Silvestro dei Gherarducci
Don Silvestro dei Gherarducci (c. 1339 – c. 1399) was an Italian painter and illuminator in Florence. He became a monk and later a prior of the monastery of Santa Maria degli Angeli where he first started work on illustrations for manuscripts.
Paintings
- Madonna and Child with Sts. John Baptist and Paul (?), circa 1375, tempera on panel, 83.82 × 76.835 cm (Los Angeles County Museum of Art, M.39.1)[1]
- Assumption of the Virgin, circa 1365, tempera on panel, 41 × 27 cm (Pinacoteca Vaticana)[2]
- Madonna and Child, circa 1365–1370, tempera on panel, 49 × 30.5 cm (private collection)[3][4]
Illuminated manuscripts
Gradual from Santa Maria degli Angeli
Wikimedia Commons has media related to Gradual from Santa Maria degli Angeli.
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Gradual from Santa Maria degli Angeli, considered to be Don Silvestro's crowning achievemen, is currently preserved in the Biblioteca Medicea Laurenziana in Florence (Codice Corale 2 / Cod. Cor. 2), with twenty detached pages in various collections around the world:[5]
- folio 15: Saint Stephen Enthroned in an Initial E (private collection, England)[6]
- folio 18: The Four Evangelists in an Initial I (Calouste Gulbenkian Museum, Lisbon, inv. no. M34)[7]
- folio 23: Saint Silvester in an Initial S (Nationalmuseum, Stockholm, NMB 1797)[8]
- folio 32: Saint Agnes in an Initial M (Library of Geneva)[9]
- folio 42: The Presentation in the Temple in an Initial S (Fitzwilliam Museum, Cambridge, England, Marlay Cutting It. 13A)[10][11]
- folio 49: Saint Scholastica in an Initial V (location unknown)[12]
- folio 56: Saint Benedict Enthroned with Eight Saints (Calouste Gulbenkian Museum, Lisbon, inv. no. M35)[13]
- folio 60: The Annunciation in an Initial R (British Library, London, Add. MS 35254 C)[14][15] + Six Bust-Length Prophets (Nationalmuseum, Stockholm, NMB 1797)[15]
- folio 80: Saint Michael Fighting the Dragon in an Initial B (Abegg-Stiftung, Riggisberg)
- folio 90: Saint Romuald Enthroned with Four Saints in an Initial O (British Library, London, Add. MS 37472, folio 3)[16][17]
- folio 97: The Birth of Saint John the Baptist (Walker Art Gallery, Liverpool, inv. no. 2764)[18][19]
- folio 104: Saint Peter and Paul in an Initial N (private collection, England)
- folio 113: Saint Margaret in an Initial L (private collection, Milan)[20]
- folio 119: Saints James and Andrew in an Initial M (Nelson-Atkins Museum of Art, Kansas City, inv. no. F61–14)[21][22][23]
- folio 134: Saint Lawrence in an Initial C (Walters Art Museum, MS W.416)[24][25]
- folio 137: The Virgin and Child in an Initial S (Cleveland Museum of Art, 1924.1012)[26][27]
- folio 142: The Death and Assumption of the Virgin (British Library, London, Add. MS 37955 A)[28][29]
- folio 148: The Birth of the Virgin in an Initial G (Metropolitan Museum of Art, 21.168)[30][31]
- folio 155: The Virgin and Christ in Glory in an Initial G (Cleveland Museum of Art, 1930.105)[32][33]
- folio 159: Pope Saint Clement in an Initial D (Fitzwilliam Museum, Cambridge, England, MS 5-1979)[34]
Notes
- ^ "Madonna and Child with Sts. John Baptist and Paul (?)". Los Angeles County Museum of Art. Retrieved 4 May 2016.
- ^ "Assumption of the Virgin". Web Gallery of Art. Retrieved 4 May 2016.
- ^ "Madonna and Child". Web Gallery of Art. Retrieved 4 May 2016.
- ^ "Don Silvestro dei Gherarducci, Madonna col Bambino". Sotheby's. Retrieved 4 May 2016.
- ^ Kanter 1994, pp. 131–154
- ^ Kanter 1994, p. 132 fig. 45, p. 133, p. 137 n. 4
- ^ Kanter 1994, p. 132 fig. 46, p. 133
- ^ Kanter 1994, p. 133 text + fig. 47
- ^ Kanter 1994, pp. 138–139 text + image
- ^ "Historiated initial from a Gradual". Fitzwilliam Museum. Retrieved 4 May 2016.
- ^ Kanter 1994, pp. 140–141 text + image
- ^ Kanter 1994, p. 134, p. 138 n. 7
- ^ Kanter 1994, p. 133 fig. 48, p. 134
- ^ "Add MS 35254 C". British Library. Retrieved 4 May 2016.
- ^ a b Kanter 1994, pp. 141–144 text + images
- ^ "Additional 37472, f. 3". British Library. Retrieved 5 May 2016.
- ^ Kanter 1994, p. 144, p. 145 image
- ^ Kanter 1994, p. 134 text + fig. 49
- ^ Costambeys 2007, p. 161, p. 163 fig. 2
- ^ Kanter 1994, p. 135 text + fig. 50
- ^ "Initial "M" with Saints James and Andrew(?)". Nelson-Atkins Museum of Art. Retrieved 4 May 2016.
- ^ Kanter 1994, p. 135, p. 136 figs. 51–52
- ^ Bent 1992, pp. 508–510 text + figs. 1–2
- ^ "Leaf from Antiphonary". Walters Art Museum. Retrieved 5 May 2016.
- ^ Kanter 1994, pp. 144–146 text, p. 146 image
- ^ "Initial S[alve sancta parens] from a Gradual: Madonna and Child". Cleveland Museum of Art. Retrieved 5 May 2016.
- ^ Kanter 1994, pp. 146–148 text + image
- ^ "Additional 37955A". British Library. Retrieved 5 May 2016.
- ^ Kanter 1994, pp. 148–150 text + image
- ^ "Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual". Metropolitan Museum of Art. Retrieved 5 May 2016.
- ^ Kanter 1994, pp. 150–151 text + image
- ^ "Initial G[audeamus omnes] from a Gradual: The Court of Heaven". Cleveland Museum of Art. Retrieved 5 May 2016.
- ^ Kanter 1994, pp. 152–153 text + image
- ^ Kanter 1994, p. 154 text + image
References
- George R. Bent (1992). "The Scriptorium at S. Maria degli Angeli and Fourteenth Century Manuscript Illumination: Don Silvestro dei Gherarducci, Don Lorenzo Monaco, and Giovanni del Biondo". Zeitschrift für Kunstgeschichte. 55 (4): 507–523. doi:10.2307/1482625. JSTOR 1482625.
- Marios Costambeys (2007). The Making of the Middle Ages: Liverpool Essays. Liverpool University Press. ISBN 9781846310683. google books preview
- Laurence B. Kanter (1994). Painting and Illumination in Early Renaissance Florence, 1300-1450. Metropolitan Museum of Art. ISBN 9780870997259. google books preview
- Pope-Hennessy, John & Kanter, Laurence B. (1987). The Robert Lehman Collection I, Italian Paintings. New York, Princeton: The Metropolitan Museum of Art in association with Princeton University Press. ISBN 0870994794.
{{cite book}}: CS1 maint: multiple names: authors list (link) (see index; plate 32)
External links
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