. He showed at Leo Koenig Gallery, and Happy Lion Gallery.
The New York Times describes his work as "sprawling, grotesque yet artfully color-coordinated messes of found objects, paint, wax, foam, plastic, scrap wood and many other materials. His installations have an impressive physical impact; but, with one exception, there is a formless one-note monotony about them."
- Paumgarten, Nick (October 17, 2005). "SALESMAN; Days and nights in Leo Koenig's gallery". The New Yorker. Retrieved March 19, 2011.
- "Archived copy". Archived from the original on 2010-05-26. Retrieved 2010-05-21.CS1 maint: Archived copy as title (link)
- Johnson, Ken (June 29, 2001). "ART IN REVIEW; Aidas Bareikis -- 'Silence Before the Curve'". The New York Times. Retrieved May 12, 2010.
- "Aidas Bareikis", Vikipedija
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