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Summary

Description
English: Comparison of notes derived from and near unison/octave.
  • B = 125 : 64 = 1158.94
  • C = B = Ddouble flat = 0/1200
  • E7double flat+ = 2401 : 2400 = 0.72
  • B++ = 32805 : 32768 = 1.95
  • B7 upside-down = 225 : 224 = 7.71
  • Bdouble sharp- = 15625 : 15552 = 8.11
  • Adouble sharp++ = 2109375 : 2097152 = 10.06
  • D7 upside-downdouble flat = 126 : 125 = 13.79
  • Ddouble flat-- = 2048 : 2025 = 19.55
  • C+ = 81 : 80 = 21.51
  • B+++ = 531441 : 524288 = 23.46
  • C13 = 65 : 64 = 26.84
  • C7 upside-down- = 64 : 63 = 27.26
  • D7 = 56 : 55 = 31.19
  • B7 upside-down- = 50 : 49 = 34.98
  • D7 = 49 : 48 = 35.70
  • Ddouble flat- = 128 : 125 = 41.06
  • C7 upside-down = 36 : 35 = 48.77
Date
Source Own work
Author Hyacinth
Other versions File:Comparison of twelve fifths.png, File:Comparison of minor seconds.png, File:Comparison of major seconds.png, File:Comparison of minor thirds.png, File:Comparison of major thirds.png, File:Comparison of perfect fourths.png, File:Comparison of tritones.png, File:Comparison of unisons.png, File:Comma size comparison.png

Licensing

Public domain This media depicts a musical interval outside of a specific musical context. Intervals consist of an ordering of two pitches or pitch classes (no "distinctiveness"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent as distinct in compositions. As such, a musical interval is a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input.
This media depicts a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input.

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