Johan Herman Wessel

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Johan Herman Wessel. Bust by Norwegian sculptor Julius Middelthun (Nasjonalgalleriet)

Johan Herman Wessel (6 October 1742 – 29 December 1785) was an 18th-century Norwegian poet and playwright.[1]

Biography[edit]

Wessel was born and raised at Vestby in Akershus, Norway. He was the son of Jonas Wessel (1707-1785) and Helene Maria Schumacher (1715-1789) and was the elder brother of mathematician Caspar Wessel. He was a relative of the naval hero Peter Tordenskjold. He attended the University of Copenhagen. He later made a living principally as a tutor. Living most of his (bohemian) life in Copenhagen, dependent on casual work and weakened by bad health and drinking, Wessel became the admired centre of The Norwegian Society (Norske Selskab) a society of Norwegian literary figures cultivating their national identity in Copenhagen, and writing in classical metres. He died at age 43 in Copenhagen.[2]

Works[edit]

Wessel's poems and plays are frequently satirical and humorous. His literary style is deliberate elaborate and digressive and at the same time elegant and witty. Another genre is the epigram that he mastered, especially his short, witty, impudent, precise and also self-ironic commemorative poems.

Wessel is known first of all for his many humorous and satiric verse tales referring to man's foolishness and injustice. Most notable is Smeden og Bageren ("The Smith and the Baker") about the only smith of a village who is pardoned for manslaughter since the village people need one, while a more superfluous baker is executed instead (there are two bakers, the village only needs one) in order to observe the rules that "life pays life".

In Herremanden ("The Squire") a man coming to Hell makes unpleasant discoveries of the origin of his own son while Hundemordet ("The Dog Murder") tells about wrangle about trivial things.

His satirical play Kierlighed uden Strømper ( Love without Stockings, 1772—with epilogue, 1774) is a generic parody of neoclassical tragedy; it takes place in a daily milieu of banal conflicts but observes the formal rules of "heroic language". It is still performed.

Another play Anno 7603 was written in 1781. It has a low literary value, and it has never been performed—it is held in such low esteem that it is often omitted from lists of his works[3] —but it has some cult status since this is one of the first examples of time travel in fiction.[4] The main characters, Leander and Julie, are moved by a fairy[5] to a future (AD 7603) in which gender roles have been switched and only women are allowed to fight in the military.

The traditional restaurant Wesselstuen in Bergen, Norway features many decorations inspired by his works.[6]

References[edit]

  1. ^ Øystein Rottem. "Johan Herman Wessel". Store norske leksikon. Retrieved June 1, 2016. 
  2. ^ Liv Bliksrud. "Johan Herman Wessel, Dikter". Norsk biografisk leksikon. Retrieved June 1, 2016. 
  3. ^ Stewart, Jon Bartley (2009). Kierkegaard and the Renaissance and Modern Traditions: Literature, drama, and music. Ashgate Publishing. p. 249. ISBN 978-0-7546-6820-6. Retrieved 14 July 2011. 
  4. ^ Nahin, Paul J. (2011). Time Travel: A Writer's Guide to the Real Science of Plausible Time Travel. JHU Press. p. xv. ISBN 978-1-4214-0082-2. Retrieved 14 July 2011. 
  5. ^ Nahin, Paul J. (1999). Time machines: time travel in physics, metaphysics, and science fiction. Springer. p. 4. ISBN 978-0-387-98571-8. Retrieved 14 July 2011. 
  6. ^ "Wesselstuen". Bergen Guide. Retrieved June 1, 2016. 

Other sources[edit]