Betty Tompkins
Betty Tompkins | |
|---|---|
| Born | 1945 (age 78–79) |
| Nationality | American |
| Education | Syracuse University Central Washington State College |
| Known for | Painting |
| Movement | Contemporary art |
Betty Tompkins (born 1945) is an American artist. Tompkins is a painter whose works revolve, almost exclusively, around photorealistic, close-up imagery of both heterosexual and homosexual intimate acts.[1][2] She creates large-scale, monochromatic canvases and works on paper of singular or multiple figures engaged in sexual acts, executed with successive layers of spray painting over pre-drawings formed by text.[3] Tompkins is listed in The Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art's Feminist Art Base.[4] Her first painting, completed in 1969, is held in the permanent collection of the Centre Georges Pompidou in Paris, France.
Education
Tompkins was born in 1945 in Washington, D.C.. She grew up in Philadelphia, Pennsylvania and received her BFA from Syracuse University. She took a teaching job at Central Washington State College in Ellensburg, Washington shortly after marrying her first husband, who was one of her instructors.[5] She completed her graduate degree there, traveling between Washington state and New York.
Work
- Fuck Paintings (1969–1974, 2003–present)
Tompkins first major body of work was a series of paintings depicting a male and female figure engaging in sexual intercourse. She elected to render the images in extreme close-up, using vintage pornography stills as her source material. Rather than idealize the act of fornication, by having one body or the other exude dominance or beauty above the other, Tompkins equalizes both figures by showing only their genitalia, in congress.[6] Tompkins' first husband possessed a collection of pornographic magazines and images, amassed since the late 1950s (possession of these images was, at the time, illegal).[7] The works were produced using hundreds of layers of spray paint, using a finely-calibrated airbrush to build from underdrawing to final image. These early works were made solely with black and white pigments, with extremely high contrasting tonality. Since returning to the series in 2003, Tompkins uses a base color combination to produce a more illuminated monochrome. She originally entitled the series Joined Forms, as a more modest way of describing the imagery. She would later call the collective series Fuck Paintings. Within this first series, until 1976, Tompkins produced a sub-set of works entitled Cow Cunt Paintings.
"Fuck Painting #1" (1969)
Acrylic on canvas, 84" x 60"
Courtesy of the artist and the Centre Georges Pompidou, Musée National d'Art Moderne, Paris
- Censored Grids (1974–present)
In 1974, Tompkins was scheduled to show her work in Paris. Once her painting had arrived, French customs officials had seized it, declaring it obscene and unfit for public exhibition. It would take Tompkins nearly a year to arrange for its return (by then, draining her financially and emotionally from the logistic and legal difficulties).[8] In response to this ordeal, Tompkins began to make paintings in the form of grids, where a set of white blocks with the word "censored" at the center, would block out all traces of genitalia or primary imagery in the composition. Tompkins has said she will continue to make these paintings, as there is seemingly no perceivable end to government/municipal censorship of visual art.
Public collections
- Centre Georges Pompidou, (Paris)
- Islip Art Museum, (East Islip, New York)
- Allen Memorial Art Museum, (Oberlin, Ohio)
- Oberlin College, (Oberlin, Ohio)
- Paterson Museum, (Paterson, New Jersey)
- Museum of the City of New York, (New York)
- Southern Alleghenies Museum of Art, (Pennsylvania)
- Stamford Museum & Nature Center, (Stamford, Connecticut)
Selected exhibitions
- Betty Tompkins: Smooch, 55 Gansevoort, (New York), 2014
- CORPUS (curated by Maria Brewińska in collaboration with Katarzyna Stupnicka), Zachęta National Gallery of Art, (Warsaw), (Poland), 2014
- Inaugural Exhibition, Gavlak Gallery, (Los Angeles), 2014
- elles@centrepompidou (curated by Camille Morineau), Centre Georges Pompidou, (Paris), 2009–11
- Lust and Vice: The 7 Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, (Bern) and the Museum of Fine Arts Bern, 2010
- Naked! (curated by Adrian Danatt and Paul Kasmin), Paul Kasmin Gallery, (New York), 2009
- La Plaisser au Dessin, Musée des Beaux-Arts de Lyon, (Lyon), 2007
- Uncertain States of America (collaboration with Trisha Donnelly, Adam Putnam, and Shannon Ebner), Serpentine Galleries, (London), 2006
- Acquisitions Récentes: Oeuvres contemporaines, Centre Georges Pompidou, (Paris), 2004
- Biennale de Lyon 2003, "C'est Arrive Demain", 7 Biennale d'Art Contemporain de Lyon, 2003
- Manhattan Skylines, Museum of the City of New York, (New York), 2002
- The Living Object: The Art Collection of Ellen H. Johnson, Allen Memorial Art Museum, (Oberlin, Ohio), 1992
- 25 Years of Feminism (Year 16), Institute for Women and Art (The Mary H. Dana Women Artists Series) at Rutgers University, (New Jersey), 1986-7
References
- ^ Cicetti, Robert (July 30, 2012). "Fuck Paintings #NSFW …As If You Needed to Know That". Hyperallergic.
- ^ "Betty Tompkins: The Whitehot Interview". Whitehot Magazine.
- ^ Mason, Shana Beth (June 13, 2014). "Hippie with experience". KUNSTforum.as (Oslo).
- ^ "Betty Tompkins". Elizabeth A. Sackler Center for Feminist Art: Feminist Art Base. Retrieved 27 February 2015.
- ^ Silas, Susan; Stathacos, Chrysanne (September 8, 2012). "A conversation with Betty Tompkins". MOMMY.
- ^ Cicetti, ibid.
- ^ Silas and Stathacos, ibid.
- ^ Mason, ibid.