View source for Everywhere at the End of Time

{{Short description|2016–2019 album series by the Caretaker}}
{{Use British English|date=June 2021}}
{{Use dmy dates|date=May 2022}}
{{Infobox album
| name         = Everywhere at the End of Time
| type         = studio
| longtype     = series
| artist       = [[the Caretaker (musician)|the Caretaker]]
| cover        = The Caretaker - Everywhere at the End of Time - Stage 1 cover.jpg
| caption      = Cover art for ''Stage 1'' (2016)
| alt          = A grey, unravelling newspaper scroll resting on a blue gradient horizon.
| released     = {{plainlist}}
* {{start date|2016|09|22|df=yes}} (''Stage 1'')
* 6 April 2017 (''Stage 2'')
* 28 September 2017 (''Stage 3'')
* 5 April 2018 (''Stage 4'')
* 20 September 2018 (''Stage 5'')
* 14 March 2019 (''Stage 6'')
{{endplainlist}}
| studio       = Calyx Mastering, [[Berlin]]
| genre        =
* [[Ambient music|Ambient]]
* [[avant-garde music|avant-garde]]
* [[dark ambient]]
* [[electronic music|electronic]]
* [[experimental music|experimental]]
* [[plunderphonics]]
* [[conceptual art]]

| length       = 390:31 or 6:30:31
| label        = History Always Favours the Winners
| producer     = Leyland Kirby
| prev_title   = [[Patience (After Sebald) (soundtrack)|Extra Patience (After Sebald)]]
| prev_year    = 2012
| year         = 2016–2019
| next_title   = [[Everywhere, an Empty Bliss]]
| next_year    = 2019
}}

'''''Everywhere at the End of Time'''''{{efn|Stylised in [[sentence case]] on [[Bandcamp]].}} (commonly shortened to '''''EATEOT''''') is the eleventh recording by [[the Caretaker (musician)|the Caretaker]], an alias of English [[electronic music]]ian Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading [[loop (music)|loops]] of [[sampling (music)|sampled]] [[ballroom]] music to portray the progression of [[Alzheimer's disease]]<!--DO NOT CHANGE TO DEMENTIA, READ THE [[Talk:Everywhere_at_the_End_of_Time/FAQ|FAQ]]-->. Inspired by the success of ''[[An Empty Bliss Beyond This World]]'' (2011), Kirby produced ''Everywhere'' as his final major work under the alias. The albums were produced in [[Kraków]] and released over six-month periods to "give a sense of time passing", with [[abstract art|abstract]] album covers by his friend [[Ivan Seal]]. The series drew comparisons to the works of composer [[William Basinski]] and electronic musician [[Burial (musician)|Burial]], while the later stages were influenced by [[avant-garde music|avant-gardist]] composer [[John Cage]].

The series comprises six hours of music, portraying a range of emotions and characterised by [[noise music|noise]] throughout. Although the first three stages are similar to ''An Empty Bliss,'' the last three depart from Kirby's earlier [[ambient music|ambient]] works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of [[terminal lucidity]]. To promote the series, anonymous visual artist Weirdcore created music videos for the first two stages. At first concerned about whether the series would seem pretentious, Kirby thought of not creating ''Everywhere'' at all, but he ended up spending more time producing it than any of his other releases. The album covers received attention from a French [[art exhibition]] named after the Caretaker's ''[[Everywhere, an Empty Bliss]]'' (2019), a [[compilation album|compilation]] of archived songs.

As each stage was released, the series received increasingly positive reviews from critics; its length and dementia-driven concept led many reviewers to feel emotional about the complete edition. Considered to be Kirby's ''[[Masterpiece|magnum opus]]'', ''Everywhere'' was one of the most praised music releases of the 2010s. [[Caring for people with dementia|Caregivers of people with dementia]] also praised the albums for increasing empathy for patients among younger listeners, although some medics felt the series was too linear. It became an Internet phenomenon in the early 2020s, emerging in [[TikTok]] videos as a listening challenge, being transformed into a controversial [[Video game modding|mod]]<!-- DO NOT REMOVE, READ THE [[Talk:Everywhere_at_the_End_of_Time/FAQ|FAQ]]--> for the video game ''[[Friday Night Funkin']]'' (2020), and appearing in [[internet meme]]s, most famously in [[The Backrooms]].

==Background==
[[File:Bowlly small.jpg|thumb|alt=A white man of the 1930s stands at an early-20th-century microphone|[[Al Bowlly]], a [[big band]] artist [[sampling (music)|sampled]] on ''Everywhere at the End of Time'']]

In 1999, English [[electronic music]]ian Leyland Kirby adopted the pseudonym [[The Caretaker (musician)|the Caretaker]], whose work sampled [[big band]] records. Kirby drew influence from the haunted-[[ballroom]] scene of filmmaker [[Stanley Kubrick]]'s work ''[[The Shining (film)|The Shining]]'' (1980), as heard on the debut release of the alias, ''[[Selected Memories from the Haunted Ballroom]]'' (1999).<ref name="Doran-2016" /> His first records featured the [[ambient music|ambient]] style that would be prominent in his last releases.<ref name="Parks-2016" /> The project first explored [[Amnesia|memory loss]] in ''[[Theoretically Pure Anterograde Amnesia]]'' (2005), a three-hour-long album portraying [[anterograde amnesia|the disease of the same name]]. By 2008, ''[[Persistent Repetition of Phrases]]'' saw the Caretaker alias gaining critical attention and a larger [[Fandom|fanbase]].<ref name="Doran-2016" />

In 2011, Kirby released ''[[An Empty Bliss Beyond This World]]'', attaining acclaim for its exploration of [[Alzheimer's disease]].<ref name="Doran-2016" /> Although Kirby initially did not want to produce more music as the Caretaker, he felt compelled to continue the project following the success of ''An Empty Bliss''. He then thought the only concept left to explore was the progression of dementia, which he envisioned would gradually unravel through a series of six albums.<ref name="Parks-2016" /> It would be his final release as the Caretaker; Kirby said, "I just can't see where I can take it after this." ''Everywhere at the End of Time'' represents the symbolical "death" of the Caretaker alias itself,<ref name="Doran-2016" /> with many tracks from the pseudonym's earlier releases being sampled in it.<ref name="Vukos-2021" />

==Music and stages==
{{Quote box
| quote = "For to be capable of remembering this music as a real-time, living culture, you'd have to be in your nineties now. What Kirby presents here could be heard as the faint, faded memory-fragments of once-beloved tunes as they waver on in atrophying minds."<ref name="Reynolds-2019" />
| author = {{emdash}} [[Simon Reynolds]]
| width = 33%
| align = left
| salign = right
}}

The albums, which Kirby describes as exploring dementia's "advancement and totality", present poetic track titles and descriptions for each stage,<ref name="vvmtest-2019" /><ref name="Mineo-2019" /> which represent a person with dementia and their feelings.<ref name="Studarus-2017" /><ref name="VF-2019" /><ref name="Falisi-2017a" /> Ideas of deterioration, melancholy, confusion, and abstractness are present throughout, and according to writer Alexandra Weiss, Kirby's work "raises significant questions about Western attitudes toward death."<ref name="Hazelwood-2021" /><ref name="Weiss-2019" /> ''[[Tiny Mix Tapes]]'' suggested that, as the [[swan song]] of the Caretaker alias, ''Everywhere'' "threatens at every moment to give way to nothing."<ref name="BeaneScavo-2016" /> The albums feature an [[avant-garde music|avant-gardist]], [[experimental music|experimental]] concept,<ref name="Ezra-2020" /><ref name="Garvey-2020" /><ref name="Caretaker-2016" /> with music magazine ''[[Fact (UK magazine)|Fact]]'' noting a "[[hauntology (music)|hauntological]] link" between ''Everywhere''{{'}}s style and [[vaporwave]]'s themes.<ref name="Fact-2017" /> Author Sarah Nove praised ''Everywhere''{{'}}s lack of a physical form of [[The Work of Art in the Age of Mechanical Reproduction|aura]], while ''[[Bandcamp Daily]]''{{'}}s Matt Mitchell wrote that the series ends in "ethereal catharsis".<ref name="Nove-2021" /><ref name="Mitchell-2021" />

The series' exploration of decay drew comparisons to ''[[The Disintegration Loops]]'' (2002–2003) by musician [[William Basinski]],<ref name="Parks-2016" /><ref name="Quietus-2019" /> which, unlike Kirby's work, focuses on physical tape decay in coincidence with the [[September 11 attacks]]–not software-induced decay representative of a neurological disease.<ref name="Hazelwood-2021" /><ref name="Sloth-2017" /><ref name="Nixon-2021" /> Although positive of Basinski's works, Kirby said his own "aren't just loops breaking down. They're about why they're breaking down, and how."<ref name="Parks-2016" /> The sound of ''Everywhere'' has also been compared to the style of electronic musician [[Burial (musician)|Burial]];<ref name="Hazelwood-2021" /> author Matt Colquhoun wrote for ''[[The Quietus]]'' that both artists "highlight the 'broken time of the twenty-first century.{{'"}}<ref name="Colquhoun-2020" /> While reviewing the first stage, writers Adrian Mark Lore and Andrea Savage commended the record for enjoyers of Basinski, [[Stars of the Lid]], and [[Brian Eno]].<ref name="LoreSavage-2016" /> Certain samples return constantly throughout—in particular, the 1931 song "[[Heartaches (song)|Heartaches]]" as covered by Al Bowlly—and become more degraded with each album.<ref name="Hazelwood-2021" /> In the last six minutes, a song from ''A Stairway To The Stars'' can be heard.<ref name="Vukos-2021" />

The songs get more distorted with each stage, reflecting the patient's memory and its deterioration.<ref name="Nelson-2017" /> The [[jazz]] style of the first three stages is reminiscent of ''An Empty Bliss'', using [[loop (music)|loops]] from [[vinyl record]]s and [[Phonograph cylinder|wax cylinders]]. On ''Stage 3'', the songs are shorter—some lasting for only one minute—and typically avoid [[Fade (audio engineering)|fade-outs]].<ref name="Hazelwood-2021" /><ref name="Caretaker-2016" /> The Post-Awareness stages reflect Kirby's desire to "explore complete confusion, where everything starts breaking down."<ref name="Garvey-2020" /> The two penultimate stages present chaos in their music, representing the patient's altered perception of reality.<ref name="Otis-2018" /> The final stage consists of [[drone music|drone]]s, portraying the emptiness of the afflicted person's mind.<ref name="Quietus-2019" /> In its last 15 minutes, it features an organ, [[choir]], and a [[Moment of silence|minute of silence]], portraying death.<ref name="Quietus-2019" /><ref name="Ryce-2019" /> ''Stages 4–6'' are often highlighted as the focus of ''Everywhere''{{'}}s concept and composition: Miles Bowe of ''[[Pitchfork (website)|Pitchfork]]'' wrote about the contrast of the later stages to Kirby's other ambient works as "evolving its sound in new and often frightening ways",<ref name="Bowe-2018" /> while Kirby described the series to be "more about the last three [stages] than the first three."<ref name="Parks-2016" /> In their ''Handbook of the Anthropology of Sound'', [[Bloomsbury Publishing|Bloomsbury Academic]] describes the later stages as "a disorienting cut-up of slurred reminiscences bathing in a reverberant fog", relating them to [[amusia]] and its effects on [[Music-related memory|musical memory]].<ref name="Schulze-2020" />

===''Stages 1–3''===
{{Redirect |It's Just a Burning Memory |the 1931 song itself |Heartaches (song)}}
{{Infobox album
| name         = Everywhere at the End of Time – Stages 1–3
| type         = box
| artist       = [[the Caretaker (musician)|the Caretaker]]
| cover        = The Caretaker - Everywhere at the End of Time - Stages 1-3.jpg
| alt          = A collage of an unravelling scroll, a flower pot, and a distorted vase.
| caption      = From left to right: ''Beaten Frowns After'' (2016), ''Pittor Pickgown in Khatheinstersper'' (2015) and ''Hag'' (2014)
| released     = {{plainlist}}
* {{start date|2016|09|22|df=yes}} (''Stage 1'')
* 6 April 2017 (''Stage 2'')
* 28 September 2017 (''Stage 3'')
{{endplainlist}}
| genre        = * [[Big band]]
* [[hauntology (music)|hauntology]]
* [[jazz]]
| length       = {{plainlist}}
* {{Duration|41:18}} (''Stage 1'')
* {{Duration|41:48}} (''Stage 2'')
* {{Duration|45:29}} (''Stage 3'')
{{endplainlist}}
| prev_title   = [[Patience (After Sebald) (soundtrack)|Extra Patience (After Sebald)]]
| prev_year    = 2012
| year         = 2016–2017
| next_title   = [[Take Care. It's a Desert Out There...]]
| next_year    = 2017
| misc         = {{Audio sample
 | type        = song
 | header      = Audio sample
 | file        = It's just a burning memory - sample.ogg
 | description = A1 – "It's Just a Burning Memory"{{efn|Lyrics from "[[Heartaches (song)|Heartaches]]" (1931).}}
 }}
}}

{{anchor|Stage 1}}
''Stage 1'' is described as the initial signs of memory deterioration, being the closest album in the series to "a beautiful daydream".<ref name="vvmtest-2019" /> On its vinyl release, it features inscripted text reading "Memories That Last a Lifetime".<ref name="Forster-2016" /> Like ''An Empty Bliss'',<ref name="Padua-2017" /> ''Stage 1'' features the opening segment of tracks from the 1920s and 1930s, looped for long lengths and altered with [[pitch (music)|pitch]] changes, [[reverberation]], [[overtone]]s, and vinyl crackle.<ref name="Howe-2016" /> The album features a range of emotions, demonstrated by the notions its song titles evoke;<ref name="Hazelwood-2021" /><ref name="Bowe-2016" /> names such as "Into each other's eyes" may be interpreted as a romantic memory, while more ominous titles, such as "We Don't Have Many Days", point to the patient's recognition of their own mortality.<ref name="Quinn-2021" /><ref name="SimpsonA" /> Despite being an [[Wikt:upbeat|upbeat]] release by the Caretaker,<ref name="Doran-2016a" /> some of its joyful big band compositions are more distorted than others, with one author finding it mildly melancholic.<ref name="Padua-2017" /><ref name="Beane-2016" /><ref name="RestrepoSuarez-2022" /> Michele Palozzo of Italian music publication ''{{interlanguage link|Ondarock|it}}'' likened the record's style to Stanley Kubrick's ''[[Eyes Wide Shut]]'' (1999) and the works of filmmaker [[Woody Allen]], specifying the "elegance" of Kubrick's film and the [[drama (film and television)|dramatic]] avidity of Allen's work.<ref name="Palozzo-2016" />

{{anchor|Stage 2}}
''Stage 2'' is described as the "self-realization that something is wrong and a refusal to accept that."<ref name="vvmtest-2019" /> He also stated that a person in this stage "probably tries and remember more than [they] usually would".<ref name="Doran-2016" /> In contrast with the first stage's joyful sound, Kirby noted the second stage as featuring "a massive difference between the moods",<ref name="Doran-2016" /> with "A Losing Battle Is Raging" representing a transition between the two.<ref name="Quinn-2021" /> The album features a relatively emotional tone compared with ''Stage 1'', with more melancholic, degraded and [[drone (music)|droning]] samples.<ref name="Hazelwood-2021" /><ref name="Beane-2017" /><ref name="Falisi-2017b" /> Its source material features more abrupt endings, exploring a hauntological ambience.<ref name="Falisi-2017b" /> Track titles, such as "Surrendering to Despair", represent the patient's awareness of their disorder and the accompanying sorrow, while "The Way Ahead Feels Lonely" is directly lifted from a book on dementia by [[Sally Magnusson]].<ref name="Magnusson-2014" /> The songs play for longer times and feature fewer loops, but are more deteriorated in quality,<ref name="Hazelwood-2021" /> symbolizing the patient's realization of their faulty memory and the resulting feelings of denial.<ref name="Ryce-2017" />

{{anchor|Stage 3}}
''Stage 3'' is described as featuring "some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away."<ref name="vvmtest-2019" /> Kirby explained it features the last moments that the patient knows of their dementia.<ref name="Parks-2016" /> Samples from other works, such as those of ''An Empty Bliss'', return with an underwater-like sound, portraying the patient's growing despair and struggle to keep their memories. While other stages presented common fade-outs on tracks, some songs of ''Stage 3'' end abruptly. Many of them are long and drawn out, or cut out before they really get started. Their titles become more abstract, combining names of songs from the previous stages and ''An Empty Bliss'' to create phrases such as "Sublime Beyond Loss" and "Internal Bewildered World".<ref name="SimpsonA" /> The final tracks of the album present the last recognizable melodies, although some nearly lose their melodic qualities.<ref name="SimpsonA" /> In Kirby's description, ''Stage 3'' represents "the last embers of awareness before we enter the post awareness stages."<ref name="vvmtest-2019" />

The opening track of ''Everywhere'', "It's Just a Burning Memory", introduces "Heartaches", one of the main samples that gradually degrade throughout the series.<ref name="Hazelwood-2021" /> In ''Stage 1'', it is a version by Al Bowlly, which is one of the most sampled musicians in the Caretaker alias.<ref name="Parks-2016" /> The third track of ''Stage 2'', "What Does It Matter How My Heart Breaks", returns "Heartaches" in a [[lethargic]] tone,<ref name="Hazelwood-2021" /> using the [[Seger Ellis]] cover of the song. This specific version, in contrast to its ''Stage 1'' counterpart, sounded downbeat to Kirby.<ref name="Doran-2016" /> By the second track of ''Stage 3'', "And Heart Breaks", the last coherent version of "Heartaches" can be found, where its [[horn (instrument)|horn]] aspects become more similar to [[white noise]].<ref name="Hazelwood-2021" /> These tracks sampling "Heartaches" take their title from the sample's [[lyrics]], which surround themes of memory; Bowlly sings, "I can't believe it's just a burning memory / Heartaches, heartaches / What does it matter how my heart breaks?"<ref name="Hoffman-2016" />

