Aïn Témouchent, Algeria
He is considered by some people like one of the fathers of Modern Raï Music,. The Algerian raï singer Boutaïaba Sghir has declared that the collaboration of Bellemou in Raï Music was important but Raï Music existed before the coming of Bellemou( see interview on YouTube).
This trumpeter has worked during the 1970s with different raï singers of his generation like Boutaïaba Sghir, Boussouar El Maghnaoui, Bouteldja Belkacem.
In 1980s the term pop-raï has been used to describe the new generation of chebs and chebats (from the Arabic for "young") introducing new instruments, and together with Belkacem Bouteldja released one of the first records of the new genre.
- Mehdid, Malika (2006), "For a Song – Censure in Algerian Rai Music", in Drewett, Michael; Cloonan, Martin (eds.), Popular music censorship in Africa, Ashgate Publishing, p. 206, ISBN 978-0-7546-5291-5
- Cliff Furnald, RootsWorld: African Archive #8, retrieved 2009-03-31
- Marranci, Gabriele (2005), "Algerian Raï into Beur Raï: The Music of Return", in Cooper, David; Dawe, Kevin (eds.), The Mediterranean in Music, Scarecrow Press, p. 199, ISBN 978-0-8108-5407-9
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