Domingo Ortega

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Domingo Ortega
Domingo ortega.jpg
Domingo Ortega (1935)
Born Domingo López Ortega
(1906-02-25)February 25, 1906[1]
Borox, Toledo, Spain[1]
Died May 8, 1988(1988-05-08) (aged 82)[2]
Madrid, Spain[2]
Nationality Spanish

Domingo Ortega (February 25, 1906 – May 8, 1988) was a Spanish matador.[3] Born Domingo López Ortega in Borox, Toledo, he was the son of a farmer, and grew up helping with farm work. During months when there was no work on the farm, he would travel to other towns selling garlic.[4]


In the summer of 1928, he went to a novillada, a bullfight of young bulls. During the fight, a bull injured the sole bullfighter present. Sensing an opportunity, Ortega jumped into the ring, asked for the bullfighter's tools, gave several passes, and killed the bull. The incident proved to be the start of a new career for him. In 1931, he had only performed in six novilladas when he received the alternativa—graduation from novillero to full matador de toros—from Gitanillo de Triana in Barcelona. The same year, his alternativa was confirmed by Nicanor Villalta in Madrid. He subsequently performed in many bullfights before retiring in 1950. He briefly came out of retirement for a period in 1953.[4][5]

He is quoted as saying that the three canonical maxims of bullfighting, parar, templar y mandar ("to stop, to moderate, to command"), should be supplemented with a fourth: "to load," meaning the bullfighter should put his weight on his forward foot to put him closer to the bull. He said that a bullfighter being caught by the bull was always due to a mistake on the part of the bullfighter: "In bullfighting either the bullfighter or the bull is in command."[5]


While most modern sources praise Ortega highly,[4] Ernest Hemingway expressed a low opinion of him in Death in the Afternoon, describing him as "skillfully built up... with an elaborate press campaign and ballyhoo," and stating, "He was lousy".[6] However Laura Riding refuted Hemingway's view strongly in her essay 'The Bull-Fight', calling Ortega "the critical modernist among contemporary bull-fighters" and saying "There are few books that have given me such a sense of learned simplicity as Ortega's work".[7]


  1. ^ a b Conrad 1961, p.146
  2. ^ a b V. 1988, in El País
  3. ^ Conrad 1961, p.173
  4. ^ a b c Biography in Spanish. Accessed 2010-12-15.
  5. ^ a b El País, article 1985-12-23 Accessed 2010-12-15.
  6. ^ Death in the Afternoon, Chapter 14
  7. ^ Laura Riding, "The BullFight", Epilogue II (1936).


External links[edit]