===''Stages 4–6''===
{{Featured article}}

{{Infobox album
| name         = Everywhere at the End of Time – Stages 4–6
| type         = box
| artist       = [[the Caretaker (musician)|the Caretaker]]
| cover        = The Caretaker - Everywhere at the End of Time - Stages 4-6.jpg
| alt          = A collage of a blue bust of a woman, a ballerina on a staircase, and a blank canvas.
| caption      = ''Giltsholder'' (2017), ''Eptitranxisticemestionscers Desending'' (2017) and ''Necrotomigaud'' (2018)
| released     = {{plainlist}}
* {{start date|2018|04|05|df=yes}} (''Stage 4'')
* 20 September 2018 (''Stage 5'')
* 14 March 2019 (''Stage 6'')
{{endplainlist}}
| genre        = * [[Choral]]
* [[drone music|drone]]
* [[noise music|noise]]
* [[sound collage]]
* [[surrealist music|surrealist]]
| length       = {{plainlist}}
* {{Duration|87:19}} (''Stage 4'')
* {{Duration|88:19}} (''Stage 5'')
* {{Duration|85:56}} (''Stage 6'')
{{endplainlist}}
| prev_title   = [[Take Care. It's a Desert Out There...]]
| prev_year    = 2017
| year         = 2018–2019
| next_title   = [[Everywhere, an Empty Bliss|Everywhere, an Empty Bliss (CD version)]]
| next_year    = 2019
| misc         = {{Audio sample
 | type        = song
 | header      = Audio samples
 | file        = The Caretaker - Post Awareness Confusions 2.ogg
 | description = "H1 – Stage 4 Post Awareness Confusions"
 }}
{{Audio sample
 | type        = song
 | header      = no
 | file        = The Caretaker - Place in the World fades away.ogg
 | description = "R1 – Stage 6 Place in the World Fades Away"
 }}
}}

{{anchor|Stage 4}}
''Stage 4'' is described as the point at which "the ability to recall singular memories gives way to confusions and horror."<ref name="vvmtest-2019" /> It presents heavy distortion and reverberation and is more akin to [[noise music|noise]], in contrast to the first three albums which featured the same style as ''An Empty Bliss''.<ref name="Hazelwood-2021" /><ref name="Bowe-2018" /> Marking the start of the "Post-Awareness" stages,<ref name="Coral-2018" /><ref name="Bowe-2018a" /> its four compositions occupy whole vinyl side lengths.<ref name="Pearl-2018" /> Tracks G1, H1, and J1 are titled "Stage 4 Post Awareness Confusions", which Bowe felt were clinical names, while I1 is titled "Stage 4 Temporary Bliss State".<ref name="Bowe-2018" /> One specific segment of H1, known by fans as the "Hell Sirens", presents a horn sample that Hazelwood felt was "one of the most horrifying moments of the series."<ref name="Hazelwood-2021" /> However, "I1 - Stage 4 Temporary Bliss State" is a track calmer than the 3 "Stage 4 Post Awareness Confusions" tracks, featuring a more ethereal sound.<ref name="Bowe-2018" /> The [[surrealist music|surreal]] and incoherent aspect of the melodies was compared by Bowe to experimental musician [[Oval (musical project)|Oval]]'s album ''[[94 Diskont]]'' (1995), as they "capture the darkest, most damaged sounds in the project's lifespan."<ref name="Otis-2018" /><ref name="Bowe-2018" />

{{anchor|Stage 5}}
''Stage 5'' is described as having "more extreme entanglements, repetition and rupture [that] can give way to calmer moments."<ref name="vvmtest-2019" /> The album expands its noise influence and has similarities with the works of [[Merzbow]] and [[John Wiese]];<ref name="Hazelwood-2021" /> in its ear-piercing, more violent tone,<ref name="SimpsonB" /> coherent melodies lose significance and are replaced by overlapped samples. Hazelwood interpreted it as "a traffic jam in audio form", likening it to [[neuron]]s that become filled with [[beta amyloid]]s.<ref name="Hazelwood-2021" /> To Falisi, it lacks any sense of comfort; in contrast with ''Stage 1''{{'}}s first signs, ''Stage 5'' presents complete disorder.<ref name="Falisi-2018" /> The record uses the most vocals of the series, including [[whisper]]s and recognisable English lyrics; near the end of the opening track, a man announces, "This selection will be a [[mandolin]] solo by Mr. James Fitzgerald."<ref name="Hazelwood-2021" /><ref name="SimpsonB" /><ref name="vvmtest-2018" /> Like ''Stage 4'', ''Stage 5''{{'}}s track names are clinical, using neurological references such as [[amyloid plaque|plaque]], [[neurofibrillary tangles|entanglements]], [[synapse]]s, and the [[retrogenesis]] hypothesis. Hazelwood considered titles such as "Sudden Time Regression Into Isolation" to be documenting dementia's "inhumanity".<ref name="Hazelwood-2021" />

{{anchor|Stage 6}}
''Stage 6'' is cryptically described: "Post-Awareness Stage 6 is without description."<ref name="vvmtest-2019" /> [[UWIRE]]'s Esther Ju called it the most interpretative record of the series, and said "most would describe it as the sounds of the void."<ref name="Ju-2021" /> While ''Stage 5'' had snippets of instruments and voices, ''Stage 6'' features drowned, empty compositions consisting of hissing and crackling, which Hazelwood interpreted as portraying the patient's [[apathy]].<ref name="Hazelwood-2021" /><ref name="Falisi-2019" /><ref name="Heffernan-2021" /> It generally consists of [[sound collage]]s in which the music is audible, yet distant.<ref name="Ryce-2019" /><ref name="Silvestri-2019" /> The stage's song titles feature less clinical and more emotional phrases, such as "A Confusion So Thick You Forget Forgetting" and "A Brutal Bliss Beyond This Empty Defeat".<ref name="Hazelwood-2021" /> It is the most distant from the sound of ''An Empty Bliss'' and portrays strong anxiety.<ref name="Quietus-2019" /><ref name="McCartan-2021" /> After releasing ''Stage 6'', Kirby commented on the YouTube video of the complete edition: "Thanks for the support through the years. May the ballroom remain eternal. ''C'est fini''."{{efn|French for "It's all over."}}<ref name="vvmtest-2019" />

The final track, "R1 - Stage 6 Place in the World Fades Away", features organ drones which have been compared to the 2014 film ''[[Interstellar (film)|Interstellar]]''{{'s}} [[Interstellar (soundtrack)|soundtrack]].<ref name="Dunn-2020" /> The organ eventually gives way to a [[gramophone needle|needle]] drop.<ref name="Hazelwood-2021" /><ref name="Quietus-2019" /><ref name="Ryce-2019" /> The [[climax (narrative)|climax]] of ''Everywhere'', six minutes before the project's end, features a clearly audible choir sourced from a degraded vinyl record.<ref name="Quietus-2019" /> The series ends with a minute of silence representing the patient's death. Although the moment evoked varying interpretations from commentators, the most accepted theory by critics and medics is that it represents [[terminal lucidity]], a medical phenomenon where patients suffering from neurological conditions experience a return of mental clarity shortly before death.<ref name="Hazelwood-2021" /><ref name="Le-2021" /> Falisi considered it the movement of the patient's [[soul]] to the [[afterlife]].<ref name="Falisi-2019" /> The segment samples a performance of an English translation of [[Bach]]'s [[aria]] "Lasst Mich Ihn Nur Noch Einmal Küssen"{{efn|German for "Just Let Me Kiss Him One More Time".}} of the [[St Luke Passion, BWV 246|''St Luke Passion'', BWV 246]]. This aria was also used on the track "Friends Past Reunited" from ''[[Selected Memories from the Haunted Ballroom]]'' (1999) and ''[[A Stairway to the Stars]]'' (2001), two of the Caretaker's first albums,<ref name="Vukos-2021" /> a fact interpreted by writer Paul Simpson of [[AllMusic]] as the alias in a "full circle moment".<ref name="SimpsonB" />

==Production==
Kirby produced ''Everywhere at the End of Time'' at his flat in [[Kraków]] using a computer "designed specifically for the production of music". He made more tracks for the first stage alone than in the alias' entire history. The albums were produced a year before their release; ''Stage 3''{{'s}} development began in September 2016 and ''Stage 6'' began in May 2018.<ref name="Doran-2016" /><ref name="Bazin-2018" /> Kirby stated that the first three stages have "subtle but crucial differences", presenting the same general style "based on the mood and the awareness that a person with the condition would feel."<ref name="Bates-2018" /> He wanted the [[mastering (audio)|mastering]] process, done by Andreas "Lupo" Lubich,<ref name="Lupo" /> to be "consistent sounding all the way through". He said a compositional strategy was to use various covers of sampled songs to associate specific emotional messages with each. Rather than buying physical records as he did with ''An Empty Bliss'', Kirby found most samples online, stating, "It's possible to find ten versions of one song now." He noted that ''Stage 1'' looped short sections of songs, while ''Stage 2'' would let the samples fully play. Describing ''Stage 3'' to be the most similar to ''An Empty Bliss'', Kirby stated ''Stages 1–3'' could potentially be listened to on [[shuffle play|shuffle]] and still remain cohesive.<ref name="Doran-2016" /> Between the release of the third and fourth stages, Kirby announced he was "moving house and studio".<ref name="Lore-2017" />

Kirby's production focus was on the last three stages,<ref name="Doran-2016" /><ref name="Parks-2016" /><ref name="Melfi-2019" /> where he wanted to create what he called a "listenable [[chaos theory|chaos]]". Kirby added that, while producing ''Stage 4'', he realised that the final three stages "had to be made from the viewpoint of post-awareness." Explaining the name, Kirby titled them "Post-Awareness" because they are when the patient is not aware of a disorder.<ref name="Bates-2018" /> He reported feeling pressured while working on the final three stages, saying, "I'd be finishing one stage, mastering another, all whilst starting another stage." In composing the fourth and fifth stages, Kirby claimed he possessed over 200 hours of music and "compiled it based on mood".<ref name="Melfi-2019" /> ''[[The Believer (magazine)|The Believer]]''{{'}}s Landon Bates likened ''Stage 4'' to "Radio Music" (1956) by composer [[John Cage]], to which Kirby responded that Cage's style of [[aleatoric music]]—music with random elements—inspired the later stages.<ref name="Bates-2018" /> He said ''Stage 5'' is "a distinct change" from ''Stage 4'', writing that "it's not immediate but it's a crucial symptom."<ref name="Doran-2016" /> According to Kirby, the production of the final stage was the hardest, due to the public's expectations and "the weight of the previous five [stages] falling all on this now."<ref name="Bates-2018" />

==Artwork and packaging==
{{Quote box
 |quote  = "You can't trust any memories at all, can you? Because it's all glitched [and] nonsense in a way."<ref name="Tan-2018" />
 |author = {{emdash}} [[Ivan Seal]]
 |width  = 30%
 |align  = left
 |salign = right
}}

The album covers for ''Everywhere at the End of Time'' are [[abstract art|abstract]] [[oil painting]]s by Kirby's long-time friend Ivan Seal.<ref name="Battaglia-2019" /><ref name="AndersonJohansen-2021" /> They are [[minimalism (visual arts)|minimalist]], each presenting a single object of focus and no text, and become less recognisable with each stage.<ref name="Beane-2016" /><ref name="Leahy-2021" /> ''Tiny Mix Tapes'' included ''Beaten Frowns After''—the artwork for ''Stage 1''—in their lists for best album covers of 2016 and of the 2010s.<ref name="Noel-2019" /><ref name="Reid-2016" /> Some have compared the artistic themes of Kirby and Seal; like Kirby, Seal highlights memory as a central part of art, and said, "Art is always working from memory".<ref name="Battaglia-2019" /><ref name="Tan-2018" /> Noting this overlap, Kirby said that both visions "collide in a great way".<ref name="Bates-2018" />

The first three album covers are titled ''Beaten Frowns After'' (2016), ''Pittor Pickgown in Khatheinstersper'' (2015) and ''Hag'' (2014), respectively.<ref name="After-2016" /><ref name="Painting-names" /> ''Beaten Frowns After'' features a grey unravelling [[scroll]] on a vacant horizon, with newspaper folds similar to a brain's [[Gyrus|creases]],<ref name="Beane-2016" /> which ''[[Teen Ink]]'' writer Sydney Leahy likened to the patient's awareness of the disease's progression.<ref name="Leahy-2021" /> ''Pittor Pickgown in Khatheinstersper'' portrays four wilting flowers in an abstract rotten rock vase.<ref name="Falisi-2017b" /><ref name="Leahy-2021" /><ref name="Goldner-2018" /> ''Hag'' presents a [[kelp]] plant distorted to the extreme, which Sam Goldner of ''Tiny Mix Tapes'' described as "a vase spilling out into ripples of disorder."<ref name="Leahy-2021" /><ref name="Goldner-2018" />

The paintings for the final three stages are respectively titled ''Giltsholder'' (2017), ''Eptitranxisticemestionscers Desending'' (2017) and ''Necrotomigaud'' (2018).<ref name="Painting-names" /> ''Giltsholder'' is the only artwork to present a human figure, in the form of a blue-and-green [[Bust (sculpture)|bust]] with unrecognisable facial features. According to Goldner, the figure appears smiling when viewed from a distance, while Leahy interpreted it as representing the patient's lack of capability to recognise a person.<ref name="Goldner-2018" /><ref name="Leahy-2021" /> Considered the most abstract cover, ''Eptitranxisticemestionscers Desending'' depicts an abstract mass, which writers claim is a woman or a marble-like staircase. Hazelwood interpreted it as representing the patient's mind; although it once presented experiences, it is now unrecognisable.<ref name="Hazelwood-2021" /><ref name="Leahy-2021" /> ''Necrotomigaud'' presents an art board with a square of loosely attached blue tape, reflecting the emotional emptiness of ''Stage 6''.<ref name="Ryce-2019" /><ref name="Leahy-2021" />

Seal's paintings and the Caretaker's music were featured in the 2019 French [[art exhibition]] ''Everywhere, an Empty Bliss'' by the company FRAC Auvergne, which featured documents about the duo's work and revealed the names of the album covers.<ref name="After-2016" /><ref name="Painting-names" /><ref name="Auvergne-2019" /> Previously, Seal's paintings were also featured near one of Kirby's performances in the 2019 exhibition ''Cukuwruums''.<ref name="Battaglia-2019" /> In 2018, when asked why the [[Packaging and labeling|packaging]] of his releases did not present any descriptions, Kirby said Seal's paintings are the main focus to each stage. He stated that liner notes would distract from Seal's art, and that he kept them in digital form for listeners that "search a little deeper".<ref name="Bates-2018" />

==Release and promotion==
Kirby initially thought of not producing ''Everywhere'' at all. For months before the release of the first stage, he mentioned the concept to friends and family, explaining he "wanted to be sure it didn't come across as this highbrow, pretentious idea."<ref name="Doran-2016" /> The albums were released over three years: the first stage in 2016,<ref name="Bowe-2016a" /><ref name="Eede-2017" /><ref name="Carney-2016" /> the next two in 2017,<ref name="Bowe-2017b" /><ref name="P-2017" /><ref name="Bowe-2017a" /> the penultimate two in 2018,<ref name="P-2018b" /><ref name="Clarke-2018a" /><ref name="P-2018a" /> and the final one in 2019.<ref name="Otis-2019" /><ref name="Ryce-2019a" /><ref name="P-2019" /> According to Kirby, the delays were made to "give a sense of time passing" to the listeners.<ref name="Doran-2016" /> Although he expressed concern with dementia as a social problem, Kirby said the disorder does not affect him "at a personal level", and noted how it turned into "more of a fascination than a fear".<ref name="Parks-2016" /><ref name="Bates-2018" /><ref name="Melfi-2019" /> He additionally stated that each dementia patient's experience is unique, and that his portrayal was "only unique to the Caretaker".<ref name="Melfi-2019" /> Kirby's music was initially not available on [[Spotify]] due to his [[criticism of Spotify|criticism of it]], and what he called the "constant devaluing of music by big business and [[streaming media|streaming services]]."<ref name="Eede-2017a" /> However, on 11 December 2023, Kirby reluctantly uploaded all stages of ''Everywhere'' onto streaming services, as he was unsatisfied with "people endlessly trying to monetise and exploit the work by repeatedly uploading it".<ref name="Kirby-2023" />

{{Quote box
 |title  = ''Stage 6'' release note
 |quote  = "When work began on this series it was difficult to predict how the music would unravel itself. Dementia is an emotive subject for many and always a subject I have treated with maximum respect.

