Charles Blackman: Difference between revisions
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==Early life and initial success== |
==Early life and initial success== |
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Blackman, born August 12, 1928 in [[Sydney]], left school at 13 and worked as |
Blackman, born August 12, 1928 in [[Sydney]], left school at 13 and worked as a truck driver with the Sydney ''Sun'' newspaper while attending night classes at East Sydney Technical College (1943–46). He was later awarded an honorary doctorate. He came to notice following his move to [[Melbourne]] in the mid-1940s, where he became friends with [[Joy Hester]], [[John Perceval]] and [[Laurence Hope (artist)|Laurence Hope]] as well as gaining the support of critic and art patron [[John Reed (art patron)|John Reed]]. His work met critical acclaim through his early ''Schoolgirl'' and ''Alice'' series, the latter Blackman's conception of [[Lewis Carroll]]'s most famous character. For some time while painting the Alice series, Blackman worked as a cook at a cafe run by art dealer, George Mora and his wife, fellow artist [[Mirka Mora]]. Blackman married the poet [[Barbara Patterson]] in 1951. |
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In 1959 he was a signatory to the [[Antipodeans Group|Antipodean Manifesto]],<ref>''The antipodean manifesto: essays in art and history'', Melbourne: Oxford University Press, 1975</ref> a statement protesting the dominance of [[abstract expressionism]]. The manifesto's adherents have been dubbed the [[Antipodeans Group]]. His work is associated with dreamlike images tinged with mystery and foreboding. In 1960 he lived in [[London]] after winning the [[Helena Rubenstein]] Scholarship, settling in [[Sydney]] upon his return six years later. In 1970 he moved to Paris, when awarded the atelier studio in the Cité des Artes. He lived there for a year at the same time as John Coburn, and subsequently returned often, as Paris was an eternal source of inspiration. |
In 1959 he was a signatory to the [[Antipodeans Group|Antipodean Manifesto]],<ref>''The antipodean manifesto: essays in art and history'', Melbourne: Oxford University Press, 1975</ref> a statement protesting the dominance of [[abstract expressionism]]. The manifesto's adherents have been dubbed the [[Antipodeans Group]]. His work is associated with dreamlike images tinged with mystery and foreboding. In 1960 he lived in [[London]] after winning the [[Helena Rubenstein]] Scholarship, settling in [[Sydney]] upon his return six years later. In 1970 he moved to Paris, when awarded the atelier studio in the Cité des Artes. He lived there for a year at the same time as John Coburn, and subsequently returned often, as Paris was an eternal source of inspiration. |
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Revision as of 23:51, 16 May 2011
Charles Blackman (born 12 August 1928) is one of the best known Australian artists still living today, especially for the famous Schoolgirl and Alice in Wonderland series of the 1950s. He was a member of the Antipodeans, a group of Melbourne painters that also included Arthur Boyd, David Boyd, John Brack, Robert Dickerson, John Perceval and Clifton Pugh.
Early life and initial success
Blackman, born August 12, 1928 in Sydney, left school at 13 and worked as a truck driver with the Sydney Sun newspaper while attending night classes at East Sydney Technical College (1943–46). He was later awarded an honorary doctorate. He came to notice following his move to Melbourne in the mid-1940s, where he became friends with Joy Hester, John Perceval and Laurence Hope as well as gaining the support of critic and art patron John Reed. His work met critical acclaim through his early Schoolgirl and Alice series, the latter Blackman's conception of Lewis Carroll's most famous character. For some time while painting the Alice series, Blackman worked as a cook at a cafe run by art dealer, George Mora and his wife, fellow artist Mirka Mora. Blackman married the poet Barbara Patterson in 1951.
In 1959 he was a signatory to the Antipodean Manifesto,[1] a statement protesting the dominance of abstract expressionism. The manifesto's adherents have been dubbed the Antipodeans Group. His work is associated with dreamlike images tinged with mystery and foreboding. In 1960 he lived in London after winning the Helena Rubenstein Scholarship, settling in Sydney upon his return six years later. In 1970 he moved to Paris, when awarded the atelier studio in the Cité des Artes. He lived there for a year at the same time as John Coburn, and subsequently returned often, as Paris was an eternal source of inspiration.
His strong friendships with fellow artists led to field trips, sessions with models, cultural interchanges with poets, writers, musicians and worked with the ballet, doing set designs, i.e. Daisy Bates. After 27 years of marriage, Patterson divorced Blackman in 1978 and he married the young artist Genevieve de Courvreur. He married a third wife, Victoria Bower in 1989, who he also later divorced. He has six children, Auguste, Christabel, Barnaby, Beatrice, Felix and Axiom. He has won many prizes and distinctions, culminating in a major retrospective in 1993 and an OBE for services to Australian art in 1997.
A portrait of Charles Blackman by Jon Molvig won the Archibald Prize in 1966.
Later life
After years of alcohol abuse, Blackman now suffers from Korsakoff's syndrome, a brain disorder affecting memory. After suffering a stroke and heart attack in 1994, Blackman has subsequently been under full-time care. The subject of ownership of Blackman's paintings has been a controversial issue, though his former wife Barbara maintained that her possession of some of them had been for the sake of preservation and that she intended to donate them to galleries.[2] This commitment may have been met by the donation of five works to the National Gallery of Australia in August 2010. In a statement published by the Canberra Times newspaper, Ms Blackman said that, "At Easter my house was flooded. No paintings were damaged but since then I have been giving paintings to public collections. I have no valuable Blackmans left in my collection...".[3]
Blackman has repeatedly expressed disdain for the concept of making money from or maintaining exclusive ownership of his paintings. His accountant and close friend, Tom Lowenstein, set up the Charles Blackman Trust to manage the painter's affairs. Lowenstein periodically sells off the works that Blackman still owns to ensure Blackman's expenses are taken care of.[4] Blackman lives a simple but happy life in his rented home in Sydney. He meets with friends and fellow artists Judy Cassab and Marina Finlay twice a month to draw and have "passionate discussions" about art.[4]
In August 2010, The Blackman hotel opened in St Kilda Road, Melbourne. It features 670 digitally reproduced fine art prints by Charles Blackman.[5]
See also
External links
- The Blackman Hotel
- Charles Blackman on Artabase
- Street Scene 1960 Ballarat Fine Art Gallery.
- Charles Blackman artwork at Chrysalis Publishing
- Charles Blackman at Australian Art
References
- ^ The antipodean manifesto: essays in art and history, Melbourne: Oxford University Press, 1975
- ^ Wilmoth, Peter (2006-05-21). "An artist in wonderland". The Age. Melbourne. Retrieved 2007-03-30.
- ^ Streak, Diana (2010-08-27). "Blackman works donated to NGA". The Canberra Times. Canberra.
- ^ a b "Blackman rediscovers artistic muse at 80". Retrieved 2008-09-18.
- ^ McCabe, Christine (2010-09-22). "Guests in Wonderland". The Australian. Retrieved 2010-10-25.