Allison Montana

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Chief Allison "Tootie" Montana (December 16, 1922 – June 27, 2005), a lather by trade, was a New Orleans cultural icon who acted as the Mardi Gras Indian "chief of chiefs" for over 50 years.[1][2] Tootie is revered in the Mardi Gras Indian culture as the Big Chief who is responsible for changing the violent way of the Indians' culture. While Tootie was Big Chief of the Yellow Pocahontas Tribe, he made the culture of the Mardi Gras Indians about pageantry rather than violence.[3]

Origins and Traditions of Mardi Gras Indians

The history of the Mardi Gras Indians can be traced back to the time of slavery in New Orleans. When slaves would escape from the city, many would find shelter with the Indigenous people of America. The traditions of the Mardi Gras Indians then stemmed from what was observed while under the care of the indigenous people. The art of masking at Carnival in the Indian suits is a way to pay respect to the people who looked after escaped slaves.[1]

Originally, the Mardi Gras Indians were a violent group of people. Tribes from different sections of town would engage in fights called humbugs in parts of New Orleans called the battlefield.[3] Carnival was the day that any Indian revenge was executed. An angry Indian would dress as a woman and blend themselves into the crown of Carnival. When the cross dressing, Indian would approach the person they are seeking revenge upon and attack the man in the middle of Carnival. The attack would then escape to change clothes in a local bar. In an interview, Tootie said that all day during Carnival, there could be discarded dresses found in bars across New Orleans.[4]

Tootie was outraged by the violence that the Mardi Gras Indians would present to the public and towards each other. Many nights after Carnival Tootie would come home in a battered suit, covered in blood and bruises from the night’s events.[5] Tootie is the man who spoke out against Indian gang violence and turned to music and dance was a way to express competitive showmanship. Tootie’s widow Joyce Montana says that Tootie was the first to say “Stop fighting with your guns, and begin fighting with your suits".[6]

Early Life

Tootie is the great grandson of Becate Batiste, the first black to mask with the Indians. Becate later went on to form his own Mardi Gras Indian tribe called the Creole Wild West. Tootie’s father Alfred Montana masked with the Mardi Gras Indians, which provided Tootie with the opportunity to observe the culture. His parents divorced when Tootie was eight years old, and the bond over masking kept Alfred and Tootie close. Alfred helped Tootie mask his first few years going out as a Mardi Gras Indian.[7]

Alfred helped Tootie construct his crown the first 2 years that Tootie masked. His father delivered the crown the night before Carnival. The late arrival pushed Tootie to construct his own crown as to avoid having to suit without one.[8] Before WWII Tootie became known as Big Chief of the Yellow Pocahontas tribe. In 1947 he became Big Chief of The Monogram Hunters, a tribe he founded with local friends. During the time of his work as Big Chief, Tootie changed the nature of masking.

Chief of Chiefs

On his climb to becoming the most well renowned Chief of the Mardi Gras Indians, Tootie changed the images of the Indian suits from ones of bland colors, to a show of aesthetically pleasing beads, feathers and sequences. Tootie would use vibrant colors and ostrich feathers to display his pride to be a Mardi Gras Indian. He became known for his geometric beadwork. Many Indians looked forward to Tootie unveiling his latest color scheme and patches. Tootie removed the violent nature of Mardi Gras Indians by replacing it with a competition of beauty. He believed that if an Indian spent months working on an elaborate suit, they would avoid violent scenes to prevent tarnishing the suit. In the late 1950s, Tootie regained his title of Big Chief for the Yellow Pocahontas tribe.

The start of Carnival involves the Chief marching in the back of the tribe, while non costumed followers trail behind the Indians, known as a second line. Ahead of the tribe is a ‘Spyboy’ who is a block or two ahead. He will motion to the ‘Flagboy’ if the road ahead is clear or not. The ‘Flagboy’ will then alert the chief. The chief will then make the decision as to what road to take. Because of the ambiguous nature of the Indians, there is no telling what path they make take around New Orleans. This makes finding their exact location difficult to pinpoint each year. When two tribes meet each other on the same path, they will have a battle. This battle no long involves bloodshed and weapons, but chanting and dancing. The chants are in a native language, and can tell a story, shared experience or taunt the opposing tribe. The relationship between the tribes have become calm since the work that Tootie has done with changing the traditions of the Mardi Gras Indians.