Stages have all been artistic reflections of specific symptoms which can be common with the progression and advancement of the different forms of Alzheimer's.<!--DO NOT REMOVE, READ FAQ-->

Thanks always for your support of this series of works remembered by The Caretaker."<ref name="Caretaker-2016" />
 |author = {{emdash}} [[Leyland Kirby]]
 |width  = 25%
 |align  = right
}}

When releasing the first stage on 22 September 2016, Kirby announced the series' concept,<ref name="Ryce-2016" /> "diagnosing" the Caretaker alias with dementia through albums that reveal "progression, loss and disintegration" as they fell "towards the abyss of complete memory loss".<ref name="Pérez-2021" /><ref name="Strauss-2016" /> This statement misled some to believe that Kirby himself had been diagnosed with [[early-onset Alzheimer's disease|early-onset dementia]], namely ''[[The Fader]]''{{'}}s Jordan Darville and Marvin Lin of ''Tiny Mix Tapes''. Both publications updated their posts when Kirby clarified that he did not have dementia; only the Caretaker persona did.<ref name="Strauss-2016" /><ref name="Darville-2016" /><ref name="P-2016" /> He released ''Stage 3'' and ''[[We, So Tired of All the Darkness in Our Lives]]'' on the same day, the latter under his own name.<ref name="Lore-2017" /> Releasing ''Stage 5'', Kirby's [[press release]] compared the series' progression to the then-ongoing [[Brexit]] process.<ref name="Clarke-2018b" /> The Caretaker's final record, released alongside ''Stage 6'', was ''[[Everywhere, an Empty Bliss]]'' (2019), a [[compilation album]] of scrapped material from ''Everywhere''.<ref name="Eede-2019" /><ref name="Wire-2019" /><ref name="Bruce-Jones-2019" />

Anonymous visual artist Weirdcore created music videos for the first two stages, both uploaded to Kirby's YouTube channel [[V/Vm Test Records|vvmtest]].<ref name="vvmtest-2016" /><ref name="vvmtest-2017" /> Released in September 2016 and 2017, they feature effects such as [[slow motion#Time stretching|time-stretching]] and delay. Weirdcore was known for creating visuals for ambient musician [[Aphex Twin]].<ref name="Ryder-2018" /> Kirby said the visuals are important to his music and called them "otherworldly".<ref name="Bates-2018" /> In 2020, Kirby and Weirdcore again collaborated in the YouTube video "[−0º]", which was chosen as one of the best audiovisual works of the year by ''Fact''.<ref name="Bruce-Jones-2020" /><ref name="Fact-2020" /> As of {{Date}}, there are no official music videos on vvmtest for the last four stages.<ref name="vvmtest-2006" />

[[File:Barbakan Krakow z ulicy Basztowej.jpg|thumb|left|alt=A building with a circular shape.|The [[Kraków Barbican]], where Kirby performed in 2017]]

In December 2017, Kirby performed at the [[Kraków Barbican]] for the [[Unsound Festival]] in Poland. The show was his first since 2011, and featured Seal's art and Weirdcore's visuals.<ref name="Eede-2017b" /><ref name="Eede-2017e" /><ref name="Murray-2017" /> The music videos would be presented throughout the Caretaker's following shows. In March 2018, Kirby was featured at {{interlanguage link|Festival Présences électronique|fr}} in Paris,<ref name="Webb-2018" /> where he played a version of the 1944 song "Ce Soir" by singer [[Tino Rossi]].<ref name="Bazin-2018" /> He participated at Unsound's May 2019 "Solidarity" show, also set in Krakow.<ref name="Philip-2019" /> In April 2020, he was due to perform live for the "[Re]setting" [[Rewire Festival]], which would have occurred at [[the Hague]] in the [[Netherlands]]. However, the show was cancelled [[Impact of the COVID-19 pandemic on the music industry|due to the COVID-19 pandemic]].<ref name="Hawthorn-2019" /><ref name="Eede-2019b" /> Kirby later performed at [[Krems (Lower Austria)|Krems]]' [[Donaufestival]] and [[Barcelona]]'s [[Primavera Sound]] on 7 May and 4 June 2022 respectively.<ref name="DF-2022" /><ref name="Sound-2019" /> Although he previously expressed hesitation to perform,<ref name="Parks-2016" /> Kirby said each show would now be "a battle to make sense from the confusion". He added that Weirdcore would bring Seal's paintings "alive", and that the visual art would explore the idea of making the audience "feel ill".<ref name="Melfi-2019" />

==Critical reception==
{{Music ratings
| rev1 = [[AllMusic]]
| rev1score = {{Rating|4.5|5}} (''Stages 1–3'')<ref name="SimpsonA"/><br />{{Rating|4.5|5}} (''Stages 4–6'')<ref name="SimpsonB"/>
| rev2 = ''{{interlanguage link|Ondarock|it}}''
| rev2score = 9/10 (''Stage 1'')<ref name="Palozzo-2016" /><br />8/10 (''Stage 6'')<ref name="Silvestri-2019" />
| rev3 = ''[[Pitchfork (website)|Pitchfork]]''
| rev3score = 7.3/10 (''Stage 1'')<ref name="Howe-2016" /><br />7.9/10 (''Stage 4'')<ref name="Bowe-2018" />
| rev4 = ''[[Resident Advisor]]''
| rev4score = 4.3/5 (''Stage 6'')<ref name="Ryce-2019" />
| rev5 = ''[[Tiny Mix Tapes]]''
| rev5score = 4/5 (''Stage 1'')<ref name="Beane-2016" /><br />3.5/5 (''Stage 2'')<ref name="Falisi-2017b" /><br />4.5/5 (''Stage 4'')<ref name="Goldner-2018" /><br />3.5/5 (''Stage 5'')<ref name="Falisi-2018" /><br />4.5/5 (''Stage 6'')<ref name="Falisi-2019" />
}}
''Everywhere at the End of Time'' received increasingly positive reactions as it progressed, and was, overall, met with critical acclaim.<ref name="Doran-2016" /><ref name="Quietus-2019" /> While Stage 1 was criticized by some critics for "romanticizing" dementia, this criticism faded with time. One writer theorized that Kirby's expansion on the themes of ''An Empty Bliss'' was due to its concept being "loaded beyond the capacities of a 40-some-minute ambient record".<ref name="Garvey-2020" /> In March 2021, it peaked as the best-selling record on Boomkat,<ref name="Boomkat" /> the platform Kirby uses for his physical releases.<ref name="vvmtest-2019" /> On Bandcamp, ''Everywhere'' remains the best-selling dark ambient release of all time.<ref name="Bandcamp" /> Initially, in response to "today's culture of instant reaction", Kirby said, "these parts have been looped for a specific reason{{Nbsp}}... which will become clear down the line."<ref name="Doran-2016" />

The first three stages of the series were criticized for their portrayal of dementia. ''Pitchfork'' contributor Brian Howe expressed concern that the first stage may be a romanticized, if not exploitative, view of a mental illness. He found Kirby's description inaccurate; Howe "watched [his] grandmother succumb to it for a decade before she died, and it was very little like a 'beautiful daydream.' In fact, there was nothing aesthetic about it."<ref name="Howe-2016" /> Pat Beane of ''Tiny Mix Tapes'' considered ''Stage 1'' the most "pleasurable listen from [t]he Caretaker",<ref name="Beane-2016" /> although Falisi regarded ''Stage 2'' as neither "decay or beauty", "diagnosis or cure".<ref name="Falisi-2017b" /> Hazelwood described ''Stage 3'' as Kirby's default "bag of tricks", but argued that "without those stages and their comforts, the transition into ''Stage 4'' wouldn't have the crushing impact it does."<ref name="Hazelwood-2021" />

The last three stages' portrayal of dementia was generally described as better. ''Pitchfork'' contributor Miles Bowe described ''Stage 4'' as avoiding "a risk of pale romanticization",<ref name="Bowe-2018" /> and Goldner felt that the record had "broken the loop", although he added that "I1 - Stage 4 Temporary Bliss State" is not "real dementia".<ref name="Goldner-2018" /> Falisi, writing about Goldner, considered such loop in ''Stage 5'' to be "unspooling (endlessly) off the capstans and piling up until new shapes form." He described the album's sound as "the uncanny choke of absence", and argued, "If the thing is gone, why do I still feel it?"<ref name="Falisi-2018" /> Characterizations of ''Stage 6'' ranged from "a mental descent rendered in agonizingly slow motion" to "something extra-ambient whose aches are of the cosmos."<ref name="Ryce-2019" /><ref name="Falisi-2019" /> Commentators often described ''Stage 6'' with additional praise; one called it a "jaw-dropping piece of sonic art" with "a unique force".<ref name="Ryce-2019" /><ref name="XLR8R-2019" />

Critics have also commented on the interpretative, "thought-provoking" feelings evoked by the series as a whole.<ref name="Nixon-2021" /><ref name="Schofield-2019" /> Dave Gurney of ''Tiny Mix Tapes'' called the compilation "disturbing",<ref name="Gurney-2019" /> while Hazelwood said that its music "sticks with you, its melodies haunting and infecting."<ref name="Hazelwood-2021" /> Luka Vukos, in his review for the blog ''HeadStuff'', argued that the "empathy machine" of the series "is characterized not by words", and its power "rests in [Kirby's] marrying of [the vinyl record] with the most contemporary modes of digital recall and manipulation."<ref name="Vukos-2021" /> Having written about some of Kirby's earlier music, Simon Reynolds said the Caretaker "could have renamed himself the Caregiver, for on this project he resembles a sonic nurse in a hospice for the terminally ill." In his opinion, Kirby's names for the tracks are "heartbreaking and often describe the music more effectively than the reviewer ever could."<ref name="Reynolds-2019" />

===Accolades===
''Everywhere at the End of Time'' appeared the most on year-end lists of ''The Quietus'' and ''Tiny Mix Tapes''. The latter reviewed each album, except for ''Stage 3'', and gave the first, fourth and sixth stages the "EUREKA!" award, given to albums "explor[ing] the limits of noise and music" and "worthy of careful consideration".<ref name="Beane-2016" /><ref name="Falisi-2019" /><ref name="Goldner-2018" /> ''Resident Advisor'' included ''Stage 6'' in its listing of 2019's best albums.<ref name="Advisor-2019" /> ''Quietus'' contributor Maria Perevedentseva chose "We Don't Have Many Days" as one of the best songs of 2016,<ref name="Perevedentseva-2016" /> and ''Stage 5'' would later be included in the publication's listing of the best music of September 2018.<ref name="Clarke-2018c" /> ''Stage 6'' was named the website's "Lead Review" of the week and the best "miscellaneous" music release of 2019.<ref name="Quietus-2019" /><ref name="Clarke-2019" />

{| class="wikitable sortable"
|+ Accolades for ''Everywhere at the End of Time''
! Album
! Year
! Publication
! List
! Rank
! {{Abbr|Ref.|Reference}}
|-
! rowspan="2" | ''Stage 1''
| rowspan="2" | 2016
| ''[[The Quietus]]''
| rowspan="2" | Year-end
| 16
|<ref name="Doran-2016b" />
|-
| ''[[Tiny Mix Tapes]]''
| 35
|<ref name="Scott-2016" />
|-
! ''Stage 2''
| rowspan="2" | 2017
| rowspan="2" | ''The Quietus''
| Semester-end
| 88
|<ref name="Doran-2017" />
|-
! ''Stage 3''
| rowspan="2" | Year-end
| 39
|<ref name="Quietus-2017b" />
|-
! rowspan="2" | ''Stage 4''
| rowspan="3" | 2018
| ''Tiny Mix Tapes''
| 26
|<ref name="ABD-2018" />
|-
| rowspan="3" | ''The Quietus''
| Semester-end
| 37
|<ref name="Doran-2018" />
|-
! ''Stage 5''
| Year-end
| 45
|<ref name="Wood-2018" />
|-
! rowspan="4" | ''Stage 6''
| rowspan="9" | 2019
| Semester-end
| 59
|<ref name="Quietus-2019a" />
|-
| ''[[Obscure Sound]]''
| rowspan="3" | Year-end
| 19
|<ref name="Mineo-2019" />
|-
| ''{{interlanguage link|Ondarock|it}}''
| 38
|<ref name="OR-2019" />
|-
| ''{{interlanguage link|Il Giornale della Musica|it}}''
| 12
|<ref name="CampoBruno-2019" />
|-
! rowspan="4" | ''Stages 1–6''
| ''A Closer Listen''
| rowspan="4" | Decade-end
| 4
|<ref name="Metacritic-2019" />
|-
| ''Tiny Mix Tapes''
| 41
|<ref name="Gurney-2019" />
|-
| ''Ondarock''
| 42
|<ref name="OR" />
|-
| ''[[Spex (magazine)|Spex]]''
| 133
|<ref name="kc-2019" />
|-
! ''Stages 4–6''
| ''[[The Wire (magazine)|The Wire]]''
| Year-end
| 35
|<ref name="Wire-2019a" />
|}

==Impact and popularity==
Considered some of the best albums of the 2010s,<ref name="Gurney-2019" /><ref name="Clarke-2020" /> ''Everywhere at the End of Time'' is regarded by several critics and musicians as Kirby's ''[[magnum opus]]''.<ref name="Elizabeth-2021" /><ref name="Hand-2018" /><ref name="Chennington-2021" /> One reviewer singled out the two penultimate stages, the most chaotic ones, as making listeners reflect on the feeling of having dementia.<ref name="Otis-2018" /> ''Everywhere''{{'s}} conceptualization also received acclaim: the portrayal of dementia was described by [[The Vinyl Factory]] as "remarkably emotive" and by ''[[Vogue (magazine)|Vogue]]''{{'}}s Corey Seymour as "life-changing".<ref name="VF-2019" /><ref name="Seymour-2018" /> ''Tiny Mix Tapes'' writer Jessie Dunn Rovinelli said ''Stage 6''{{'}}s "corny" ending gives "the release his concept might want to refuse but that our decaying, sappy minds want."<ref name="Rovinelli-2019" /> Inspired by the Caretaker,<ref name="Baird-2018" /> the fan-made 100-track album ''Memories Overlooked'' was released in 2017 by vaporwave musicians whose elder relatives had dementia.<ref name="Fact-2017" /><ref name="Bowe-2017d" /><ref name="P-2017a" /> ''[[Daily Record (Scotland)|Daily Record]]'' writer Darren McGarvey claimed he felt "struck by a deep sense of gratitude" after finishing ''Everywhere'', stating that is the "power of a proper piece of art",<ref name="McGarvey-2021" /> and author Cole Quinn called ''Everywhere'' the greatest album of all time.<ref name="Quinn-2021" />

{{multiple image
| direction = horizontal
| caption_align = center
| perrow = 2
| total_width = 370
| image2 = The Darkest Album I Have Ever Heard (Everywhere at the End of Time).jpg
| image1 = Memories Overlooked - A Tribute to The Caretaker.jpg
| alt2 = A yellow and white text, reading "THIS ALBUM WILL BREAK YOU".
| alt1 = A table with books on the center and a lamp on the left.
| footer = In 2017, various [[vaporwave]] musicians released the seven-hour-long compilation album ''Memories Overlooked'' in tribute of the Caretaker alias.<ref name="P-2017a" /> In 2020, Internet users popularised the series for its 'breaking' reflection of dementia, resulting in the creation of [[creepypasta]] and [[Internet meme|meme]]-related content.<ref name="Garvey-2020" />
| caption2 = {{resize|Text from the [[thumbnail]] of a YouTube video about ''Everywhere''}}
| caption1 = {{resize|The album cover of ''Memories Overlooked'' (2017)}}
}}

In January 2020, [[YouTuber]] Solar Sands uploaded the video "Can You Name One Object In This Photo?", which explores the aspects of Seal's work in ''Everywhere''.<ref name="Nixon-2021" /> It received over four million views as of {{Date}}.<ref name="SS-2020" /> Later in October, users on the social media platform [[TikTok]] created a challenge of listening to the entire series in one sitting, due to its long length and existential themes.<ref name="Rugoff-2021" /><ref name="Bittner-2020" /><ref name="Lamm-2020" /> Kirby knew about the phenomenon from an exponential growth of views on the series' YouTube upload (over 32&nbsp;million as of {{Date}});<ref name="vvmtest-2019" /> only 12% of them came from the platform's [[algorithm]], whereas direct searches made up over 50%.<ref name="Clarke-2020" /><ref name="Sinow-2020" /> In a video some writers hypothesized as the cause of ''Everywhere''{{'}}s popularity, YouTuber A Bucket of Jake called the series "the darkest album I have ever heard".<ref name="Garvey-2020" /><ref name="Schroeder-2020" /><ref name="Slomka-2020" /> Following its popularity, the series appeared often on Bandcamp's ambient recommendations.<ref name="Gordon-2020" />

Some TikTok users shared fictional [[creepypasta]] stories of the series with claims that it cures patients or, conversely, that it introduces symptoms of dementia in people.<ref name="Ezra-2020" /><ref name="Earp-2020" /> The claims and the listening challenge triggered a negative backlash from others, who felt it offended patients.<ref name="Ezra-2020" /><ref name="Garvey-2020" /><ref name="Schroeder-2020" /> Kirby, however, did not feel this way, but rather saw the series as giving teenagers "an understanding into the symptoms a person with dementia may face."<ref name="Clarke-2020" /><ref name="Sinow-2020" /> Lazlo Rugoff of the Vinyl Factory found the TikTok phenomenon drew "an unlikely audience" of teenagers to Kirby's music,<ref name="Rugoff-2021" /> and ''Everywhere'' was later called by TikTok's William Gruger a [[niche market|niche]] discovery and "unexpected hit".<ref name="Aswad-2020" /> The series has seen continued use as a [[Internet meme|meme]] throughout the early 2020s, coinciding with the period of the [[COVID-19 pandemic]] and [[Mental health during the COVID-19 pandemic|its mental health issues]] on teenagers.<ref name="Ezra-2020" /><ref name="Garvey-2020" />

In 2021, ''Everywhere'' gained attention among the [[mod (video game)|modding]] community of the [[rhythm game]] ''[[Friday Night Funkin']]'' (2020) with the mod ''Everywhere at the End of Funk'', which was described by Wren Romero of [[esports]] group [[Gamurs]] as "one of the most unique experiences of any ''FNF'' mod."<ref name="Romero-2021" /> The series was also popularized for its relation to [[the Backrooms]], a creepypasta about an endless empty office space, which writer Silvia Trevisson said stemmed from their similar portrayals of absurd states of mind.<ref name="Trevisson-2022" />

===Scientific response===
Within neurological research groups, ''Everywhere at the End of Time'' has been seen as a generally positive influence. One [[Iowa State University]] researcher found the series to present the "chilling reality" of Alzheimer's disease, highlighting the gradual progression of calmness into confusion.<ref name="Theis" /> Brian Browne, the president of [[Caring for people with dementia|Dementia Care Education]], said Kirby's portrayal of Alzheimer's disease is "a much welcome thing" to caretakers of dementia patients. He praised the series' newfound attention, as "it produces the empathy that's needed."<ref name="Ezra-2020" />

Browne concludes:

{{blockquote|The composer of this music really was onto something in terms of being able to — through the medium of music — lead a younger generation on a journey through the sounds of what the brain is going through, through a dementing process.}}

Partially positive of Kirby's work, French neuropsychologist Hervé Platel praised ''Everywhere''{{'}}s approach and general faithfulness to the process of dementia. However, Platel also criticised the series for giving the impression of memory as a linear system, explaining that musical memory is the last to fade away.<ref name="AFP-2021" />

