She was the author of six full-length collections, the blue pearl, worked on screen, memory's morning, the butterflies and the burnings, correspondence with nobody, and to be continued. She was also known for her poetic sequences that work with notarikon – originally a rabbinic and Kabbalistic method used to interpret the Hebrew Scriptures. She redeployed and elaborated it as a contemporary poetic procedure, engaging with diverse languages and texts, both ancient and modern.
The great-granddaughter of Jewish immigrants to Britain at the turn of the 20th century, Anne Blonstein was born and raised in the Home Counties – first Harpenden, Hertfordshire, then moving with her family to Surrey when she was 11. Before leaving Britain in 1983, she spent six years in Cambridge, where she took a degree in Natural Sciences followed by a PhD in genetics and plant breeding.
Blonstein lived in Basel, Switzerland, where she earned a living as a freelance translator and editor.
"[Blonstein's] terse, unusual images are the outcome of an English language that, mated to the other idioms she lives with – German, French, and Hebrew – shapes the transnational world of a language nomad. … In her most recent work, Hebrew … has become the place to which she ties her English and the other languages she uses in her life through graphic/visual and semantic associations. … [F]or Blonstein languages, with their varieties and differences, have become the endangered species of our globalized world." – Marina Camboni, Contemporary Women's Writing, Oxford University Press
Blonstein also collaborated on projects with other artists, including the ceramist Pat King, and the Swiss composers Mela Meierhans and Margrit Schenker. Her works appeared in Denver Quarterly, Descant, Dusie, How2, Indiana Review and the Notre Dame Review.
Anne Blonstein died in 2011, after a long, undisclosed illness, aged 52.
- sand.soda.lime, Broken Boulder Press, 2002
- the blue pearl, Salt Publishing, 2003, ISBN 978-1-876857-65-3
- worked on screen, Poetry Salzburg, 2005, ISBN 978-3-901993-18-3
- from eternity to personal pronoun, Gribble Press, 2005
- that those lips had language, Plan B Press, 2005, ISBN 978-0-9728312-5-3
- thou shalt not kill, Dusie Wee Chap, 2007
- hairpin loop: poems, Bright Hill Press, 2007, ISBN 978-1-892471-44-4
- memory's morning, Shearsman Books, 2008, ISBN 978-1-905700-76-9
- correspondence with nobody, Ellectrique Press, 2008, ISBN 978-3-033-01685-9
- the butterflies and the burnings, Dusie Press, 2009, ISBN 978-0-615-18579-8
- "Anne Blonstein interviewed by Jack Alun". The Argotist Online. Archived from the original on 5 July 2008. Retrieved 11 August 2008.
- Camboni, Marina (December 2007). "Impure lines: multilingualism, hybridity, and cosmopolitanism in contemporary women's poetry". Contemporary Women's Writing. 1 (1–2): 34–44. doi:10.1093/cww/vpm013.
- "Mela Meierhans: News, events 2014". atelier oh-r42. Archived from the original on 18 February 2015. Retrieved 10 March 2015.
- Blonstein, Anne (Summer 2008). "Contributors". Denver Quarterly. 42 (4).
- Blonstein, Anne (Winter 2006). "Poetry: yellow games; lashing mauve". Descant, Bibliomania 2. Descant foundation. 37 (135 no. 4). Archived from the original on 2 April 2015.
- Blonstein, Anne. "Poetry: (sweeter version); of exile in amsterdam; 2 Menschen geben einander die Hand". Dusie. Dusie Press (6).
- Camboni, Marina (Summer 2007). "Timeturned images: from eternity to personal pronoun by Anne Blonstein (review)". How2 Journal – Cut Out and Keep up: The Make It Happen and Not Make do Issue. Virginia G. Piper Center for Creative Writing, Arizona State University. 3 (1).
- Blonstein, Anne (Winter 2005). "Contributors". Indiana Review. Indiana University Bloomington. 27 (2).
- Blonstein, Anne (Summer 2005). "Poem: Chorus Without". Notre Dame Review. University of Notre Dame. 20.
- Feature of poems, reviews and essays in Word for/Word, vol. 16, 2010
- Poem in Cambridge Literary Review 1/3, 2010
- Salt Magazine: Anne Blonstein – Five poems with a Note by Charles Lock
- Copenhagen Review – poems
Critiques, reviews and interviews
- "Anne Blonstein’s memory's morning," online review by Kathrin Schaeppi, Jan 2009.
- Online Review of correspondence with nobody by Maria Damon, Late 2009.
- Review of worked on screen by Jacqueline Karp, 2007.
- Interviewed by Jack Alun in 2005.
Anne Blonstein memorial – 19 November 2011
7 Videos: http://vimeo.com/album/1784403