Christoph Dreher

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Christoph Dreher (born 1952) is a German filmmaker, musician and scriptwriter. From 2000 until 2020, he was a professor of audiovisual media.

After studying political science and philosophy at the Free University of Berlin, he studied filmmaking at DFFB (Deutsche Film- und Fernsehakademie in Berlin) between 1978 and 1983.

In 1980, Dreher founded the post-punk – post-rock band Die Haut (the first line-up consisted of, in addition to Dreher, Martin Peter, Thomas Wydler and Remo Park). The name of the band was inspired by the book of the same title by German–Italian author Curzio Malaparte. With Dreher as the only permanent member, the band had changing line-ups (one of the longest lasting having consisted of Dreher, Thomas Wydler, Rainer Lingk and Jochen Arbeit) until its breakup in 2000. Originally an instrumental group with the classical instrumentation of guitars, bass and drums, for their numerous records as well as for live gigs Die Haut frequently collaborated with likeminded international singers such as Lydia Lunch, Nick Cave, Jeffrey Lee Pierce or Debbie Harry.

As filmmaker–director, Dreher has been creating audiovisual works since 1979. While still a student, he made several music videos, either for Die Haut ("Der Karibische Western") or for Nick Cave & The Bad Seeds ("Tupelo", "The Singer" and "Mercy Seat"). With Heiner Mühlenbrock, he made the feature-length film OK OK – Der Moderne Tanz.

In numerous documentary films and series, Dreher dealt with issues from the area of popular culture. For example, in the 18-part series Lost in Music, in cooperation with, amongst others, Rolf S. Wolkenstein, Ellen El Malki and Rotraut Pape, Dreher covered contemporary musical genres and their associated cultures and (life-) styles. The innovative style of his films received recognition with the Adolf Grimme Award (in 1994, for Lost in Music)[1] and other awards.

From 2000, Dreher taught audiovisual media at Merz Akademie for Design, Art and Media in Stuttgart.

Selected works[edit]


  • 2010 (Editor) Auteur Series: The Re-invention of Television. Stuttgart: Merz & Solitude.,

  • 2013 (Co-Author, with Christine Lang) Breaking Down Breaking Bad – Dramaturgie und Ästhetik einer Fernsehserie Reihe Merz Akademie im Fink Verlag.

  • 2014 (Editor) Auteur Series II: Quality TV in the USA and Europe. Reihe Merz Akademie im Fink Verlag


Film and Video[edit]

  • 1980 Ok Ok – Der Moderne Tanz (Co-Writer/Co-Director, with Heiner Mühlenbrock, 90 min.)
  • 1981 Commercial – 40 One-Minute-Adventures in the World of TV (Writer/Director, with Gusztav Hamos, 41min.)
  • 1985 Die Legionäre (Co-Writer/Co-Director, with Ellen El Malki, ZDF, 30 min.)
  • 1992 Die Haut live: Sweat (Co-Writer, Co-Director, with Rotraut Pape and Rolf S. Wolkenstein, 60 min.)
  • 1993–98 Lost in Music (Writer/Director, ZDF/3sat/Arte, 18 episodes between 42 and 60 min.)
  • 1993 Tekkno Trance (Co-Writer, co-Director, 42 min., added 10 min. in 1995)
  • 1994 Metal Mania (Co-Writer / Co-Director, with Rolf S. Wolkenstein, 42 min.)
  • 1995 Reggae Revolution (Writer/Director, 60 min.)
  • 1995 Hoch über Hamburg (Writer/Director, 52 min.)
  • 1995 Hip Hop Hooray (Writer/Director, 42 min.)[2]
  • 1996 Deep into Dub (Writer/Director, 60 min.)
  • 1996 Electronic Jam (Writer/Director, 60 min.)
  • 1996 Chicago Connections (Writer/Director, 60 min.)
  • 1995–98 Freestyle Series (Studio production, co-Concept, co-Director, co-Producer, VIVA TV, 105 episodes of 60 min.)
  • 1995 Streetfashion (Writer/Director, ARTE, 190 min.)
  • 1997 Pop Odyssee – The Beach Boys and Satan (Writer/Director 3sat/ZDF, 60 min)
  • 1997 Digital Spirit (Writer/Director, ARTE, 190 min.)
  • 1998 Pop Odyssee – House of the Rising Punk (Writer–director, 3sat/ZDF, 60 min.)[3]
  • 2000 Silver Rockets/Kool Things – 20 Years of Sonic Youth (Writer/Director, ARTE, 60 min.)
  • 2000 Fantastic Voyages (Writer/Director, 3sat/ZDF, 7 episodes of 60 min.)[4][5]
    • "Introducing: The Cosmology of the Music Video"
    • "Nightmares"
    • "Body Rock"
    • "Short Stories"
    • "Liberated Images"
    • "Wonderful Worlds"
    • "Space is the place"
  • 2001 Beck – Permanent Mutations (Writer/Director, 60 min.)
  • 2002 Superhuman (Writer/Director, 58 min.)
  • 2003 Dance the Voodoo – The Cosmos of Koffi Kôkô (Writer/Director (with Rotraut Pape), 45 min.)
  • 2004 Voodoo Transformations (Co-Writer/Co-Director, with Rotraut Pape), ZDF/Theaterkanal, 27 min.)
  • 2005 Youthquake '65 – The London Pop Explosion (Writer/Director, 60 min.)
  • 2007 Psychedelic Revolution '67 (Writer/Director, 77 min.)[6]
  • 2009 No Wave – Underground '80 Berlin-New York (Writer/Director (with Ellen El Malki), 52 min.)
  • 2012 It's more than TV – The new US-series and their makers (Writer/Director, 58 min.)

Music clips and performances[edit]

Multimedia and radio projects[edit]



  1. ^ Marianne von Wellershoff, "Musikvideos: Wie die Bilder tanzen lernten", Der Spiegel 25 December 2000 (in German)
  2. ^ Sascha Verlan, Hannes Loh, 20 Jahre HipHop in Deutschland, Höfen: Hannibal, 2000, ISBN 978-3-85445-184-6, p. 285 (in German): "September 1993 wurde im ZDF erstmals die Lost-in-Music-Sendung HipHop Hooray von Christoph Dreher ausgestrahlt, ein erster Uberblick über die HipHop-Szene in Deutschland, erzählt von den Leuten aus der Szene" – "In September 1993, the Lost in Music programme by Christoph Dreher, HipHop Hooray, was broadcast on ZDF for the first time, a first overview of the hip-hop scene in Germany, narrated by the people in the scene".
  3. ^ Review by Ginger Coyote at Punk Globe
  4. ^ Holger In't Veld, "Fantastic Voyages: Emanzipation vom Schnöden", Der Spiegel 22 December 2000 (in German)
  5. ^ Laura Frahm, "Liquid Cosmos. Movement and Mediality in Music Video," in Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, ed. Henry Keazor and Thorsten Wübbena, Cultural and Media Studies, Bielefeld: Transcript, 2010, ISBN 978-3-8376-1185-4, pp. 155–78, p. 171, note 1: "In this context, the television series Fantastic Voyages (Christoph Dreher and Rotraut Pape, ZDF/3Sat 2000) was crucial in exploring the unique 'cosmos' of this medium".
  6. ^ Harvey Kubernik, Hollywood Shack Job: Rock Music in Film and on Your Screen, Albuquerque: University of New Mexico, 2006, ISBN 978-0-8263-3542-5, p. 362.

External links[edit]