==Track listing==
Adapted from Bandcamp.<ref name="Caretaker-2016" /> Total lengths and notes adapted from Kirby's YouTube uploads of ''Stages 1–3'',<ref name="vvmtest-2016" /><ref name="vvmtest-2017" /><ref name="vvmtest-2017a" /> ''Stages 4–6'',<ref name="vvmtest-2018" /><ref name="vvmtest-2018a" /><ref name="vvmtest-2019b" /> and the complete edition.<ref name="vvmtest-2019" />
{{Track listing
| headline = ''Stage 1''
| total_length = 41:17
| title1 = A1 – It's just a burning memory
| length1 = 3:32
| title2 = A2 – We don't have many days
| length2 = 3:30
| title3 = A3 – Late afternoon drifting
| length3 = 3:35
| title4 = A4 – Childishly fresh eyes
| length4 = 2:58
| title5 = A5 – Slightly bewildered
| length5 = 2:01
| title6 = A6 – Things that are beautiful and transient
| length6 = 4:34
| title7 = B1 – All that follows is true
| length7 = 3:31
| title8 = B2 – An autumnal equinox
| length8 = 2:46
| title9 = B3 – Quiet internal rebellions
| length9 = 3:30
| title10 = B4 – The loves of my entire life
| length10 = 4:04
| title11 = B5 – Into each others eyes
| length11 = 4:36
| title12 = B6 – My heart will stop in joy
| length12 = 2:41
}}
{{Track listing
| headline = ''Stage 2''
| total_length = 41:48
| title13 = C1 – A losing battle is raging
| length13 = 4:37
| title14 = C2 – Misplaced in time
| length14 = 4:42
| title15 = C3 – What does it matter how my heart breaks
| length15 = 2:37
| title16 = C4 – Glimpses of hope in trying times
| length16 = 4:43
| title17 = C5 – Surrendering to despair
| length17 = 5:03
| title18 = D1 – I still feel as though I am me
| length18 = 4:07
| title19 = D2 – Quiet dusk coming early
| length19 = 3:36
| title20 = D3 – Last moments of pure recall
| length20 = 3:52
| title21 = D4 – Denial unravelling
| length21 = 4:16
| title22 = D5 – The way ahead feels lonely
| length22 = 4:15
| note22 = titled "The Away {{sic}} Ahead Feels Lonely" on Weirdcore's video
}}
{{Track listing
| headline      = ''Stage 3''
| total_length  = 45:29
| title23       = E1 – Back there Benjamin
| length23      = 4:14
| title24       = E2 – And heart breaks
| length24      = 4:05
| title25       = E3 – Hidden sea buried deep
| length25      = 1:20
| title26       = E4 – Libet's all joyful camaraderie
| length26      = 3:12
| title27       = E5 – To the minimal great hidden
| length27      = 1:41
| title28       = E6 – Sublime beyond loss
| length28      = 2:10
| title29       = E7 – Bewildered in other eyes
| note29        = titled "Bewildered in Others Eyes" on the ''Stage 3'' Boomkat page
| length29      = 1:51
| title30       = E8 – Long term dusk glimpses
| length30      = 3:33
| title31       = F1 – Gradations of arms length
| length31      = 1:31
| title32       = F2 – Drifting time misplaced
| length32      = 4:15
| note32        = titled "Drifting time replaced" on the ''Stage 3'' YouTube upload
| title33       = F3 – Internal bewildered World
| length33      = 3:29
| title34       = F4 – Burning despair does ache
| length34      = 2:37
| title35       = F5 – Aching cavern without lucidity
| length35      = 1:19
| title36       = F6 – An empty bliss beyond this World
| length36      = 3:36
| title37       = F7 – Libet delay
| length37      = 3:57
| title38       = F8 – Mournful cameraderie {{sic}}
| length38      = 2:39
}}
{{Track listing
| headline = ''Stage 4''
| total_length = 87:19
| title39 = G1 – Stage 4 Post Awareness Confusions
| length39 = 22:09
| title40 = H1 – Stage 4 Post Awareness Confusions
| length40 = 21:53
| title41 = I1 – Stage 4 Temporary Bliss State
| length41 = 21:01
| title42 = J1 – Stage 4 Post Awareness Confusions
| length42 = 22:16
}}
{{Track listing
| headline = ''Stage 5''
| total_length = 88:19
| title43 = K1 – Stage 5 Advanced plaque entanglements
| length43 = 22:35
| title44 = L1 – Stage 5 Advanced plaque entanglements
| length44 = 22:48
| title45 = M1 – Stage 5 Synapse retrogenesis
| length45 = 20:48
| title46 = N1 – Stage 5 Sudden time regression into isolation
| length46 = 22:08
}}
{{Track listing
| headline = ''Stage 6''
| total_length = 85:56
| title47 = O1 – Stage 6 A confusion so thick you forget forgetting
| length47 = 21:52
| note47 = excludes the "A" on Boomkat
| title48 = P1 – Stage 6 A brutal bliss beyond this empty defeat
| length48 = 21:36
| title49 = Q1 – Stage 6 Long decline is over
| length49 = 21:09
| title50 = R1 – Stage 6 Place in the World fades away
| length50 = 21:19
}}

==Personnel==
Credits adapted from YouTube.<ref name="vvmtest-2019" />
* [[Leyland Kirby]] – producer
* [[Ivan Seal]] – artwork
* Andreas Lubich – [[mastering (audio)|mastering]]

==Release history==
All released worldwide by record label History Always Favours the Winners.

{|class="wikitable plainrowheaders"
|+''Stages 1–3''
!scope="col"| Date
!scope="col"| Format
!scope="col"| Catalog number
!scope="col"| {{refh}}
|-
! scope="row" | 12 October 2017
| {{hlist|[[CD|Triple CD]]|digital download}}
| HAFTWCD0103
|<ref>{{Cite web |url=https://boomkat.com/products/stages-1-3 |title=''Everywhere At The End Of Time Stages 1–3'' |date=12 October 2017 |access-date=16 May 2021 |publisher=Boomkat |last=Kirby |first=Leyland |author-link=Leyland James Kirby |archive-url=https://web.archive.org/web/20171122060103/https://boomkat.com/products/stages-1-3 |archive-date=22 November 2017 |url-status=live }}</ref>
|-
! scope="row" | 7 April 2019
| [[gramophone record|Triple LP]]
| HAFTW025026027-SET
|<ref>{{Cite web |url=https://boomkat.com/products/everywhere-at-the-end-of-time-stages-1-3 |title=''Everywhere At The End Of Time Stages 1–3'' (Vinyl Set) |date=7 April 2019 |access-date=16 May 2021 |publisher=Boomkat |last=Kirby |first=Leyland |author-link=Leyland James Kirby |archive-url=https://web.archive.org/web/20201020031554/https://boomkat.com/products/everywhere-at-the-end-of-time-stages-1-3 |archive-date=20 October 2020 |url-status=live }}</ref>
|}

{|class="wikitable plainrowheaders"
|+''Stages 4–6''
!scope="col"| Date
!scope="col"| Format
!scope="col"| Catalog number
!scope="col"| {{refh}}
|-
! scope="row" rowspan="2" | 14 March 2019
| {{hlist|Quadruple CD|digital download}}
| HAFTWCD0406
|<ref>{{Cite web |url=https://boomkat.com/products/everywhere-at-the-end-of-time-stages-4-6 |title=''Everywhere At The End Of Time Stages 4–6'' (4CD Set) |date=14 March 2019 |access-date=16 May 2021 |publisher=Boomkat |last=Kirby |first=Leyland |author-link=Leyland James Kirby |archive-url=https://web.archive.org/web/20190331042549/https://boomkat.com/products/everywhere-at-the-end-of-time-stages-4-6 |archive-date=31 March 2019 |url-status=live }}</ref>
|-
| Sextuple LP
| HAFTW028029030-SET
|<ref>{{Cite web |url=https://boomkat.com/products/everywhere-at-the-end-of-time-stages-4-6-22ef1a10-fb61-419b-a4f6-356adbe834a9 |title=''Everywhere At The End Of Time Stages 4–6'' (Vinyl Set) |date=14 March 2019 |access-date=16 May 2021 |publisher=Boomkat |last=Kirby |first=Leyland |author-link=Leyland James Kirby |archive-url=https://web.archive.org/web/20190331043140/https://boomkat.com/products/everywhere-at-the-end-of-time-stages-4-6-22ef1a10-fb61-419b-a4f6-356adbe834a9 |archive-date=31 March 2019 |url-status=live }}</ref>
|}

==See also==
{{Portal|Music|Psychology|Internet}}
* [[Alzheimer's disease in the media]]
* ''[[It's Such a Beautiful Day (film)|It's Such a Beautiful Day]]'' (2012), a film series portraying mental illness and immortality
* [[List of concept albums]]
* [[Music therapy for Alzheimer's disease]]
* [[William Utermohlen]], an artist with Alzheimer's disease who drew six self-portraits to chronicle the disorder's advancement