In 1982 Tootie is quoted to have said that “now people run to the Mardi Gras Indians, back in the day people would run from them”. In 1987, Tootie receive a fellowship as a Master Traditional Artist from the Folk Art Program of the Nationals Endowments for the Arts in Washington DC.[9][2] Tootie continued to mask as Chief until the 1990s, when his son Darryl took over as Chief of The Yellow Pocahontas Tribe. At the age of 78, Tootie was the oldest continuously masking Mardi Gras Indian. In 1995 he stated, "I am the oldest, I am the best, and I am the prettiest."[10] There was one year is his career starting 1947 and ending in 2005 that he did not mask, and that was for Mardi Gras of 1986.

Later Life

After handing down the Yellow Pocahontas Tribe to his son, Tootie continued to work on suits and mask during Carnival until he was 82 years old, totaling in 52 years of masking. He wasn’t able to walk as easily and had a cart pull him with his tribe. He continued to make beautiful suits in bright colors that would draw the crowds out on Super Sunday. On March 19, 2005 the Mardi Gras Indians were faced with police brutality on Saint Joseph’s Day night, a night were the Mardi Gras Indians parade. The police blocked off the road that the Indians were using and began to scatter the masses and fire into crowds.

Tootie had been dealing with this brutality since he began suiting in the 1940s. On June 27, 2005 Tootie was making a speech at the New Orleans City Council Chamber against the NOPD abusing the Mardi Gras Indians were facing. In the middle of his speech Tootie suffered from a heart attack that took his life. At his funeral, different tribes from across the city gathered to sing, dance and honor Tootie, the Big Chief, the Chief of Chiefs.


  1. ^ a b Reckdall, Katy (July 11, 2005). "A Colorful Farewell for the Chief of Chiefs". New York Times. Retrieved 30 August 2015. 
  2. ^ a b Foster, Jason P. (Autumn 2005). "A Biographical Sketch: Big Chief Allison "Tootie" Montana". Louisiana History (Louisiana Historical Association) 46 (4): 482. Retrieved 30 August 2015 – via JSTOR. (registration required (help)). 
  3. ^ a b Sakakeeny, Matt (October 1, 2012). "Mardi Gras Indians". KnowLA Encyclopedia of Louisiana. Louisiana Endowment for the Humanities. Retrieved 29 August 2015. 
  4. ^ Tisserand, Michael (July 5, 2005). "Why Mess With Me?". Gambit. Retrieved 30 August 2015.  Excerpts from interview published February, 1994 in Offbeat Magazine.
  5. ^ Baum, Dan (2010). Nine Lives: Mystery, Magic, Death, and Life in New Orleans. New York: Random House. ISBN 978-0385523202. 
  6. ^ Brazile, Curtis; Miller, Barbara; Grover, Katherine (December 4, 2012). "Mardi Gras Indians". MediaNOLA. Tulane University. Retrieved 29 August 2015. 
  7. ^ Medley, Keith Weldon (2005). "Famous Parishioner: Allison "Tootie" Montana". St. Augustine Catholic Church of New Orleans. St. Augustine Catholic Church. Archived from the original on August 30, 2008. Retrieved 30 August 2015. 
  8. ^ Salaam, Kalamu ya (1997). "He's The Prettiest: A Tribute To Big Chief Allison "Tootie" Montana's 50 Years Of Mardi Gras Indian Suiting". Folklife in Louisiana. Baton Rouge, LA: Louisiana Division of the Arts, Office of Cultural Development, Dept. of Culture, Recreation & Tourism. Retrieved 30 August 2015.  Originally published as an exhibit catalog by the New Orleans Museum of Art for the 1997 exhibit of the same name. ISBN 978-0894940583
  9. ^ "Allison "Tootie" Montana". NEA National Heritage Fellowships. National Endowment for the Arts. Retrieved 30 August 2015. 
  10. ^ Bragg, Rick (February 19, 1995). "Another Battle of New Orleans: Mardi Gras". New York Times. Retrieved 30 August 2015. 

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