Elana Mann
Elana Mann | |
|---|---|
| File:ElanaMannEternalNetworkNews.JPG | |
| Born | November 26, 1982 |
| Nationality | American |
| Education | Washington University, St. Louis California Institute of the Arts |
| Known for | Performance art Sculpture Video |
Elana Mann (born November 26, 1982) is a contemporary artist who lives and works in Los Angeles, California.
Life
Mann received her B.F.A. from Washington University, St. Louis and M.F.A from California Institute of the Arts, Valencia, CA. Currently. She is a Visiting Lecturer at Scripps College and Pitzer College.[1][2] Mann is Jewish, and was raised in a family that was part of the Reconstructionist Judaism movement.[3]
Work
At its root, Mann’s multidisciplinary artwork explores the possibility for one to rebel in contemporary society. Mann often utilizes a multidisciplinary approach to making art which has included performance, photography, event coordination, drawing, video, rioting, publishing, and sculpture. Many of her installations encourage public engagement and participatory performance among her audiences.
To make the video "Can't Afford the Freeway" (2007-2010), Mann recorded interviews with Captain Dylan Alexander Mack, an Iraqi war veteran. These interviews would become the audio for a video where Mann recorded herself in several acrobatic and at times combative movements with her car.[4]
In 2011, "Ass on the Street", a video in which the artist feels her way along a South Central fence in a black dress and donkey head she can't see out of was played on LA Metro Busses as part of Out the Window, a project initiative by the LA art production organization Freewaves.[5]
in 2013 the artist created 3 large sculptures for an exhibition at Side Street Projects in Pasadena. Mann was inspired by listening technology used between World War I and II.[6] Listening has as a political act has been a consistent theme in Mann's work, and the following year she staged several with civic and federal workers at Grand Park Los Angeles as part of a series of programing curated by Machine Project.[7]
Collaborative and collective projects
Exchange Rate 2008
Exchange rate: 2008, was organized by Elana Mann in response to the 2008 U.S. presidential election. Thirty-eight artists living in sixteen different countries participated in the project. With the aid of the website exchangerate2008.com, participating artists produced, exchanged, and interpreted performance directions related to the election campaign. A book was published that documented the project.[8][9]
ARLA
ARLA was formed by Mann, vocal artist Juliana Snapper, filmmaker Vera Brunner-Sung, and choreographer Kristen Smiarowski. ARLA is a flexiable acronym for Audile Receptives Los Angeles or A Ripe Little Archive.[10] The group came together to study scores and techniques of listening developed by composer Pauline Oliveros. ARLA led workshops, listening sessions, discussion groups and did several performances most notably at Occupy LA and the Getty Museum. ARLA also published the People's Microphony Song Book, a book of performance scores that utilize the Peoples Microphone. When asked about how she felt about her scores being re-performed Pauline Oliveros said "I am happy that Elana Mann chose to use my Sonic Meditations for the People’s Microphony project. These pieces are meant for anyone that wants to perform them regardless of musical training.”[11][12]
Chan & Mann
Since 2005, Elana Mann and Audrey Chann, have collaborated under the moniker Chan & Mann. The duo formed during their studies at California Institute of the Arts. They had their first retrospective "Chann & Mhann: A Historical Retrospective" at Elephant Art Space.[13] Chan & Mann reperformed Leslie Labowitz-Starus Myths of Rape at the 2012 LA Art Show.[14] Chan & Mann organized Shares & Stakeholders: The Feminist Art Project Day of Panels at the 2012 College Art Association Conference at the Museum of Contemporary Art. In 2013 Chan and Mann had a solo exhibition at the Ben Maltz Gallery at the Otis College of Art and Design called The glass ceiling is a glass hyman pierced by a glass dildo inside a larger glass vagina.[15]
Chats About Change
Chats About Change: Critical Conversations on Art and Politics in Los Angeles” was a two-day event organized by artists Elana Mann and Robby Herbst. The program in the student union at Cal State L.A. and Los Angeles Contemporary Exhibitions. A series of discussions amongst artist and activists with panel titles including "navigating L.A.’s landscapes in ecologically conscious ways", “How Can I Participate?” and “Creative Dissonance,”.[16][17][18]
Self-published books
- Conversation Pieces (2006)
- GIVE IT TO ME, DO IT TO ME, MAKE ME... (2007)
- Exchange Rate: 2008 (2009)
- Can't Afford the Freeway: A reader (2010)
- We Are the Art (2010)
- The People's Microphony Songbook (2012)
Grants and notable exhibitions
Elana Mann has been the recipient of numerous awards including:
- the California Community Foundation’s 2009 Visual Arts Fellowship[19]
- as well as a 2013 and 2012 ARC grant from CCI.
Her work is in several public and private collections including the Getty Research Institute. She has presented her work in city parks, buses, museums, empty lots and galleries internationally, including:
- REDCAT, Los Angeles;[20]
- The Ford Foundation, New York;
- A Gentil Carioca, Rio de Janeiro;[21]
- The Getty Villa, Los Angeles [22]
- and the Luxun Academy of Fine Arts, Shenyang, China.[23]
References
- ^ "Welcome to Elana Mann - Elana Mann". elanamann.com.
- ^ http://www.scrippscollege.edu/academics/faculty/profile/elana-mann
- ^ "Landmarks from a younger vantage". Los Angeles Times.
- ^ http://dailyserving.com/2010/05/cant-afford-the-freeway/
- ^ Catherine Wagley. "Top 10 Moments of the Year in L.A. Art". LA Weekly.
- ^ Carren Jao. "Elana Mann Tunes Noise Out to Let the Signal In". KCET.
- ^ "The Machine Project Field Guide to Grand Park - machine project". machineproject.com.
- ^ Ediciones El País. "Los 'netartistas' ofrecen su visión de las elecciones norteamericanas". EL PAÍS.
- ^ "Login". getty.edu.
- ^ "Radical Receptivities". ART21 Magazine.
- ^ "Radical Listening and the People's Microphony: A Conversation with Elana Mann". Sounding Out!.
- ^ Catherine Wagley. "Occupy L.A. and the Art World". LA Weekly.
- ^ "Turning the Seven Year Itch into a Retrospective". Hyperallergic.
- ^ "Myths of Rape (1977/2012) at the L.A. Art Show". Artweek.LA.
- ^ "ARTPULSE MAGAZINE Putting the Words Back into the F-Word. An Interview with Audrey Chan and Elana Mann". artpulsemagazine.com.
- ^ Catherine Wagley. "Chats About Change: Critical Conversations on Art and Politics in Los Angeles". LA Weekly.
- ^ Maxwell Williams. "Chats About Change: The Intersection of Art and Activism". KCET.
- ^ Michael Ano. "Chats About Change: Critical Conversations on Art and Politics". KCET.
- ^ "Elana Mann - California Community Foundation". calfund.org.
- ^ "Never Very Far Apart". REDCAT.
- ^ "Pamplin Media Group". portlandtribune.com.
- ^ http://blogs.getty.edu/iris/searching-for-murmurs-of-history/
- ^ "Half the Sky: Intersections in Social Practice Art 2014/Shenyang, China". WCA International Caucus.