==Notes==
{{notelist}}

==References==
{{reflist|refs=
<ref name="SimpsonA" >{{cite web |url=https://www.allmusic.com/album/everywhere-at-the-end-of-time-stages-1-3-mw0003263206 |title=''Everywhere at the End of Time: Stages 1–3'' – The Caretaker {{!}} Songs, Reviews, Credits |access-date=8 March 2022 |publisher=[[AllMusic]] |last=Simpson |first=Paul |archive-url=https://web.archive.org/web/20220308210718/https://www.allmusic.com/album/everywhere-at-the-end-of-time-stages-1-3-mw0003263206 |archive-date=8 March 2022 |url-status=live}}</ref>
<ref name="SimpsonB" >{{cite web |url=https://www.allmusic.com/album/everywhere-at-the-end-of-time-stages-4-6-mw0003266038 |title=''Everywhere at the End of Time: Stages 4–6'' – The Caretaker {{!}} Songs, Reviews, Credits |access-date=8 March 2022 |publisher=[[AllMusic]] |last=Simpson |first=Paul |archive-url=https://web.archive.org/web/20220308211023/https://www.allmusic.com/album/everywhere-at-the-end-of-time-stages-4-6-mw0003266038 |archive-date=8 March 2022 |url-status=live}}</ref>
<ref name="Parks-2016" >{{Cite web |url=https://daily.bandcamp.com/features/the-caretaker-leyland-kirby-interview |title=Leyland Kirby on The Caretaker's New Project: Six Albums Exploring Dementia |date=17 October 2016 |access-date=19 February 2021 |website=[[Bandcamp Daily]] |last=Parks |first=Andrew |archive-url=https://web.archive.org/web/20210419215708/https://daily.bandcamp.com/features/the-caretaker-leyland-kirby-interview |archive-date=19 April 2021 |url-status=live }}</ref>
<ref name="P-2018a" >{{Cite web |url=https://www.tinymixtapes.com/news/caretaker-releases-stage-4-his-six-album-series-dementia-everywhere-end-time |title=The Caretaker releases ''Stage 4'' of his six-album series on dementia, ''Everywhere at the end of time'' |date=5 April 2018 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |author=Lin, Marvin (Mr P) |archive-url=https://web.archive.org/web/20210505173651/https://www.tinymixtapes.com/news/caretaker-releases-stage-4-his-six-album-series-dementia-everywhere-end-time |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Falisi-2017a" >{{Cite web |url=https://www.tinymixtapes.com/features/2017-superficial-temporal |title=2017: Superficial Temporal |at=sec.&nbsp;Dementia / ''Everywhere at the End of Time'' |date=8 December 2017 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |last=Falisi |first=Frank |archive-url=https://web.archive.org/web/20210506211143/https://www.tinymixtapes.com/features/2017-superficial-temporal |archive-date=6 May 2021 |url-status=live }}</ref>
<ref name="BeaneScavo-2016" >{{Cite web |url=https://www.tinymixtapes.com/features/2016-musicology-exhaustion |title=2016: A Musicology Of Exhaustion |at=p.&nbsp;1, sec.&nbsp;Resting Face: Avatar OST |date=13 December 2016 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |last1=Beane |first1=Pat |last2=Scavo |first2=Nick James |archive-url=https://web.archive.org/web/20210505173629/https://www.tinymixtapes.com/features/2016-musicology-exhaustion |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Ezra-2020" >{{Cite web |url=https://www.nytimes.com/2020/10/23/style/tiktok-caretaker-challenge-dementia.html |title=Why Are TikTok Teens Listening to an Album About Dementia? |date=23 October 2020 |access-date=21 April 2021 |website=[[The New York Times]] |last=Ezra |first=Marcus |archive-url=https://web.archive.org/web/20210408232712/https://www.nytimes.com/2020/10/23/style/tiktok-caretaker-challenge-dementia.html |archive-date=8 April 2021 |url-status=live |url-access=limited }}</ref>
<ref name="Garvey-2020" >{{Cite web |url=https://www.npr.org/2020/10/22/926607585/tiktok-the-caretaker-challenge-avant-garde |title=What Happens When TikTok Looks To The Avant-Garde For A Challenge? |date=22 October 2020 |access-date=6 April 2021 |publisher=[[NPR]] |last=Garvey |first=Meaghan |archive-url=https://web.archive.org/web/20210421083508/https://www.npr.org/2020/10/22/926607585/tiktok-the-caretaker-challenge-avant-garde |archive-date=21 April 2021 |url-status=live }}</ref>
<ref name="Hazelwood-2021" >{{Cite web |url=https://spectrumculture.com/2021/01/18/rediscover-the-caretaker-everywhere-at-the-end-of-time/ |title=Rediscover: The Caretaker: ''Everywhere at the End of Time'' |date=18 January 2021 |access-date=4 March 2021 |website=Spectrum Culture |last=Hazelwood |first=Holly |archive-url=https://web.archive.org/web/20210129120613/https://spectrumculture.com/2021/01/18/rediscover-the-caretaker-everywhere-at-the-end-of-time/ |archive-date=29 January 2021 |url-status=live }}</ref>
<ref name="Ryce-2019" >{{Cite web |url=https://ra.co/reviews/23649 |title=The Caretaker – ''Everywhere At The End Of Time (Stage 6)'' Album Review |date=12 April 2019 |access-date=31 March 2021 |website=[[Resident Advisor]] |last=Ryce |first=Andrew |archive-url=https://web.archive.org/web/20190413213656/https://residentadvisor.net/reviews/23649 |archive-date=13 April 2019 |url-status=unfit }}</ref>
<ref name="vvmtest-2019" >{{Cite web |url=https://www.youtube.com/watch?v=wJWksPWDKOc |title=The Caretaker – ''Everywhere At The End Of Time – Stages 1–6'' (Complete) |date=14 March 2019 |access-date=10 September 2021 |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210910195818/https://www.youtube.com/watch?v=wJWksPWDKOc |archive-date=10 September 2021 |url-status=live }}</ref>
<ref name="Melfi-2019" >{{Cite web |url=https://www.electronicbeats.net/the-caretaker-unsound-leyland-james-kirby/ |title=Leyland James Kirby On The Caretaker, Alzheimer's Disease And His Show At Unsound Festival |date=7 October 2019 |access-date=19 February 2021 |publisher=[[Electronic Beats|Telekom Electronic Beats]] |last=Melfi |first=Daniel |archive-url=https://web.archive.org/web/20210102020650/https://www.electronicbeats.net/the-caretaker-unsound-leyland-james-kirby/ |archive-date=2 January 2021 |url-status=live }}</ref>
<ref name="Bates-2018" >{{Cite web |url=https://believermag.com/logger/the-process-the-caretaker/ |title=The Process: The Caretaker |date=18 September 2018 |access-date=7 April 2021 |website=[[The Believer (magazine)|The Believer]] |last=Bates |first=Landon |archive-url=https://web.archive.org/web/20210513133038/https://believermag.com/logger/the-process-the-caretaker/ |archive-date=13 May 2021 |url-status=live }}</ref>
<ref name="Quietus-2019" >{{Cite web |url=https://thequietus.com/articles/26203-the-caretaker-everywhere-at-the-end-of-time-stage-6 |title=The Echoes Of Anxiety: The Caretaker's Final Chapter |date=14 March 2019 |access-date=31 March 2021 |website=[[The Quietus]] |url-status=live |archive-date=11 August 2022 |archive-url=https://archive.today/20220811092406/https://thequietus.com/articles/26203-the-caretaker-everywhere-at-the-end-of-time-stage-6 }}</ref>
<ref name="Howe-2016" >{{Cite web |url=https://pitchfork.com/reviews/albums/22470-everywhere-at-the-end-of-time/ |title=The Caretaker: ''Everywhere at the End of Time'' Album Review |date=7 October 2016 |access-date=21 April 2021 |website=[[Pitchfork (website)|Pitchfork]] |last=Howe |first=Brian |archive-url=https://web.archive.org/web/20210421083508/https://pitchfork.com/reviews/albums/22470-everywhere-at-the-end-of-time/ |archive-date=21 April 2021 |url-status=live }}</ref>
<ref name="Padua-2017" >{{Cite web |last=Padua |first=Pat |date=23 January 2017 |title=The Caretaker: ''Everywhere at the End of Time'' Music Review |url=https://spectrumculture.com/2017/01/23/the-caretaker-everywhere-at-the-end-of-time/ |url-status=live |archive-url=https://web.archive.org/web/20210413195150/https://spectrumculture.com/2017/01/23/the-caretaker-everywhere-at-the-end-of-time/ |archive-date=13 April 2021 |access-date=5 March 2021 |website=Spectrum Culture }}</ref>
<ref name="Bowe-2016" >{{Cite web |url=https://www.factmag.com/2016/10/04/the-best-of-bandcamp-odwalla88-the-caretaker/ |title=The Best Of Bandcamp: Odwalla88 is the best new band of the year |at=sec.&nbsp;The Caretaker – ''Everywhere at the End Of Time'' |date=4 October 2016 |access-date=4 May 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bowe |first=Miles |archive-url=https://web.archive.org/web/20210505013937/https://www.factmag.com/2016/10/04/the-best-of-bandcamp-odwalla88-the-caretaker/ |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Beane-2016" >{{Cite web |url=https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time |title=The Caretaker – ''Everywhere at the end of time'' {{!}} Music Review |date=7 November 2016 |access-date=6 April 2021 |website=[[Tiny Mix Tapes]] |last=Beane |first=Pat |archive-url=https://web.archive.org/web/20210423132701/https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time |archive-date=23 April 2021 |url-status=live }}</ref>
<ref name="Doran-2016" >{{Cite web |url=https://thequietus.com/articles/20970-leyland-james-kirby-interview-the-caretaker |title=Interview {{!}} Out Of Time: Leyland James Kirby And The Death Of A Caretaker |date=22 September 2016 |access-date=7 April 2021 |website=[[The Quietus]] |last=Doran |first=John |url-status=live |archive-date=8 August 2022 |archive-url=https://archive.today/20220808080245/https://thequietus.com/articles/20970-leyland-james-kirby-interview-the-caretaker }}</ref>
<ref name="After-2016" >{{Cite web |url=https://www.frac-auvergne.fr/wp-content/uploads/pdfs_expos/8053_DOSSIER%20PEDAGOGIQUE%20Ivan%20Seal%20et%20The%20Caretaker.pdf |title=IVAN SEAL / THE CARETAKER – ''everywhere, an empty bliss'' (DOSSIER PÉDAGOGIQUE) |access-date=20 April 2021 |publisher=FRAC Auvergne |archive-url=https://web.archive.org/web/20200506215538/https://www.frac-auvergne.fr/wp-content/uploads/pdfs_expos/8053_DOSSIER%20PEDAGOGIQUE%20Ivan%20Seal%20et%20The%20Caretaker.pdf |archive-date=6 May 2020 |url-status=dead }}</ref>
<ref name="Beane-2017" >{{Cite web |url=https://www.tinymixtapes.com/news/caretaker-releases-stage-2-his-six-part-series-dementia-everywhere-end-time |title=The Caretaker releases ''Stage 2'' of his six-part series on dementia, ''Everywhere at the end of time'' |date=6 April 2017 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |last=Beane |first=Pat |archive-url=https://web.archive.org/web/20210505133441/https://www.tinymixtapes.com/news/caretaker-releases-stage-2-his-six-part-series-dementia-everywhere-end-time |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Falisi-2017b" >{{Cite web |url=https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-2 |title=The Caretaker – ''Everywhere at the end of time – Stage 2'' {{!}} Music Review |date=17 April 2017 |access-date=9 April 2021 |website=[[Tiny Mix Tapes]] |last=Falisi |first=Frank |archive-url=https://web.archive.org/web/20210426214518/https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-2 |archive-date=26 April 2021 |url-status=live }}</ref>
<ref name="Ryce-2017" >{{Cite web |url=https://ra.co/news/38670 |title=The Caretaker releases ''Stage 2'' of album series, ''Everywhere At The End Of Time'' |date=6 April 2017 |access-date=5 May 2021 |website=[[Resident Advisor]] |last=Ryce |first=Andrew |archive-url=https://web.archive.org/web/20210505155803/https://ra.co/news/38670 |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Bowe-2018" >{{Cite web |url=https://pitchfork.com/reviews/albums/the-caretaker-everywhere-at-the-end-of-time-stage-4/ |title=The Caretaker: ''Everywhere at the End of Time – Stage 4'' Album Review |date=26 April 2018 |access-date=13 March 2021 |website=[[Pitchfork (website)|Pitchfork]] |last=Bowe |first=Miles |archive-url=https://web.archive.org/web/20210320175535/https://pitchfork.com/reviews/albums/the-caretaker-everywhere-at-the-end-of-time-stage-4/ |archive-date=20 March 2021 |url-status=live }}</ref>
<ref name="Painting-names" >{{Cite web |url=https://www.frac-auvergne.fr/wp-content/uploads/pdfs_expos/8053_Dossier%20de%20presse%20The%20Caretaker-Ivan%20Seal%20-%20FRAC%20Auvergne.pdf |title=Ivan Seal / The Caretaker – ''everywhere, an empty bliss'' (DOSSIER DE PRESSE) |access-date=20 April 2021 |publisher=FRAC Auvergne |archive-url=https://web.archive.org/web/20210701011238/https://www.frac-auvergne.fr/wp-content/uploads/pdfs_expos/8053_Dossier%20de%20presse%20The%20Caretaker-Ivan%20Seal%20-%20FRAC%20Auvergne.pdf |archive-date=1 July 2021 |url-status=live }}</ref>
<ref name="Goldner-2018" >{{Cite web |url=https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-4 |title=The Caretaker – ''Everywhere at the end of time – Stage 4'' {{!}} Music Review |date=30 April 2018 |access-date=12 March 2021 |website=[[Tiny Mix Tapes]] |last=Goldner |first=Sam |archive-url=https://web.archive.org/web/20210423132713/https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-4 |archive-date=23 April 2021 |url-status=live }}</ref>
<ref name="Pearl-2018" >{{Cite web |url=https://ra.co/news/41461 |title=The Caretaker releases ''Stage 4'' of album series, ''Everywhere At The End Of Time'' |date=5 April 2018 |access-date=5 May 2021 |website=[[Resident Advisor]] |last=Pearl |first=Max |archive-url=https://web.archive.org/web/20210506205632/https://ra.co/news/41461 |archive-date=6 May 2021 |url-status=live }}</ref>
<ref name="Falisi-2018" >{{Cite web |url=https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-5 |title=The Caretaker – ''Everywhere at the end of time – Stage 5'' {{!}} Music Review |date=24 October 2018 |access-date=6 April 2021 |website=[[Tiny Mix Tapes]] |last=Falisi |first=Frank |archive-url=https://web.archive.org/web/20210421085020/https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-5 |archive-date=21 April 2021 |url-status=live }}</ref>
<ref name="Falisi-2019" >{{Cite web |url=https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-6 |title=The Caretaker – ''Everywhere at the end of time – Stage 6'' {{!}} Music Review |date=30 April 2019 |access-date=6 April 2021 |website=[[Tiny Mix Tapes]] |last=Falisi |first=Frank |archive-url=https://web.archive.org/web/20210423132726/https://www.tinymixtapes.com/music-review/caretaker-everywhere-end-time-stage-6 |archive-date=23 April 2021 |url-status=live }}</ref>
<ref name="Clarke-2018a" >{{Cite web |url=https://thequietus.com/articles/24336-leyland-kirby-everywhere-at-the-end-of-time-phase-four |title=Phase Four Of The Caretaker's ''Everywhere At The End Of Time'' |date=5 April 2018 |access-date=4 May 2021 |website=[[The Quietus]] |last=Clarke |first=Patrick |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919075803/https://thequietus.com/articles/24336-leyland-kirby-everywhere-at-the-end-of-time-phase-four }}</ref>
<ref name="Bowe-2016a" >{{Cite web |url=https://www.factmag.com/2016/09/22/caretaker-leyland-james-kirby-six-album-series/ |title=The Caretaker to explore tragedy of memory loss with six album series over three years |date=22 September 2016 |access-date=12 May 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bowe |first=Miles |archive-url=https://web.archive.org/web/20210513025926/https://www.factmag.com/2016/09/22/caretaker-leyland-james-kirby-six-album-series/ |archive-date=13 May 2021 |url-status=live }}</ref>
<ref name="Bowe-2017a" >{{Cite web |url=https://www.factmag.com/2017/04/06/caretaker-releases-second-installment-everywhere-at-the-end-of-time/ |title=The Caretaker releases second installment of his six-part final album |date=6 April 2017 |access-date=4 May 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bowe |first=Miles |archive-url=https://web.archive.org/web/20210504215649/https://www.factmag.com/2017/04/06/caretaker-releases-second-installment-everywhere-at-the-end-of-time/ |archive-date=4 May 2021 |url-status=live }}</ref>
<ref name="Bowe-2017b" >{{Cite web |url=https://www.factmag.com/2017/09/28/james-leyland-kirby-caretaker-everywhere-three-tired-darkness/ |title=Leyland James Kirby releases two new albums |date=28 September 2017 |access-date=4 May 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bowe |first=Miles |archive-url=https://web.archive.org/web/20210504215651/https://www.factmag.com/2017/09/28/james-leyland-kirby-caretaker-everywhere-three-tired-darkness/ |archive-date=4 May 2021 |url-status=live }}</ref>
<ref name="P-2017" >{{Cite web |url=https://www.tinymixtapes.com/news/caretaker-releases-stage-3-his-six-album-series-dementia-reveals-3xcd-collector-set |title=The Caretaker releases ''Stage 3'' of his six-album series on dementia, reveals 3xCD collector set |date=28 September 2017 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |author=Lin, Marvin (Mr P) |archive-url=https://web.archive.org/web/20210428232411/https://www.tinymixtapes.com/news/caretaker-releases-stage-3-his-six-album-series-dementia-reveals-3xcd-collector-set |archive-date=28 April 2021 |url-status=live }}</ref>
<ref name="P-2018b" >{{Cite web |url=https://www.tinymixtapes.com/news/caretaker-releases-stage-5-his-six-album-series-dementia-everywhere-end-time |title=The Caretaker releases ''Stage 5'' of his six-album series on dementia, ''Everywhere at the end of time'' |date=20 September 2018 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |author=Lin, Marvin (Mr P) |archive-url=https://web.archive.org/web/20210511015514/https://www.tinymixtapes.com/news/caretaker-releases-stage-5-his-six-album-series-dementia-everywhere-end-time |archive-date=11 May 2021 |url-status=live }}</ref>
<ref name="Otis-2019" >{{Cite web |url=https://xlr8r.com/news/the-caretaker-drops-final-release-everywhere-at-the-end-of-time-stage-6/ |title=The Caretaker Drops Final Release, ''Everywhere At The End Of Time, Stage 6'' |date=19 March 2019 |access-date=7 May 2021 |website=[[XLR8R]] |last=Otis |first=Erik |archive-url=https://web.archive.org/web/20210507041532/https://xlr8r.com/news/the-caretaker-drops-final-release-everywhere-at-the-end-of-time-stage-6/ |archive-date=7 May 2021 |url-status=live |url-access=limited }}</ref>
<ref name="Ryce-2019a" >{{Cite web |url=https://ra.co/news/43447 |title=The Caretaker announces final release, ''Everywhere At The End Of Time Stage 6'' |date=14 March 2019 |access-date=5 May 2021 |website=[[Resident Advisor]] |last=Ryce |first=Andrew |archive-url=https://web.archive.org/web/20210506205634/https://ra.co/news/43447 |archive-date=6 May 2021 |url-status=live }}</ref>
<ref name="P-2019" >{{Cite web |url=https://www.tinymixtapes.com/news/caretaker-releases-final-stage-his-six-album-series-dementia |title=The Caretaker releases final stage in his six-album series on dementia, ''Everywhere at the end of time'' |date=14 March 2019 |access-date=4 May 2021 |website=[[Tiny Mix Tapes]] |author=Lin, Marvin (Mr P) |archive-url=https://web.archive.org/web/20210506152107/https://www.tinymixtapes.com/news/caretaker-releases-final-stage-his-six-album-series-dementia |archive-date=6 May 2021 |url-status=live }}</ref>
