Digital Ash in a Digital Urn
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Digital Ash in a Digital Urn | ||||
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Studio album by | ||||
Released | January 25, 2005 | |||
Recorded | Presto! Recording Studios, Lincoln, Nebraska, February 2004 | |||
Genre | ||||
Length | 50:05 | |||
Label | Saddle Creek LBJ-73 | |||
Producer | Bright Eyes | |||
Bright Eyes chronology | ||||
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Aggregate scores | |
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Source | Rating |
Metacritic | 66/100[1] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Blender | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | B−[4] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
NME | 9/10[6] |
Pitchfork | 7.2/10[7] |
Q | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Spin | C+[10] |
Uncut | ![]() ![]() ![]() ![]() ![]() |
Digital Ash in a Digital Urn is one of two Bright Eyes albums (along with I'm Wide Awake, It's Morning) released on January 25, 2005 by Saddle Creek Records. It peaked at #15 in the US and #43 in the UK. In US it has sold 268,000 units. [12] In 2007 it was awarded a gold certification from the Independent Music Companies Association which indicated sales of at least 100,000 copies throughout Europe.[13] Contrasted to the acoustic nature of I'm Wide Awake It's Morning, this album is more electronic.
The singles "Take It Easy (Love Nothing)" from Digital Ash in a Digital Urn and "Lua" from the album I'm Wide Awake, It's Morning took the top two slots on the Billboard Hot 100 Single Sales chart.
Tour
The band achieved success in the charts when the singles "Lua" and "Take It Easy (Love Nothing)" took the top two positions in the Billboard Hot Singles Sales chart in 2004, and in 2005 the band set off on a two-part world tour to promote their new albums, I'm Wide Awake, It's Morning, and Digital Ash in a Digital Urn. The first half of the tour promoted the folk-influenced first album, and the latter half featured the more electronic second album. Both records made it into the Top 20 of the Billboard album charts. The tour was captured on Motion Sickness, released later in the year.
The more experimental of Conor Oberst's two releases in January 2005 is the electronic-flavored 'Digital Ash,' which includes some help from the Yeah Yeah Yeah's Nick Zinner and the Postal Service's Jimmy Tamborello.
Track listing
No. | Title | Length |
---|---|---|
1. | "Time Code" | 4:28 |
2. | "Gold Mine Gutted" | 3:56 |
3. | "Arc of Time (Time Code)" | 3:54 |
4. | "Down in a Rabbit Hole" | 4:33 |
5. | "Take It Easy (Love Nothing)" | 3:20 |
6. | "Hit the Switch" | 4:47 |
7. | "I Believe in Symmetry" | 5:24 |
8. | "Devil in the Details" | 4:06 |
9. | "Ship in a Bottle" | 3:27 |
10. | "Light Pollution" | 3:16 |
11. | "Theme From Pinata" | 3:18 |
12. | "Easy/Lucky/Free" | 5:31 |
Total length: | 50:05 |
Personnel
Note: I'm Wide Awake, It's Morning and Digital Ash in a Digital Urn are the first Bright Eyes albums on which Conor Oberst, Mike Mogis, and Nate Walcott became the three permanent members of Bright Eyes.
- Clark Baechle – drums (tracks 2, 9)
- Karen Becker – cello (tracks 4, 7)
- Jason Boesel – drums (tracks 2, 4–7, 9–12), percussion (tracks 2, 4–7, 9–12)
- Donna Carnes – violin (tracks 4, 7)
- Digital Audio Engine – programming (tracks 1, 3, 8)
- Sabrina Duim harp (tracks 6, 8, 11)
- Thomas Kluge – viola (tracks 4, 7)
- Jiha Lee – flute (tracks 6, 11)
- Clay Leverett – voice (track 12), drums (tracks 6, 7, 12)
- Andy LeMaster – vocals (tracks 2, 9, 12), guitar (tracks 6–9, 12), bass (tracks 6–9, 12), keyboards (tracks 6, 7), additional programming (tracks 6)
- Mike Mogis – guitar (tracks 2–4, 6, 7, 10–12), wurlitzer (tracks 1, 3, 10), keyboards, timpani (track 6), chimes (track 11), theremin (track 2), baritone (tracks 2, 9)
- Stella Mogis – voice (tracks 1, 9)
- Conor Oberst – vocals, guitar (tracks 5–7, 9–11), bass (track 4), piano (track 8), wurlitzer (tracks 2, 4, 5), keyboards (tracks 2, 4, 10, 12), samples (tracks 1, 11), baritone (tracks 3, 5)
- Kim Salistean – violin (tracks 4, 7)
- Jimmy Tamborello – programming (track 5)
- Maria Taylor – vocals (tracks 4, 11, 12)
- Nate Walcott – trumpet (track 9), string arrangement (tracks 4, 7)
- Nick White – keyboards (tracks 7, 9)
- Nick Zinner – guitar (tracks 4, 6–8, 12), keyboards (tracks 4, 5)
References
- ^ "Reviews for Digital Ash In A Digital Urn by Bright Eyes". Metacritic. Retrieved March 27, 2012.
- ^ Erlewine, Stephen Thomas. "Digital Ash in a Digital Urn – Bright Eyes". AllMusic. Retrieved March 27, 2012.
- ^ Norris, Chris (March 2005). "Bright Eyes: I'm Wide Awake, It's Morning/Digital Ash in a Digital Urn". Blender (34): 132. Archived from the original on March 1, 2005. Retrieved January 9, 2016.
- ^ Browne, David (January 31, 2005). "Digital Ash in a Digital Urn". Entertainment Weekly. Retrieved June 3, 2015.
- ^ Hilburn, Robert (January 23, 2005). "You could call it rock 'n' roil". Los Angeles Times. Retrieved January 9, 2016.
- ^ "Bright Eyes: Digital Ash in a Digital Urn". NME: 49. January 22, 2005.
- ^ Dahlen, Chris (January 23, 2005). "Bright Eyes: I'm Wide Awake It's Morning / Digital Ash in a Digital Urn". Pitchfork. Retrieved March 27, 2012.
- ^ "Bright Eyes: Digital Ash in a Digital Urn". Q (222): 129. January 2005.
- ^ Sheffield, Rob (January 28, 2005). "Digital Ash In A Digital Urn". Rolling Stone. Retrieved March 27, 2012.
- ^ Caramanica, Jon (February 2005). "Split Myself in Two". Spin. 21 (2): 85–86. Retrieved October 17, 2015.
- ^ "Bright Eyes: Digital Ash in a Digital Urn". Uncut (93): 72. February 2005.
- ^ https://books.google.com/books?id=u_9FbUvqGfUC&pg=PT19&lpg=PT19&dq=Lifted+or+The+Story+is+in+the+Soil,+Keep+Your+Ear+to+the+Ground+US:+340,000&source=bl&ots=DEQK58NNfe&sig=EV6UCB3u76yldE3Lr2LaPRJrGbw&hl=en&sa=X&ved=0ahUKEwiP64y6zcDVAhVFfRoKHaXMBcUQ6AEIUDAJ#v=onepage&q=Lifted%20or%20The%20Story%20is%20in%20the%20Soil%2C%20Keep%20Your%20Ear%20to%20the%20Ground%20US%3A%20340%2C000&f=false
- ^ http://www.impalamusic.org/arc_static/docum/04-press/2008/PR%20-%2020080129.htm
External links
- Saddle Creek Records
- Bright Eyes Plotting Two Distinct Tours, Todd Martens, L.A.