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Antonio Bellucci

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Ascension of Jesus Christ by Antonio Bellucci - ceiling painting in Great Witley Church, England

Antonio Bellucci (1654 - 1726) was an Italian painter of the Rococo period, who was best known for his work in England, Germany, and Austria. He was one of the many Venetian-trained artists of his time, including Ricci, Tiepolo, Amigoni, and others, who sought commissions north of Italy, providing patrons with the then-popular Italianate grand-manner frescoes for private palaces.

Born and died in Pieve di Soligo. He initially trained with Domenico Difnico in Sebenico (Sibenik) in the Venetian colony of Dalmatia (now part of Croatia). By 1675, he was working in Venice, painting St Lorenzo Giustiniani praying for the city’s deliverance from the plague of 1447 (c. 1691) for the church of San Pietro di Castello. He painted a Nativity for the church of the Ascension at Venice. Several of the landscapes of Antonio Tempesta are enriched with figures by Bellucci.

Among his pupils were Antonio Balestra and perhaps Jacopo Amigoni.

In 1692, he completed four altarpieces depicting various saints for the church of Klosterneuburg. From 1695-1700 and 1702- c. 1704, he lived in Vienna. He painted the Triumph of Hercules and other allegorical ceilings at the Palais Liechtenstein for Charles VI.

In 1705-1716, he travelled to Düsseldorf to work for Johann Wilhelm, Elector of the Palatinate, a member of the Wittelsbach family; he worked there almost continuously until his patron’s death in 1716. For Schloss Bensberg, he painted the Marriage of John William with Anna Maria Luisa de’ Medici and Elector Palatine John William Handing the Baton of Command to his Son[1].

From 1716-1722, Bellucci worked in England, where he fulfilled several commissions for James Brydges, 1st Duke of Chandos, including two ceilings at Cannons, the duke's country seat near London;[2] at the neighboring "St Lawrence", Whitchurch the paintings of the Nativity and the Descent from the Cross, which are seen on either side of the altar, and the Transfiguration, which is above the Duke’s pew, are attributed to him. [3] There is an almost Romantic self-portrait of Belluci, shirt open, at the Ashmolean Museum, Oxford.[4]. He returned to his native country late in life, and died at Soligo.

References

  • Grove Encyclopedia biography on Artnet
  • Ticozzi, Stefano (1830). Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d’ogni etá e d’ogni nazione' (Volume 1). Gaetano Schiepatti; Digitized by Googlebooks, Jan 24, 2007. pp. page 139. {{cite book}}: |pages= has extra text (help)
  1. ^ Both Bensberg paintings now at Alte Pinakothek of Munich.
  2. ^ The house no longer exists, but the church survives in the residential suburb Canons Park
  3. ^ Some of the Cannons paintings were transferred to the church at Witley Court, Worcestershire.
  4. ^ Ashmolean self-portrait.