<ref name="Ryce-2016" >{{Cite web |url=https://ra.co/news/36531 |title=The Caretaker returns with new album, ''Everywhere At The End Of Time'' |date=22 September 2016 |access-date=5 May 2021 |website=[[Resident Advisor]] |last=Ryce |first=Andrew |archive-url=https://web.archive.org/web/20210507121722/https://ra.co/news/36531 |archive-date=7 May 2021 |url-status=live }}</ref>
<ref name="Darville-2016" >{{Cite web |url=https://www.thefader.com/2016/09/22/the-caretaker-dementia-everywhere-at-the-end-of-time |title=This Musician Is Recreating Dementia's Progression Over Three Years With Six Albums |date=22 September 2016 |access-date=5 April 2021 |website=[[The Fader]] |last=Darville |first=Jordan |archive-url=https://web.archive.org/web/20210421083508/https://www.thefader.com/2016/09/22/the-caretaker-dementia-everywhere-at-the-end-of-time |archive-date=21 April 2021 |url-status=live }}</ref>
<ref name="P-2016" >{{Cite web |url=https://www.tinymixtapes.com/news/caretaker-diagnosed-dementia-release-six-works-recreating-its-progression-over-next-three-years |title=The Caretaker to release a six-part series exploring dementia over the course of three years |date=22 September 2016 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |author=Lin, Marvin (Mr P) |archive-url=https://web.archive.org/web/20210505093007/https://www.tinymixtapes.com/news/caretaker-diagnosed-dementia-release-six-works-recreating-its-progression-over-next-three-years |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Strauss-2016" >{{Cite web |url=https://pitchfork.com/news/68472-james-leyland-kirby-gives-the-caretaker-alias-dementia-releases-first-of-final-6-albums/ |title=James Leyland Kirby Gives 'The Caretaker' Alias Dementia, Releases First of Final 6 Albums |date=22 September 2016 |access-date=5 April 2021 |website=[[Pitchfork (website)|Pitchfork]] |last=Strauss |first=Matthew |archive-url=https://web.archive.org/web/20210421083507/https://pitchfork.com/news/68472-james-leyland-kirby-gives-the-caretaker-alias-dementia-releases-first-of-final-6-albums/ |archive-date=21 April 2021 |url-status=live }}</ref>
<ref name="Clarke-2018b" >{{Cite web |url=https://thequietus.com/articles/25353-the-caretaker-everywhere-at-the-end-of-time-phase-5 |title=Phase Five Of The Caretaker's ''Everywhere At The End Of Time'' |date=20 September 2018 |access-date=3 May 2021 |website=[[The Quietus]] |last=Clarke |first=Patrick |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919112425/https://thequietus.com/articles/25353-the-caretaker-everywhere-at-the-end-of-time-phase-5 }}</ref>
<ref name="vvmtest-2016" >{{Cite web |url=https://www.youtube.com/watch?v=HlCKYeQFw3U |title=The Caretaker – ''Everywhere at the end of time – Stage 1'' (WEIRDCORE.TV) |date=22 September 2016 |access-date=18 May 2021 |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210509012512/https://www.youtube.com/watch?v=HlCKYeQFw3U |archive-date=9 May 2021 |url-status=live }}</ref>
<ref name="vvmtest-2017" >{{Cite web |url=https://www.youtube.com/watch?v=Is8FSKprMPI |title=The Caretaker – ''Everywhere at the end of time – Stage 2'' (WEIRDCORE.TV) |date=17 September 2017 |access-date=18 May 2021 |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210505180446/https://www.youtube.com/watch?v=Is8FSKprMPI |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Ryder-2018" >{{Cite web |url=https://thequietus.com/articles/25150-weirdcore-interview-radiohead-aphex-twin-caretaker |title=Visual Overload: WEIRDCORE Discusses His Craft and Collaborators |date=18 August 2018 |access-date=4 May 2021 |website=[[The Quietus]] |last=Ryder |first=Jamie |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919115110/https://thequietus.com/articles/25150-weirdcore-interview-radiohead-aphex-twin-caretaker }}</ref>
<ref name="Bruce-Jones-2020" >{{Cite web |url=https://www.factmag.com/2020/06/15/weirdcore-minus-zero-degrees/ |title=Weirdcore trips through a chilly floral landscape in ''[−0º]'' |date=15 June 2020 |access-date=4 May 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bruce-Jones |first=Henry |archive-url=https://web.archive.org/web/20210504193157/https://www.factmag.com/2020/06/15/weirdcore-minus-zero-degrees/ |archive-date=4 May 2021 |url-status=live }}</ref>
<ref name="Murray-2017" >{{Cite web |url=https://thequietus.com/articles/23771-unsound-dislocation-barbican-the-caretaker-liz-harris |title=Live Report: Unsound Dislocation at The Barbican |date=18 December 2017 |access-date=4 May 2021 |website=[[The Quietus]] |last=Murray |first=Eoin |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919130101/https://thequietus.com/articles/23771-unsound-dislocation-barbican-the-caretaker-liz-harris }}</ref>
<ref name="Philip-2019" >{{Cite web |url=https://ra.co/news/43863 |title=Unsound announces first acts for 2019 edition |date=29 May 2019 |access-date=5 May 2021 |website=[[Resident Advisor]] |last=Philip |first=Ray |archive-url=https://web.archive.org/web/20210507054359/https://ra.co/news/43863 |archive-date=7 May 2021 |url-status=live }}</ref>
<ref name="Hawthorn-2019" >{{Cite web |url=https://ra.co/news/71194 |title=Rewire Festival confirms first acts for tenth anniversary in 2020 |date=26 November 2019 |access-date=5 May 2021 |website=[[Resident Advisor]] |last=Hawthorn |first=Carlos |archive-url=https://web.archive.org/web/20210505173620/https://ra.co/news/71194 |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Eede-2019" >{{Cite web |url=https://thequietus.com/articles/26208-the-caretaker-stage-6 |title=The Caretaker Releases Project's Final Stage |date=14 March 2019 |access-date=11 May 2021 |website=[[The Quietus]] |last=Eede |first=Christian |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919112827/https://thequietus.com/articles/26208-the-caretaker-stage-6 }}</ref>
<ref name="Battaglia-2019" >{{Cite web |url=https://www.artnews.com/art-news/artists/ivan-seal-caretaker-unsound-2019-13470/ |title=In Abandoned 14th-Century Building in Poland, a Painting Show Where the Art Aims to Disappear |date=14 November 2019 |access-date=8 April 2021 |website=[[ARTnews]] |last=Battaglia |first=Andy |archive-url=https://web.archive.org/web/20210421083514/https://www.artnews.com/art-news/artists/ivan-seal-caretaker-unsound-2019-13470/ |archive-date=21 April 2021 |url-status=live }}</ref>
<ref name="Noel-2019" >{{Cite web |url=https://www.tinymixtapes.com/features/favorite-50-cover-art-decade?page=4 |title=2010s: Favorite 50 Cover Art of the Decade |at=p.&nbsp;5, sec.&nbsp;The Caretaker – ''Everywhere at the end of time'' |date=5 December 2019 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |last=Noel |first=Jude |archive-url=https://web.archive.org/web/20191220042110/https://www.tinymixtapes.com/features/favorite-50-cover-art-decade?page=4 |archive-date=20 December 2019 |url-status=live }}</ref>
<ref name="Reid-2016" >{{Cite web |url=https://www.tinymixtapes.com/features/2016-favorite-cover-art |title=2016: Favorite Cover Art |at=sec.&nbsp;17.&nbsp;The Caretaker – ''Everywhere at the end of time'' |date=8 December 2016 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |last=Reid |first=Reed Scott |archive-url=https://web.archive.org/web/20210225224240/https://www.tinymixtapes.com/features/2016-favorite-cover-art |archive-date=25 February 2021 |url-status=live }}</ref>
<ref name="Elizabeth-2021" >{{Cite web |url=https://www.bbc.co.uk/programmes/m000w5f7 |title=Tunnels and Clearings at the End of Time |date=20 May 2021 |access-date=8 May 2021 |publisher=[[BBC Radio 3]] |last=Elizabeth |first=Alker |archive-url=https://web.archive.org/web/20210510142454/https://www.bbc.co.uk/programmes/m000w5f7 |archive-date=10 May 2021 |url-status=live }}</ref>
<ref name="Hand-2018" >{{Cite web |url=http://www.revenantjournal.com/wp-content/uploads/2018/03/Richard-Hand.docx.pdf |title=''The Empty House'': the Ghost of a Memory, the Memory of a Ghost |year=2018 |access-date=17 May 2021 |publisher=[[University of East Anglia]] |last=Hand |first=Richard J. |archive-url=https://web.archive.org/web/20210511015510/http://www.revenantjournal.com/wp-content/uploads/2018/03/Richard-Hand.docx.pdf |archive-date=11 May 2021 |url-status=live |page=2 }}</ref>
<ref name="Scott-2016" >{{Cite web |url=https://www.tinymixtapes.com/features/2016-favorite-50-music-releases?page=1 |title=2016: Favorite 50 Music Releases |at=p.&nbsp;2, sec.&nbsp;35.&nbsp;The Caretaker – ''Everywhere at the end of time'' |date=14 December 2016 |access-date=29 April 2021 |website=[[Tiny Mix Tapes]] |last=Scott |first=Jackson |archive-url=https://web.archive.org/web/20210430140705/https://www.tinymixtapes.com/features/2016-favorite-50-music-releases?page=1 |archive-date=30 April 2021 |url-status=live }}</ref>
<ref name="ABD-2018" >{{Cite web |url=https://www.tinymixtapes.com/features/2018-favorite-50-music-releases?page=2 |title=2018: Favorite 50 Music Releases |at=p.&nbsp;3, sec.&nbsp;26.&nbsp;The Caretaker – ''Everywhere at the end of time – Stage 4'' |date=17 December 2018 |access-date=5 May 2021 |website=[[Tiny Mix Tapes]] |last=A B D |archive-url=https://web.archive.org/web/20201021001812/https://www.tinymixtapes.com/features/2018-favorite-50-music-releases?page=2 |archive-date=21 October 2020 |url-status=live }}</ref>
<ref name="Doran-2016b" >{{Cite web |url=https://thequietus.com/articles/21429-albums-of-the-year-2016 |title=Albums Of The Year 2016, In Association With Norman Records |at=sec.&nbsp;16.&nbsp;The Caretaker – ''Everywhere at the End Of Time'' |date=19 December 2016 |access-date=30 April 2021 |website=[[The Quietus]] |last=Doran |first=John |url-status=live |archive-date=5 May 2017 |archive-url=https://wayback.archive-it.org/all/20170505192613/http://thequietus.com/articles/21429-albums-of-the-year-2016 }}</ref>
<ref name="Wood-2018" >{{Cite web |url=https://thequietus.com/articles/25755-albums-of-the-year-2018 |title=Albums Of The Year 2018, In Association With Norman Records |at=sec.&nbsp;45.&nbsp;The Caretaker – ''Everywhere at the End Of Time Stage V'' |date=25 December 2018 |access-date=4 May 2021 |website=[[The Quietus]] |last=Turner |first=Luke |url-status=live |archive-date=30 September 2022 |archive-url=https://archive.today/20220930140327/https://thequietus.com/articles/25755-albums-of-the-year-2018 }}</ref>
<ref name="Quietus-2019a" >{{Cite web |url=https://thequietus.com/articles/26704-albums-of-the-year-so-far-chart-2019 |title=Albums Of The Year So Far Chart 2019 |at=59.&nbsp;The Caretaker – ''Everywhere at the End Of Time (Stage 6)'' |date=1 July 2019 |access-date=4 May 2021 |website=[[The Quietus]] |url-status=live |archive-date=30 September 2022 |archive-url=https://archive.today/20220930143954/https://thequietus.com/articles/26704-albums-of-the-year-so-far-chart-2019 }}</ref>
<ref name="Doran-2017" >{{Cite web |url=https://thequietus.com/articles/22692-best-of-2017-albums-of-the-year |title=The Best Albums Of 2017 Thus Far – And An Appeal For Help |at=sec.&nbsp;88.&nbsp;The Caretaker – ''Everywhere at the End Of Time Stage Two'' |date=3 July 2017 |access-date=5 May 2021 |website=[[The Quietus]] |last=Doran |first=John |url-status=live |archive-date=30 September 2022 |archive-url=https://archive.today/20220930130947/https://thequietus.com/articles/22692-best-of-2017-albums-of-the-year }}</ref>
<ref name="Quietus-2017b" >{{Cite web |url=https://thequietus.com/articles/23660-albums-of-the-year-2017 |title=Albums Of The Year 2017, In Association With Norman Records |at=sec.&nbsp;39.&nbsp;The Caretaker – ''Everywhere at the End Of Time – Stage 3'' |date=23 December 2017 |access-date=5 May 2021 |website=[[The Quietus]] |url-status=live |archive-date=4 January 2018 |archive-url=https://wayback.archive-it.org/all/20180104171255/http://thequietus.com/articles/23660-albums-of-the-year-2017 }}</ref>
<ref name="Metacritic-2019" >{{Cite web |url=https://www.metacritic.com/feature/critics-pick-top-10-best-albums-of-2019 |title=Best of 2019: Music Critic Top Ten Lists |at=''A Closer Listen'': 4.&nbsp;''Everywhere at the end of time''/''everywhere, an empty bliss'' by The Caretaker |date=2 December 2019 |access-date=11 May 2021 |publisher=[[Metacritic]] |last=Dietz |first=Jason |archive-url=https://web.archive.org/web/20210316155535/https://www.metacritic.com/feature/critics-pick-top-10-best-albums-of-2019 |archive-date=16 March 2021 |url-status=live }}</ref>
<ref name="Gurney-2019" >{{Cite web |url=https://www.tinymixtapes.com/features/2010s-favorite-100-music-releases-decade?page=2 |title=2010s: Favorite 100 Music Releases of the Decade |at=p.&nbsp;3, sec.&nbsp;41.&nbsp;The Caretaker – ''Everywhere at the end of time'' |date=19 December 2019 |access-date=29 April 2021 |website=[[Tiny Mix Tapes]] |last=Gurney |first=Dave |archive-url=https://web.archive.org/web/20210501021628/https://www.tinymixtapes.com/features/2010s-favorite-100-music-releases-decade?page=2 |archive-date=1 May 2021 |url-status=live }}</ref>
<ref name="Bowe-2017d" >{{Cite web |url=https://www.factmag.com/2017/10/05/caretaker-100-track-charity-compilation-memories-overlooked-nmesh-alzheimers/ |title=Artists pay tribute to The Caretaker on 100-track charity compilation ''Memories Overlooked'' |date=5 October 2017 |access-date=8 April 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bowe |first=Miles |archive-url=https://web.archive.org/web/20210430210640/https://www.factmag.com/2017/10/05/caretaker-100-track-charity-compilation-memories-overlooked-nmesh-alzheimers/ |archive-date=30 April 2021 |url-status=live }}</ref>
<ref name="P-2017a" >{{Cite web |url=https://www.tinymixtapes.com/news/nmesh-curates-100-track-tribute-compilation-caretaker-proceeds-benefit-alzheimers-association |title=Nmesh curates 100-track tribute compilation to The Caretaker, proceeds to benefit The Alzheimer's Association |date=5 October 2017 |access-date=26 April 2021 |website=[[Tiny Mix Tapes]] |author=Lin, Marvin (Mr P) |archive-url=https://web.archive.org/web/20210426183802/https://www.tinymixtapes.com/news/nmesh-curates-100-track-tribute-compilation-caretaker-proceeds-benefit-alzheimers-association |archive-date=26 April 2021 |url-status=live }}</ref>
<ref name="Rugoff-2021" >{{Cite web |url=https://thevinylfactory.com/news/the-caretaker-reissues-an-empty-bliss-beyond-this-world-lp/ |title=The Caretaker reissues ''An empty bliss beyond this world'' LP |date=6 May 2021 |access-date=6 May 2021 |publisher=[[The Vinyl Factory]] |last=Rugoff |first=Lazio |archive-url=https://web.archive.org/web/20210506214737/https://thevinylfactory.com/news/the-caretaker-reissues-an-empty-bliss-beyond-this-world-lp/ |archive-date=6 May 2021 |url-status=live |at=para.&nbsp;5 }}</ref>
<ref name="Schroeder-2020" >{{Cite web |url=https://www.dailydot.com/unclick/caretaker-tiktok-challenge/ |title=TikTok turns The Caretaker's 6-hour song into a 'challenge' |date=19 October 2020 |access-date=6 April 2021 |website=[[Daily Dot]] |last=Schroeder |first=Audra |archive-url=https://web.archive.org/web/20210505030501/https://www.dailydot.com/unclick/caretaker-tiktok-challenge/ |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Earp-2020" >{{Cite web |url=https://junkee.com/everywhere-at-the-end-of-time-tiktok/274709 |title=How An Obscure Six-Hour Ambient Record Is Terrifying A New Generation On TikTok |date=17 October 2020 |access-date=6 April 2021 |website=[[Junkee]] |last=Earp |first=Joseph |archive-url=https://web.archive.org/web/20210314041601/https://junkee.com/everywhere-at-the-end-of-time-tiktok/274709 |archive-date=14 March 2021 |url-status=live }}</ref>
<ref name="Clarke-2020" >{{Cite web |url=https://thequietus.com/articles/29098-the-caretaker-tiktok-everywhere-at-the-end-of-time-interview |title=''Everywhere At The End Of Time'' Becomes TikTok Challenge (Leyland James Kirby gives us his reaction) |date=19 October 2020 |access-date=6 April 2021 |website=[[The Quietus]] |last=Clarke |first=Patrick |url-status=live |archive-date=1 October 2022 |archive-url=https://archive.today/20221001001921/https://thequietus.com/articles/29098-the-caretaker-tiktok-everywhere-at-the-end-of-time-interview }}</ref>
<ref name="Sinow-2020" >{{Cite web |url=https://arstechnica.com/gaming/2020/11/how-old-ambient-japanese-music-became-a-smash-hit-on-youtube/ |title=How old, ambient Japanese music became a smash hit on YouTube |date=26 November 2020 |access-date=4 May 2021 |website=[[ArsTechnica]] |last=Sinow |first=Catherine |archive-url=https://web.archive.org/web/20210415132145/https://arstechnica.com/gaming/2020/11/how-old-ambient-japanese-music-became-a-smash-hit-on-youtube/ |archive-date=15 April 2021 |url-status=live |at=sec.&nbsp;How much authenticity drives the algorithm? }}</ref>
<ref name="Aswad-2020" >{{Cite web |url=https://variety.com/2020/digital/news/inside-tiktok-year-end-report-1234864164/ |title=Inside TikTok's First Year-End Music Report |at=sec.&nbsp;Unexpected Hits and Niche Discoveries, ''Everywhere at the End of the World'' |date=16 December 2020 |access-date=6 April 2021 |website=[[Variety (magazine)|Variety]] |last=Aswad |first=Jem |archive-url=https://web.archive.org/web/20210307082311/https://variety.com/2020/digital/news/inside-tiktok-year-end-report-1234864164/ |archive-date=7 March 2021 |url-status=live }}</ref>
<ref name="Caretaker-2016" >{{Cite web |url=https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-time |title=''Everywhere at the end of time'' |date=22 September 2016 |access-date=14 May 2021 |publisher=[[Bandcamp]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210511170142/https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-time |archive-date=11 May 2021 |url-status=live }}</ref>
<ref name="vvmtest-2018" >{{Cite web |url=https://www.youtube.com/watch?v=5uLEZYLkGRU |title=The Caretaker – ''Everywhere At The End Of Time – Stage 5'' (Full Album) |date=20 September 2018 |access-date=18 May 2021 |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210603010649/https://www.youtube.com/watch?v=5uLEZYLkGRU |archive-date=3 June 2021 |url-status=live |at=19:11 }}</ref>
<ref name="Wire-2019" >{{Cite web |url=https://www.thewire.co.uk/news/54374/final-release-for-the-caretaker-project-after-20-years |title=Final release for The Caretaker project after 20 years |date=19 March 2019 |access-date=26 May 2021 |website=[[The Wire (magazine)|The Wire]] |archive-url=https://web.archive.org/web/20201021153530/https://www.thewire.co.uk/news/54374/final-release-for-the-caretaker-project-after-20-years |archive-date=21 October 2020 |url-status=live }}</ref>
<ref name="vvmtest-2017a" >{{Cite web |url=https://www.youtube.com/watch?v=DuIGJiqCb8w |title=The Caretaker – ''Everywhere at the end of time – Stage 3'' (Full Album) |date=28 September 2017 |access-date=1 June 2021 |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210603003445/https://www.youtube.com/watch?v=DuIGJiqCb8w |archive-date=3 June 2021 |url-status=live }}</ref>
