Dena Epstein
Dena Julia Polacheck [1] Epstein (30 November 1916 – 14 [2] November 2013[3]) was an American music librarian, author, and musicologist.
Early life
Epstein was born in Milwaukee to William Polacheck [4] and Hilda Satt. She studied music at the University of Chicago and library science at the University of Illinois, graduating in 1943. She worked as a cataloguer at the latter institution while completing her degree, and upon graduation was appointed the Senior Music Librarian at Newark Public Library. In 1946 she began working as a cataloguer and reviser for the Library of Congress music section.[5] After spending a period as a homemaker, she returned to the University of Chicago in 1964 as the Assistant Music Librarian, in which position she served for 22 years.[6][7]
Scholarship
Beginning in 1955, Epstein began researching the historical origins of American slave music.[5] Her 1977 book on the topic, Sinful Tunes and Spirituals: black folk music to the Civil War, was awarded the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association.[8] Among other findings, Epstein demonstrated that the banjo emerged from the African slave tradition rather than rural white culture, a revelation that "shattered myths and sparked a remarkable revival of black string band music".[7] Epstein received two National Endowment for the Humanities grants for her research, which was included in several musicology journals. She also published Music Publishing in Chicago Before 1871 (1969) and I Came a Stranger: The Story of a Hull-House Girl (1989), an edited autobiography of her mother.[6]
Legacy
Epstein served as president of the Music Library Association (MLA) from 1977 to 1979, and was awarded the association's highest citation in 1986. MLA adjudicates a research award named after Epstein.[6]
Filmmaker Jim Carrier created The Librarian and the Banjo to document Epstein's contribution to American ethnomusicology. He noted that she "revolutionized our understanding of American music... we take for granted that African-American music is the tap root of popular American music. We owe much of that knowledge to this music librarian who set out to correct history".[7]
Epstein's papers and correspondence are held by Columbia College Chicago's Center for Black Music Research.[5]
References
- ^ I came a Stranger, by Hilda Polacheck
- ^ Chicago Tribune, 11/25/2013, page 6
- ^ Bennett, Budd (18 November 2013). "Carolina Chocolate Drops". Radford University. Retrieved 19 November 2013.
- ^ I came a Stranger, by Hilda Polacheck
- ^ a b c "Dena J. Epstein Papers". University of Chicago. Retrieved 15 November 2013.
- ^ a b c "Dena Epstein Award for Archival and Library Research in American Music". Music Library Association. Retrieved 15 November 2013.
- ^ a b c "The Librarian and the Banjo". University of Tennessee Knoxville. Retrieved 15 November 2013.
- ^ "Sinful Tunes and Spirituals". Amazon. Retrieved 15 November 2013.