File:Open-Air Painter. Winter-Motif from Åsögatan 145, Stockholm (Carl Larsson) - Nationalmuseum - 19607.tif
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Carl Larsson: Open-Air Painter. Winter-Motif from Åsögatan 145, Stockholm | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q187310 |
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Title |
English: Open-Air Painter. Winter-Motif from Åsögatan 145, Stockholm Svenska: Friluftsmålaren. Vintermotiv från Åsögatan 145, Stockholm |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Carl Larsson’s monumental painting Open-Air Painter has been seen as a manifesto for Nordic outdoor realism, which came into style in the 1880s. In addition to being a comment on the new practice of painting outdoors, it illustrates the repercussions this had on Scandinavian artists, who were now expected to work directly before their subject even in the cold winter. This specifically Nordic dimension of portraying the seasons attracted great attention when the painting was shown in Paris in 1886. Svenska: Carl Larssons stora målning Friluftsmålaren har betraktats som en programförklaring för den nordiska friluftsrealism som slog igenom på 1880-talet. Förutom att framhålla den nya praktiken att måla ute i det fria, illustrerar målningen de följder som detta medförde för de skandinaviska konstnärerna. Också i det svenska vinterklimatet förväntades de nu arbeta direkt inför motiven. Denna specifikt nordiska dimension i skildrandet av årstidsväxlingarna väckte uppmärksamhet när målningen visades i Paris 1886. |
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Original caption InfoField | English: Carl Larsson’s monumental painting Open-Air Painter has been seen as a manifesto for Nordic outdoor realism, which came into style in the 1880s. In addition to being a comment on the new practice of painting outdoors, it illustrates the repercussions this had on Scandinavian artists, who were now expected to work directly before their subject even in the cold winter. This specifically Nordic dimension of portraying the seasons attracted great attention when the painting was shown in Paris in 1886. Svenska: Carl Larssons stora målning Friluftsmålaren har betraktats som en programförklaring för den nordiska friluftsrealism som slog igenom på 1880-talet. Förutom att framhålla den nya praktiken att måla ute i det fria, illustrerar målningen de följder som detta medförde för de skandinaviska konstnärerna. Också i det svenska vinterklimatet förväntades de nu arbeta direkt inför motiven. Denna specifikt nordiska dimension i skildrandet av årstidsväxlingarna väckte uppmärksamhet när målningen visades i Paris 1886. |
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Date |
1886 date QS:P571,+1886-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 2546 |
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Place of creation | Stockholm | |||||||||||||||||||||||||||
Exhibition history |
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Inscriptions |
Svenska: Signerad: C. LARSSON STOCKHOLM 1886 |
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References | ||||||||||||||||||||||||||||
Source/Photographer | Nationalmuseum | |||||||||||||||||||||||||||
Permission (Reusing this file) |
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Items portrayed in this file
depicts
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:58, 8 October 2016 | 4,185 × 2,420 (28.99 MB) | AndreCostaWMSE-bot | {{Artwork |other_fields_1 = |artist = {{Creator:Carl Larsson}} |title = {{en|Open-Air Painter. Winter-Motif from Åsögatan 145, Stockholm}} {{sv|Friluftsmålaren. Vintermotiv från Åsögatan 145, Stockholm}} |w... |
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Width | 4,185 px |
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Height | 2,420 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 19,500 |
Number of components | 3 |
Number of rows per strip | 2,420 |
Bytes per compressed strip | 30,383,100 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 7.0 |
File change date and time | 09:44, 23 November 2004 |
Color space | Uncalibrated |