<ref name="vvmtest-2018a" >{{Cite web |url=https://www.youtube.com/watch?v=6gahbDemo-I |title=The Caretaker – ''Everywhere At The End Of Time – Stage 4'' (Full Album) |date=5 April 2018 |access-date=1 June 2021 |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210603003647/https://www.youtube.com/watch?v=6gahbDemo-I |archive-date=3 June 2021 |url-status=live }}</ref>
<ref name="vvmtest-2019b" >{{Cite web |url=https://www.youtube.com/watch?v=sM5hlrkaPSo |title=The Caretaker – ''Everywhere At The End Of Time – Stage 6'' (FULL ALBUM) |date=14 March 2019 |access-date=1 June 2021 |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210603010757/https://www.youtube.com/watch?v=sM5hlrkaPSo |archive-date=3 June 2021 |url-status=live }}</ref>
<ref name="Clarke-2019" >{{Cite web |url=https://thequietus.com/articles/27573-the-quietus-reissues-mixes-compilations-etc-in-association-with-norman-records |title=Reissues etc. Of The Year 2019 (In Association With Norman Records) |at=sec.&nbsp;1.&nbsp;The Caretaker – ''Everywhere at the End Of Time'' |date=15 December 2019 |access-date=2 June 2021 |website=[[The Quietus]] |last=Clarke |first=Patrick |url-status=live |archive-date=30 September 2022 |archive-url=https://archive.today/20220930124354/https://thequietus.com/articles/27573-the-quietus-reissues-mixes-compilations-etc-in-association-with-norman-records }}</ref>
<ref name="Auvergne-2019" >{{Cite web |url=https://www.frac-auvergne.fr/exposition/ivan-seal-the-caretaker-everywhere-an-empty-bliss/ |title=Ivan Seal / The Caretaker – ''Everywhere, an empty bliss'' |date=6 April 2019 |access-date=2 June 2021 |publisher=FRAC Auvergne |archive-url=https://web.archive.org/web/20210318094455/https://www.frac-auvergne.fr/exposition/ivan-seal-the-caretaker-everywhere-an-empty-bliss/ |archive-date=18 March 2021 |url-status=live }}</ref>
<ref name="Fact-2017" >{{Cite web |url=https://www.factmag.com/2017/12/06/best-bandcamp-2017/ |title=The 20 best Bandcamp releases of 2017 |at=sec.&nbsp;Various Artists – ''Memories Overlooked: A Tribute To The Caretaker'' |date=6 December 2017 |access-date=3 June 2021 |website=[[Fact (UK magazine)|Fact]] |last1=Bowe |first1=Miles |last2=Welsh |first2=April Clare |last3=Lobenfeld |first3=Claire |archive-url=https://web.archive.org/web/20210603230940/https://www.factmag.com/2017/12/06/best-bandcamp-2017/ |archive-date=3 June 2021 |url-status=live }}</ref>
<ref name="Gordon-2020" >{{Cite web |url=https://daily.bandcamp.com/best-ambient/best-ambient-october-2020 |title=The Best Ambient Music on Bandcamp: October 2020 |date=30 October 2020 |access-date=8 June 2021 |website=[[Bandcamp Daily]] |last=Gordon |first=Arielle |archive-url=https://web.archive.org/web/20210608041736/https://daily.bandcamp.com/best-ambient/best-ambient-october-2020 |archive-date=8 June 2021 |url-status=live }}</ref>
<ref name="Nelson-2017" >{{Cite web |url=https://daily.bandcamp.com/big-ups/big-ups-ceremony-pick-their-favorite-bands-on-bandcamp |title=Big Ups: Ceremony Pick Their Favorite Bands |at=sec.&nbsp;The Caretaker, ''Everywhere at the End Of Time'' |date=3 May 2017 |access-date=8 June 2021 |website=[[Bandcamp Daily]] |last=Nelson |first=Andy |archive-url=https://web.archive.org/web/20210608042924/https://daily.bandcamp.com/big-ups/big-ups-ceremony-pick-their-favorite-bands-on-bandcamp |archive-date=8 June 2021 |url-status=live }}</ref>
<ref name="Rovinelli-2019" >{{Cite web |url=https://www.tinymixtapes.com/features/2019-first-quarter-favorites?page=3 |title=2019: First Quarter Favorites |at=p.&nbsp;4, sec.&nbsp;The Caretaker – ''Everywhere at the end of time – Stage 6'' |date=29 March 2019 |access-date=8 June 2021 |website=[[Tiny Mix Tapes]] |last=Rovinelli |first=Jessie Jeffrey Dunn |archive-url=https://web.archive.org/web/20210505173640/https://www.tinymixtapes.com/features/2019-first-quarter-favorites?page=3 |archive-date=5 May 2021 |url-status=live }}</ref>
<ref name="Coral-2018" >{{Cite web |url=https://www.tinymixtapes.com/features/2018-second-quarter-favorites?page=3 |title=2018: Second Quarter Favorites |at=p.&nbsp;4, sec.&nbsp;The Caretaker – ''Everywhere at the end of time – Stage 4'' |date=3 July 2018 |access-date=8 June 2021 |website=[[Tiny Mix Tapes]] |last=Coral |first=Evan |archive-url=https://web.archive.org/web/20210509110440/https://www.tinymixtapes.com/features/2018-second-quarter-favorites?page=3 |archive-date=9 May 2021 |url-status=live }}</ref>
<ref name="Bruce-Jones-2019" >{{Cite web |url=https://www.factmag.com/2019/03/14/the-caretaker-bids-farewell/ |title=The Caretaker bids farewell with ''Everywhere At The End Of Time: Stage 6'' |date=14 March 2019 |access-date=8 June 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bruce-Jones |first=Henry |archive-url=https://web.archive.org/web/20210628222841/https://www.factmag.com/2019/03/14/the-caretaker-bids-farewell/ |archive-date=28 June 2021 |url-status=live }}</ref>
<ref name="Bowe-2018a" >{{Cite web |url=https://www.factmag.com/2018/04/06/caretaker-mark-fisher-take-care-everywhere-at-the-end-of-time-four/ |title=The Caretaker releases Mark Fisher tribute and ''Everywhere at the end of time: Stage Four'' |date=6 April 2018 |access-date=8 June 2021 |website=[[Fact (UK magazine)|Fact]] |last=Bowe |first=Miles |archive-url=https://web.archive.org/web/20210608145922/https://www.factmag.com/2018/04/06/caretaker-mark-fisher-take-care-everywhere-at-the-end-of-time-four/ |archive-date=8 June 2021 |url-status=live }}</ref>
<ref name="Eede-2017" >{{Cite web |url=https://thequietus.com/articles/22167-the-caretaker-new-album-out-now |title=The Caretaker's New Album Is Out Now |date=6 April 2017 |access-date=8 June 2021 |website=[[The Quietus]] |last=Eede |first=Christian |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919074242/https://thequietus.com/articles/22167-the-caretaker-new-album-out-now }}</ref>
<ref name="Eede-2017b" >{{Cite web |url=https://thequietus.com/articles/23223-the-caretaker-teaser |title= New The Caretaker Teaser |date=19 September 2017 |access-date=8 June 2021 |website=[[The Quietus]] |last=Eede |first=Christian |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919121815/https://thequietus.com/articles/23223-the-caretaker-teaser }}</ref>
<ref name="Eede-2017a" >{{Cite web |url=https://thequietus.com/articles/23287-the-caretaker-new-album-free-album |title=The Caretaker Releases Two New Albums |date=28 September 2017 |access-date=8 June 2021 |website=[[The Quietus]] |last=Eede |first=Christian |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919082350/https://thequietus.com/articles/23287-the-caretaker-new-album-free-album }}</ref>
<ref name="Doran-2016a" >{{Cite web |url=https://thequietus.com/articles/21069-albums-of-the-month-september-the-caretaker-twin-peaks-wilco-jenny-hval |title=The Best New Music You Missed In September |at=sec.&nbsp;The Caretaker – ''Everywhere at the End Of Time'' |date=7 October 2016 |access-date=8 June 2021 |website=[[The Quietus]] |last=Doran |first=John |url-status=live |archive-date=8 September 2022 |archive-url=https://archive.today/20220908124841/https://thequietus.com/articles/21069-albums-of-the-month-september-the-caretaker-twin-peaks-wilco-jenny-hval }}</ref>
<ref name="Webb-2018" >{{Cite web |url=https://ra.co/news/46995 |title=The Caretaker to play live at Présences Électronique 2018 |date=19 March 2018 |access-date=8 June 2021 |website=[[Resident Advisor]] |last=Webb |first=Andy |archive-url=https://web.archive.org/web/20210608155334/https://ra.co/news/46995 |archive-date=8 June 2021 |url-status=live }}</ref>
<ref name="Fact-2020" >{{Cite web |url=https://www.factmag.com/2020/12/24/fact-2020-audiovisual/ |title=Fact 2020: Audiovisual |date=24 December 2020 |access-date=9 June 2021 |website=[[Fact (UK magazine)|Fact]] |archive-url=https://web.archive.org/web/20210225230837/https://www.factmag.com/2020/12/24/fact-2020-audiovisual/ |archive-date=25 February 2021 |url-status=live }}</ref>
<ref name="Colquhoun-2020" >{{Cite web |url=https://thequietus.com/articles/27968-matt-colquhoun-egress-mark-fisher-hauntology-essay |title=Music Has The Right To Children: Reframing Mark Fisher's Hauntology |date=15 March 2020 |access-date=9 June 2021 |website=[[The Quietus]] |last=Colquhoun |first=Matt |url-status=live |archive-date=18 March 2020 |archive-url=https://archive.today/20200318160550/https://thequietus.com/articles/27968-matt-colquhoun-egress-mark-fisher-hauntology-essay }}</ref>
<ref name="Eede-2019b" >{{Cite web |url=https://thequietus.com/articles/27494-rewire-first-acts-2020 |title=Rewire Confirms First Acts For 2020 |date=26 November 2019 |access-date=9 June 2021 |website=[[The Quietus]] |last=Eede |first=Christian |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919161711/https://thequietus.com/articles/27494-rewire-first-acts-2020 }}</ref>
<ref name="Wire-2019a" >{{Cite web |url=https://www.thewire.co.uk/audio/tracks/the-wires-top-50-releases-2019 |title=Top 50 Releases 2019 |at=35: The Caretaker – ''Everywhere at the End Of Time (Stages 4–6)'' |date=December 2019 |access-date=9 June 2021 |website=[[The Wire (magazine)|The Wire]] |archive-url=https://web.archive.org/web/20210609143942/https://www.thewire.co.uk/audio/tracks/the-wires-top-50-releases-2019 |archive-date=9 June 2021 |url-status=live }}</ref>
<ref name="Doran-2018" >{{Cite web |url=https://thequietus.com/articles/24980-albums-of-the-year-so-far-chart-2018 |title=Albums Of The Year So Far 2018: In Association With Norman Records |at=sec.&nbsp;37.&nbsp;The Caretaker – ''Everywhere at the End Of Time – Stage IV'' |date=30 July 2018 |access-date=9 June 2021 |website=[[The Quietus]] |last=Doran |first=John |url-status=live |archive-date=30 September 2022 |archive-url=https://archive.today/20220930132742/https://thequietus.com/articles/24980-albums-of-the-year-so-far-chart-2018 }}</ref>
<ref name="Tan-2018" >{{Cite web |url=https://thequietus.com/articles/24144-ivan-seal-interview |title=The Noise In-Between: An Interview With Ivan Seal |date=10 March 2018 |access-date=9 June 2021 |website=[[The Quietus]] |last=Tan |first=Declan |url-status=live |at=para.&nbsp;19 |archive-date=18 September 2022 |archive-url=https://archive.today/20220918093012/https://thequietus.com/articles/24144-ivan-seal-interview }}</ref>
<ref name="Eede-2017e" >{{Cite web |url=https://thequietus.com/articles/22865-unsound-barbican-partnership |title=Unsound Partner With The Barbican |date=19 July 2017 |access-date=9 June 2021 |website=[[The Quietus]] |last=Eede |first=Christian |url-status=live |archive-date=19 September 2022 |archive-url=https://archive.today/20220919125544/https://thequietus.com/articles/22865-unsound-barbican-partnership }}</ref>
<ref name="Mineo-2019" >{{Cite web |url=https://www.obscuresound.com/2019/12/best-albums-of-2019-20-to-11/ |title=Best Albums of 2019: #20 to #11 |at=sec.&nbsp;19.&nbsp;The Caretaker – ''Everywhere at the End of Time – Stage 6'' |date=17 December 2019 |access-date=14 June 2021 |website=[[Obscure Sound]] |last=Mineo |first=Mike |archive-url=https://web.archive.org/web/20210614144528/https://www.obscuresound.com/2019/12/best-albums-of-2019-20-to-11/ |archive-date=14 June 2021 |url-status=live }}</ref>
<ref name="Palozzo-2016" >{{Cite web |url=https://www.ondarock.it/recensioni/2016_caretaker_everywhereattheendoftime.htm |title=The Caretaker – ''Everywhere At The End Of Time'' :: Le Recensioni (Review) |date=7 October 2016 |access-date=27 May 2021 |website={{interlanguage link|Ondarock|it}} |language=it |last=Palozzo |first=Michele |archive-url=https://web.archive.org/web/20210503203428/https://www.ondarock.it/recensioni/2016_caretaker_everywhereattheendoftime.htm |archive-date=3 May 2021 |url-status=live }}</ref>
<ref name="Silvestri-2019" >{{Cite web |url=https://www.ondarock.it/recensioni/2019-thecaretaker-everywhereattheendoftimestage6.htm |title=The Caretaker – ''Everywhere At The End Of Time – Stage 6'' :: Le Recensioni (Review) |date=12 November 2019 |access-date=27 May 2021 |website={{interlanguage link|Ondarock|it}} |language=it |last=Silvestri |first=Antonio |archive-url=https://web.archive.org/web/20210512045045/https://www.ondarock.it/recensioni/2019-thecaretaker-everywhereattheendoftimestage6.htm |archive-date=12 May 2021 |url-status=live }}</ref>
<ref name="Vukos-2021" >{{Cite news |url=https://www.headstuff.org/entertainment/music/caretaker-everywhere-end-time/ |title=Remembering {{!}} The Caretaker & ''Everywhere at the End Of Time'' |date=22 June 2021 |access-date=24 June 2021 |website=HeadStuff |last=Vukos |first=Luka |archive-url=https://web.archive.org/web/20210623115916/https://www.headstuff.org/entertainment/music/caretaker-everywhere-end-time/ |archive-date=23 June 2021 |url-status=live }}</ref>
<ref name="Bandcamp" >{{Cite web |url=https://bandcamp.com/tag/dark-ambient |title=Dark Ambient Music & Artists |at=sec.&nbsp;all-time best selling dark ambient |access-date=25 June 2021 |publisher=[[Bandcamp]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20210307224106/http://bandcamp.com/tag/dark-ambient |archive-date=7 March 2021 |url-status=live }}</ref>
<ref name="Sound-2019" >{{Cite web |url=https://www.primaverasound.com/en/artist/the-caretaker |title=The Caretaker (UK) |date=31 December 2019 |access-date=26 June 2021 |publisher=[[Primavera Sound]] |archive-url=https://web.archive.org/web/20210626151759/https://www.primaverasound.com/en/artist/the-caretaker |archive-date=26 June 2021 |url-status=live }}</ref>
<ref name="Boomkat" >{{Cite web |url=https://boomkat.com/bestsellers |title=Bestsellers |at=01: ''Everywhere at the End Of Time'' (Vinyl Set) |access-date=27 June 2021 |publisher=Boomkat |last=Kirby |first=Leyland |author-link=Leyland James Kirby |archive-url=https://web.archive.org/web/20210302164218/http://boomkat.com/bestsellers |archive-date=2 March 2021 |url-status=unfit}}</ref>
<ref name="Seymour-2018" >{{Cite web |url=https://www.vogue.com/article/the-caretaker-bliss-beyond-this-world |title=The Caretaker's Musical Project Is One Part Psychological Experiment, One Part Auditory Revelation |date=14 December 2018 |access-date=27 July 2021 |website=[[Vogue (magazine)|Vogue]] |last=Seymour |first=Corey |archive-url=https://web.archive.org/web/20210417123251/https://www.vogue.com/article/the-caretaker-bliss-beyond-this-world |archive-date=17 April 2021 |url-status=live }}</ref>
<ref name="VF-2019" >{{Cite web |url=https://thevinylfactory.com/features/the-10-best-new-vinyl-releases-this-week-18th-march/ |title=The 10 best new vinyl releases this week |at=sec.&nbsp;The Caretaker – ''Everywhere at the end of time – Stage 6'' |date=18 March 2019 |access-date=28 June 2021 |publisher=[[The Vinyl Factory]] |archive-url=https://web.archive.org/web/20210628042800/https://thevinylfactory.com/features/the-10-best-new-vinyl-releases-this-week-18th-march/ |archive-date=28 June 2021 |url-status=live }}</ref>
<ref name="OR-2019" >{{Cite news |url=https://www.ondarock.it/classifiche/2019.php |title=I migliori dischi del 2019 |at=38.&nbsp;The Caretaker – ''Everywhere at the End Of Time – Stage 6'' |trans-title=The best records of 2019 |access-date=29 June 2021 |newspaper=Ondarock |language=it |archive-url=https://web.archive.org/web/20210629043247/https://www.ondarock.it/classifiche/2019.php |archive-date=29 June 2021 |url-status=live }}</ref>
<ref name="OR" >{{Cite web |url=https://www.ondarock.it/classifiche/decenniodieci.php |title=I migliori dischi del Decennio 10 (2010–2019) |at=42.&nbsp;The Caretaker – ''Everywhere at the End Of Time'' |trans-title=The best records of the 2010s |access-date=29 June 2021 |website={{interlanguage link|Ondarock|it}} |language=it |archive-url=https://web.archive.org/web/20210629043258/https://www.ondarock.it/classifiche/decenniodieci.php |archive-date=29 June 2021 |url-status=live }}</ref>
<ref name="XLR8R-2019" >{{Cite web |url=https://xlr8r.com/features/xlr8rs-best-of-2019-releases/ |title=Best of 2019: Releases |at=sec.&nbsp;The Caretaker ''Everywhere at the End Of Time, Stage 6'' |access-date=29 June 2021 |website=[[XLR8R]] |date=19 December 2019 |archive-url=https://web.archive.org/web/20210629045238/https://xlr8r.com/features/xlr8rs-best-of-2019-releases/ |archive-date=29 June 2021 |url-status=live |url-access=registration }}</ref>
<ref name="Otis-2018" >{{Cite web |url=https://xlr8r.com/best-of/xlr8rs-best-of-2018-releases/ |title=Best of 2018: Releases |at=sec.&nbsp;The Caretaker ''Everywhere at the End of Time Stage 4 & 5'' |access-date=29 June 2021 |website=[[XLR8R]] |last=Otis |first=Erik |date=19 December 2018 |archive-url=https://web.archive.org/web/20210629045241/https://xlr8r.com/best-of/xlr8rs-best-of-2018-releases/ |archive-date=29 June 2021 |url-status=live }}</ref>
<ref name="Reynolds-2019" >{{Cite news |url=https://reader.exacteditions.com/issues/80953/page/54 |title=Daring to decay, two hauntological guides call time on their longrunning projects |date=June 2019 |issue=424 |at=p.&nbsp;54, para.&nbsp;5–6 |access-date=29 June 2021 |website=[[The Wire (magazine)|The Wire]] |publisher=[[Exact Editions]] |last=Reynolds |first=Simon |author-link=Simon Reynolds |url-access=subscription  }}</ref>
<ref name="Perevedentseva-2016" >{{Cite web |url=https://thequietus.com/articles/21501-the-quietus-tracks-of-the-year-2016 |title=Tracks Of The Year 2016 |at=The Caretaker – 'We Don't Have Many Days' |date=21 December 2016 |access-date=8 July 2021 |website=[[The Quietus]] |last=Perevedentseva |first=Maria |url-status=live |archive-date=30 September 2022 |archive-url=https://archive.today/20220930122901/https://thequietus.com/articles/21501-the-quietus-tracks-of-the-year-2016 }}</ref>
<ref name="Clarke-2018c" >{{Cite web |url=https://thequietus.com/articles/25432-albums-of-the-month-september-2018-alice-coltrane-adult-pigsx7-yves-tumor-tracks-of-the-month-audiobooks-hen-ogledd |title=Music Of The Month: Albums & Tracks We Loved This September |at=sec.&nbsp;The Caretaker – ''Everywhere at the End Of Time – Stage Five'' |date=5 October 2018 |access-date=8 July 2021 |website=[[The Quietus]] |last=Clarke |first=Patrick |url-status=live |archive-date=30 September 2022 |archive-url=https://archive.today/20220930123247/https://thequietus.com/articles/25432-albums-of-the-month-september-2018-alice-coltrane-adult-pigsx7-yves-tumor-tracks-of-the-month-audiobooks-hen-ogledd }}</ref>
<ref name="Baird-2018" >{{Cite web |url=https://daily.bandcamp.com/scene-report/santiago-chile-cassette-guide |title=A Guide to the Diverse Cassette Scene of Santiago, Chile |date=28 March 2018 |access-date=8 July 2021 |website=[[Bandcamp Daily]] |last=Baird |first=Saxon |archive-url=https://web.archive.org/web/20210709184910/https://daily.bandcamp.com/scene-report/santiago-chile-cassette-guide |archive-date=9 July 2021 |url-status=live |at=para.&nbsp;7 }}</ref>
<ref name="Studarus-2017" >{{Cite web |url=https://daily.bandcamp.com/big-ups/big-ups-sondre-lerche |title=Big Ups: Sondre Lerche |at=sec.&nbsp;The Caretaker |date=26 May 2017 |access-date=8 July 2021 |website=[[Bandcamp Daily]] |last=Studarus |first=Laura |archive-url=https://web.archive.org/web/20210709190258/https://daily.bandcamp.com/big-ups/big-ups-sondre-lerche |archive-date=9 July 2021 |url-status=live }}</ref>
<ref name="Advisor-2019" >{{Cite web |url=https://ra.co/features/3540 |title=2019's Best Albums |access-date=14 July 2021 |website=[[Resident Advisor]] |archive-url=https://web.archive.org/web/20210203111332/https://ra.co/features/3540 |archive-date=3 February 2021 |url-status=live }}</ref>
<ref name="Bazin-2018" >{{Cite web |url=https://www.youtube.com/watch?v=g4rI4xuomOY |title=The Caretaker_PRESENCES électronique 2018 |date=9 May 2018 |access-date=16 July 2021 |publisher=[[Institut national de l'audiovisuel|INA]] grm |via=YouTube |last=Bazin |first=Alexandre |archive-url=https://web.archive.org/web/20210515141018/https://www.youtube.com/watch?app=desktop&v=g4rI4xuomOY |archive-date=15 May 2021 |url-status=live |at=3:36 }}</ref>
<ref name="Romero-2021" >{{Cite web |url=https://www.gamepur.com/guides/best-mods-for-friday-night-funkin |title=The best mods for ''Friday Night Funkin{{'}}'' |at=sec.&nbsp;''Everywhere at the End of Funk'' |date=9 August 2021 |access-date=25 August 2021 |website=Gamepur |publisher=[[Gamurs]] |last=Romero |first=Wren |archive-url=https://web.archive.org/web/20210809175203/https://www.gamepur.com/guides/best-mods-for-friday-night-funkin |archive-date=9 August 2021 |url-status=live}}</ref>
<ref name="vvmtest-2006" >{{Cite web |url=https://www.youtube.com/user/vvmtest/videos |title=Uploads  |via=YouTube |publisher=[[V/Vm Test|vvmtest]] |last=Kirby |first=Leyland |author-link=The Caretaker (musician) |archive-url=https://web.archive.org/web/20220114131526/https://www.youtube.com/user/vvmtest/videos |archive-date=14 January 2022 |url-status=live}}</ref>
<ref name="Quinn-2021" >{{Cite news |title=We found the greatest: ''Everywhere at the End of Time''. |publisher=[[UWIRE]] |url=https://link.gale.com/apps/doc/A660016909/AONE?u=wikipedia&sid=ebsco&xid=e41a918b |last=Quinn |first=Cole |journal=Uwire Text |date=29 April 2021 |pages=1 |access-date=14 February 2022 |via=[[Gale Academic OneFile]]}}</ref>
<ref name="Ju-2021" >{{Cite news |title=Casual Cadenza: ''Everywhere at the End of Time''. |publisher=[[UWIRE]] |url=https://link.gale.com/apps/doc/A652699187/AONE?u=wikipedia&sid=ebsco&xid=12bf2799 |last=Ju |first=Esther |journal=Uwire Text |date=22 February 2021 |pages=1 |access-date=14 February 2022 |via=[[Gale Academic OneFile]]}}</ref>
<ref name="Nove-2021" >{{Cite news |title=''Everywhere at the End of Time'': Art transcending aura. |publisher=[[UWIRE]] |url=https://link.gale.com/apps/doc/A651220846/AONE?u=wikipedia&sid=ebsco&xid=e9217e39 |last=Nove |first=Sarah |journal=Uwire Text |date=9 February 2021 |pages=1 |access-date=14 February 2022 |via=[[Gale Academic OneFile]]}}</ref>
<ref name="Dunn-2020" >{{Cite news |title=''Everywhere at the End of Time'' Depicts the Horrors of Dementia Through Sound. |publisher=[[UWIRE]] |url=https://link.gale.com/apps/doc/A636592949/AONE?u=wikipedia&sid=ebsco&xid=c07f96c2 |last=Dunn |first=Parker |journal=Uwire Text |date=26 September 2020 |pages=1 |access-date=14 February 2022 |via=[[Gale Academic OneFile]]}}</ref>
<ref name="Leahy-2021" >{{Cite web |url=https://www.teenink.com/opinion/movies_music_tv/article/1131068/Everywhere-At-The-End-Of-Time |title=''Everywhere at The End of Time'' |date=8 May 2021 |access-date=14 February 2022 |website=[[Teen Ink]] |last=Leahy |first=Sydney |archive-url=https://web.archive.org/web/20210511035932/https://www.teenink.com/opinion/movies_music_tv/article/1131068/Everywhere-At-The-End-Of-Time |archive-date=11 May 2021 |url-status=live}}</ref>
<ref name="Slomka-2020" >{{Cite news |title=Utilize music in education for better results. |url=https://link.gale.com/apps/doc/A640303675/AONE?u=wikipedia&sid=ebsco&xid=993439b9 |last=Slomka |first=Emerson | journal=Uwire Text |date=2 November 2020 | pages=1 |access-date=14 February 2022 |publisher=[[UWIRE]] |via=[[Gale Academic OneFile]]}}</ref>
<ref name="McGarvey-2021" >{{Cite news |title=Dementia album proves power of art. |url=https://link.gale.com/apps/doc/A649965947/STND?u=wikipedia&sid=ebsco&xid=c0e3ccee |last=McGarvey |first=Darren |date=29 January 2021 |access-date=14 February 2022 |website=[[Daily Record (Scotland)|Daily Record]] |publisher=MGN Ltd |via=[[Gale Academic OneFile]]}}</ref>
<ref name="Bittner-2020" >{{Cite news |title=Don't press skip: Music highlights you might have missed in October. |url=https://link.gale.com/apps/doc/A639935308/AONE?u=wikipedia&sid=ebsco&xid=44169df9 |last1=Bittner |first1=Crew |date=30 October 2020 |access-date=14 February 2022 |publisher=[[UWIRE]] |last2=Tran |first2=Vincent | journal=Uwire Text | pages=1 |via=[[Gale Academic OneFile]]}}</ref>
<ref name="LoreSavage-2016" >{{Cite news |title=The Caretaker, Memory Loss and the End of Time The Suburbs': A Majestic Drive Down Memory Lane |url=https://link.gale.com/apps/doc/A467685415/AONE?u=wikipedia&sid=ebsco&xid=580f03e5 |last1=Lore |first1=Adrian Mark |date=25 October 2016 |access-date=14 February 2022 |publisher=[[UWIRE]] |last2=Savage |first2=Andrea | journal=Uwire Text | pages=1 |via=[[Gale Academic OneFile]]}}</ref>
<ref name="Lore-2017" >{{Cite news |title=Where are they now? Where aren't they yet? Catching up with Leyland Kirby |url=https://link.gale.com/apps/doc/A524276889/AONE?u=wikipedia&sid=ebsco&xid=b3c97f6c |last=Lore |first=Adrian Mark | journal=Uwire Text |date=17 November 2017 | pages=1 |access-date=14 February 2022 |publisher=[[UWIRE]] |via=[[Gale Academic OneFile]]}}</ref>
<ref name="Lupo" >{{Cite web |url=http://www.loop-o.com/ |title=Loop_O |access-date=14 February 2022 |last=Lubich |first=Andreas |archive-url=https://web.archive.org/web/20211216201913/http://loop-o.com/ |archive-date=16 December 2021 |url-status=live}}</ref>
<ref name="Mitchell-2021" >{{Cite web |url=https://daily.bandcamp.com/resonance/the-caretaker-an-empty-bliss-beyond-this-world-essay |title=I Feel As If I Might Be Vanishing: The Caretaker's ''An empty bliss beyond this World'' |date=11 October 2021 |access-date=6 March 2022 |website=[[Bandcamp Daily]] |last=Mitchell |first=Matt |archive-url=https://web.archive.org/web/20211011183836/https://daily.bandcamp.com/resonance/the-caretaker-an-empty-bliss-beyond-this-world-essay |archive-date=11 October 2021 |url-status=live |at=para.&nbsp;11 }}</ref>
<ref name="Chennington-2021" >{{Cite web |url=https://www.youtube.com/watch?v=cB3LQtqahvg |title=A Deep Dive into The Caretaker's ''Everywhere at the End of Time'' |date=22 September 2021 |access-date=7 March 2022 |via=YouTube |publisher=Pad Chennington |last=Webster |first=James |archive-url=https://web.archive.org/web/20210923044318/https://www.youtube.com/watch?v=cB3LQtqahvg |archive-date=23 September 2021 |url-status=live |at=28:47 }}</ref><!-- THIS REF IS RELIABLE, JAMES WEBSTER IS KNOWN FOR [[I'LL TRY LIVING LIKE THIS]] -->
<ref name="Sloth-2017" >{{Cite web |url=https://entropymag.org/the-caretaker-everywhere-at-the-end-of-time-stage-3/ |title=The Caretaker – ''Everywhere At The End Of Time – Stage 3'' |date=22 October 2017 |access-date=15 March 2022 |website=[[Entropy (magazine)|Entropy]] |last=Sloth |first=Beach |archive-url=https://web.archive.org/web/20200412164813/https://entropymag.org/the-caretaker-everywhere-at-the-end-of-time-stage-3/ |archive-date=12 April 2020 |url-status=live }}</ref>
<ref name="DF-2022" >{{Cite web |url=https://www.donaufestival.at/en/programme |title=Programme 2022 |at=sec.&nbsp;May 07 |access-date=21 March 2022 |publisher=[[Donaufestival]] |archive-url=https://web.archive.org/web/20220321225152/https://www.donaufestival.at/en/programme |archive-date=21 March 2022 |url-status=live }}</ref>
<ref name="Hoffman-2016" >{{Cite web |url=https://www.phillyvoice.com/now-hear-new-music-jenny-hval-xenia-rubinos-emma-ruth-rundle-and-more/ |title=Now Hear This: New music from Jenny Hval, Xenia Rubinos, Emma Ruth Rundle and more |at=5.&nbsp;The Caretaker, 'It's just a burning memory' |date=26 September 2016 |access-date=23 March 2022 |website=PhillyVoice |last=Hoffman |first=K. Ross |url-status=live |archive-date=27 September 2016 |archive-url=https://web.archive.org/web/20160927123648/https://www.phillyvoice.com/now-hear-new-music-jenny-hval-xenia-rubinos-emma-ruth-rundle-and-more/ }}</ref>
<ref name="Forster-2016" >{{Cite web |url=https://echoesanddust.com/2016/10/the-caretaker-everywhere-at-the-end-of-time-stage-1/ |title=The Caretaker – ''Everywhere at the End of Time, Stage 1'' |date=October 2016 |access-date=27 March 2022 |website=Echoes and Dust |last=Forster |first=Si |archive-url=https://web.archive.org/web/20161014164241/https://echoesanddust.com/2016/10/the-caretaker-everywhere-at-the-end-of-time-stage-1/ |archive-date=14 October 2016 |url-status=live}}</ref>
<ref name="Schulze-2020" >{{Cite book |title=The Bloomsbury Handbook of the Anthropology of Sound |editor=Holger Schulze |publisher=[[Bloomsbury Publishing]] |isbn=9781501335419 |url=https://books.google.com/books?id=jy8LEAAAQBAJ |year=2020 |at=p.&nbsp;475 }}</ref>
<ref name="Lamm-2020" >{{Cite web |url=https://www.liberation.fr/musique/2020/11/02/la-grande-musique-est-elle-soluble-dans-tiktok_1804278/ |title=La grande musique est-elle soluble dans TikTok ? |trans-title=Is great music found on TikTok? |date=2 November 2020 |access-date=27 March 2022 |website=[[Libération]] |last=Lamm |first=Olivier |archive-url=https://web.archive.org/web/20210415120616/https://www.liberation.fr/musique/2020/11/02/la-grande-musique-est-elle-soluble-dans-tiktok_1804278/ |archive-date=15 April 2021 |url-status=live |language=fr}}</ref>
<ref name="Heffernan-2021" >{{Cite magazine |url=https://www.wired.com/story/microphones-music-screen-time-glenn-gould/ |title=On Microphones, Music, and Our Long Year of Screen Time |date=17 June 2021 |access-date=27 March 2022 |magazine=[[Wired (magazine)|Wired]] |last=Heffernan |first=Virginia |author-link=Virginia Heffernan |archive-url=https://web.archive.org/web/20210617120318/https://www.wired.com/story/microphones-music-screen-time-glenn-gould/ |archive-date=17 June 2021 |url-status=live |at=para.&nbsp;10–11 |url-access=limited}}</ref>
<ref name="Le-2021" >{{Cite web |url=https://osf.io/qv8us/download |title=Terminal lucidity: mysteries at the end of life |date=23 September 2021 |access-date=31 March 2022 |website=Centre for Interdisciplinary Social Research |last=Le |first=Tam-Tri |at=p.&nbsp;2, para.&nbsp;6}}</ref>
<ref name="Theis" >{{Cite web |url=https://www.music.iastate.edu/files/news/files/music_memory.pdf |title=Music & Memory: Music Therapy for People with Alzheimer's Disease |access-date=31 March 2022 |publisher=[[Iowa State University]] |last=Theis |first=Emma |at=p.&nbsp;8}}</ref>
<ref name="Carney-2016" >{{Cite web |url=https://www.treblezine.com/31942-the-caretaker-new-music-dementia/ |title=The Caretaker announces new album series inspired by dementia |date=22 September 2016 |access-date=31 March 2022 |website=Treblezine |last=Carney |first=Kyle |archive-url=https://web.archive.org/web/20160927033637/https://www.treblezine.com/31942-the-caretaker-new-music-dementia/ |archive-date=27 September 2016 |url-status=live}}</ref>
<ref name="AFP-2021" >{{Cite web |url=https://www.courrier-picard.fr/id232183/article/2021-09-19/un-disque-pour-vivre-la-maladie-dalzheimer-de-linterieur |title=Un disque pour vivre la maladie d'Alzheimer de l'intérieur |language=fr |trans-title=A record to experience Alzheimer's disease from the inside |date=19 September 2021 |access-date=31 March 2022 |website={{interlanguage link|Le Courrier picard|fr}} |last=AFP |archive-url=https://web.archive.org/web/20220331235351/https://www.courrier-picard.fr/id232183/article/2021-09-19/un-disque-pour-vivre-la-maladie-dalzheimer-de-linterieur |archive-date=31 March 2022 |url-status=live |publisher=[[La Une]]}}</ref>
<ref name="kc-2019" >{{Cite web |url=https://spex.de/die-besten-alben-2010-2019-platz-150-bis-101/ |title=Die besten Alben 2010–2019: Platz 150 bis 101 |language=de |trans-title=The best Albums of 2010–2019: Places 150 to 101 |date=9 December 2019 |access-date=31 March 2022 |website=[[Spex (magazine)|Spex]] |last=kc |archive-url=https://web.archive.org/web/20191209223837/https://spex.de/die-besten-alben-2010-2019-platz-150-bis-101/ |archive-date=9 December 2019 |url-status=live |at=sec.&nbsp;133. The Caretaker – ''Everywhere at the End Of Time Stages 1–6''}}</ref>
<ref name="CampoBruno-2019" >{{Cite web |url=https://www.giornaledellamusica.it/articoli/i-20-migliori-dischi-pop-del-2019 |title=I 20 migliori dischi POP del 2019 |date=17 December 2019 |access-date=31 March 2022 |website={{interlanguage link|Il Giornale della Musica|it}} |last1=Campo |first1=Alberto |archive-url=https://web.archive.org/web/20200102204433/https://www.giornaledellamusica.it/articoli/i-20-migliori-dischi-pop-del-2019 |archive-date=2 January 2020 |url-status=live |last2=Bruno |first2=Ennio |at=sec.&nbsp;12. The Caretaker, ''Everywhere at the End of Time – Stage 6'' |language=it |trans-title=The 20 best POP records of 2019}}</ref>
<ref name="Magnusson-2014" >{{Cite book |last=Magnusson |first=Sally |url=https://www.worldcat.org/oclc/864789208 |title=Where memories go : why dementia changes everything |date=2014 |isbn=978-1-4447-5178-9 |location=London |at=Your dementia is getting worse and the way ahead feels lonely. |chapter=All this ought to be written down |oclc=864789208}}</ref>
<ref name="Schofield-2019" >{{Cite web |url=https://recil.ensinolusofona.pt/handle/10437/10184 |title=Re-Animating Ghosts: Materiality and Memory in Hauntological Appropriation |year=2019 |access-date=24 July 2022 |website=International Journal of Film and Media Arts |last=Schofield |first=Michael Peter |publisher=Repositório Científico Lusófona (Lusophone Scientific Repository) |page=4}}</ref>
<ref name="Nixon-2021" >{{Cite web |url=http://summit.sfu.ca/item/21536 |title=Beyond representation: Music, language, and mental life |date=12 April 2021 |access-date=24 July 2022 |last=Nixon |first=Luke |publisher=[[Simon Fraser University]] |pages=104–109}}</ref>
<ref name="SS-2020" >{{Cite web |url=https://www.youtube.com/watch?v=0F7XBwFwA-M |title=Can You Name One Object In This Photo? |date=9 January 2020 |access-date=24 July 2021 |via=YouTube |publisher=Solar Sands |archive-url=https://web.archive.org/web/20200228211203/https://www.youtube.com/watch?v=0F7XBwFwA-M |archive-date=28 February 2020 |url-status=live }}</ref>
<ref name="Trevisson-2022" >{{Cite web |url=https://www.nssmag.com/en/lifestyle/29710/backrooms |title=How "backrooms" became an urban legend of the digital age |at=para.&nbsp;6 |date=30 April 2022 |access-date=3 August 2022 |website=NSS Magazine |last=Trevisson |first=Silvia |archive-url=https://web.archive.org/web/20220804001654/https://www.nssmag.com/en/lifestyle/29710/backrooms |archive-date=4 August 2022 |url-status=live}}</ref>
<ref name="AndersonJohansen-2021" >{{Cite web |url=https://www.diva-portal.org/smash/record.jsf?pid=diva2:1588562 |title=Hur kan demens illustreras bättre inom film?: En studie om att visualisera det icke-visuella |trans-title=How can dementia be better illustrated in film?: A study of visualizing the non-visual |date=31 August 2021 |access-date=1 October 2022 |last1=Andersson |first1=Oliver |publisher=[[Blekinge Institute of Technology]] |last2=Johansen |first2=Malin |page=5 |language=sv |via=[[DiVA (open archive)|DiVA]]}}</ref>
<ref name="RestrepoSuarez-2022" >{{Cite web |url=http://hdl.handle.net/20.500.12622/5699 |title=Inmerso: EP conceptual inspirado en la despolarización atentiva |trans-title=Immersed: concept EP inspired by attentive depolarization |date=2022 |access-date=1 October 2022 |last1=Restrepo |first1=Alejandro Muriel |publisher={{interlanguage link|Instituto Tecnológico Metropolitano de Medellín|es}} |last2=Suárez |first2=Mateo Alejandro Duque |page=7 |hdl=20.500.12622/5699 |language=es |via=[[Handle System]]}}</ref>
<ref name="McCartan-2021" >{{Cite web |url=https://pureadmin.qub.ac.uk/ws/portalfiles/portal/326856472/Composing_in_and_out_of_the_Post_Club_Resynthesis_of_club_music_and_the_personal_past_.pdf |title=Composing in and out of the (Post-)Club |date=June 2021 |access-date=2 October 2022 |last=McCartan |first=Liam |publisher=[[Queen's University Belfast]] |page=27}}</ref>
<ref name="Weiss-2019" >{{Cite journal |url=https://doi.org/10.1353/jlt.2019.0009 |title=(Not) Looking Back, Looking Forward: Post- and Future Memory in ''Everywhere at the End of Time'' |date=2019 |access-date=12 November 2022 |journal=Journal of Literature and Trauma Studies |last=Weiss |first=Alexandra |volume=8 |issue=2 |pages=101–114 |publisher=[[Project MUSE]] |doi=10.1353/jlt.2019.0009 |s2cid=252520845 |via=[[Digital object identifier|DOI]]}}</ref>
<ref name="Pérez-2021" >{{Cite web |url=https://hdl.handle.net/11441/131086 |title=Antes de que se desvanezca: Encuentros y aproximaciones alternativas a la memoria en la práctica artística contemporánea |trans-title=Before it fades: Encounters and alternative approaches to memory in contemporary artistic practice |date=30 June 2021 |access-date=13 November 2022 |last=Pérez |first=Rosa Ramírez |publisher=[[University of Seville]] |hdl=11441/131086 |at=p.&nbsp;72, sec. Aidés-des-memoires [Aided by memories] |language=es |via=[[Handle System]]}}</ref>
<ref name="Kirby-2023" >{{Cite tweet |author=Leyland Kirby |user=LeylandKirby |number=1734178945761792105 |date=11 December 2023 |title=The Caretaker work is on all streaming services. Do I... |access-date=October 14, 2023 }}</ref>
}}
<!--<ref name="" >{{Cite web |url= |title= |trans-title= |date= |access-date= |website= |last= |first= |publisher= |author-link= |last2= |first2= |page= |pages= |at= |language= |last3= |first3= |url-access= |via=}}</ref>-->

==External links==
* {{Discogs release|14596513}}
* {{MusicBrainz release|mbid=e9624820-9924-4d67-b7c0-3bb729507514}}
* [https://www.tiktok.com/tag/everywhereattheendoftime #''EverywhereAtTheEndOfTime''] on [[TikTok]]
* [https://www.youtube.com/watch?v=wJWksPWDKOc ''Everywhere at the End of Time''] on [[YouTube]]
* "[https://www.youtube.com/watch?v=BqULTNqcKro We are in the Shadow of a Distant Fire]" by Leyland Kirby

{{The Caretaker (musician)}}
{{Authority control}}

[[Category:2016 albums]]
[[Category:2017 albums]]
[[Category:2018 albums]]
[[Category:2019 albums]]
[[Category:The Caretaker (musician) albums]]
[[Category:Works about Alzheimer's disease]]
[[Category:Internet memes introduced in 2020]]
[[Category:Concept album series]]
[[Category:Dark ambient albums]]
[[Category:Electronic albums by English artists]]
[[Category:Experimental music albums by English artists]]
[[Category:Sound collage albums]]
[[Category:Plunderphonics albums]]